Post Production

2,595 topics in this forum

1. 16mm transfer options in Australia?

   By Patrick Cooper, March 17, 2020
   • 20 replies
   • 3.8k views
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   • Jon O'Brien
   • April 30, 2023
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3. 16mm VFX compositing. Best DI route?

   By Elliot Rudmann, October 12, 2006
   • 8 replies
   • 2.8k views
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   • Raymond Scott Thomas
   • January 9, 2022

4. 16mm vs. Super16mm for offline telecine

   By John Atala, July 20, 2005
   • 12 replies
   • 2.3k views
   • 
   • David Mullen ASC
   • July 23, 2005

5. 16mm workflow ideas.

   By Matt Bizer, April 26, 2007
   • 3 replies
   • 1.6k views
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   • timHealy
   • April 26, 2007

6. 16mm Workflow in final cut.

   By Matt Bizer, April 26, 2007
   • 1 reply
   • 1.3k views
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   • Keith Mottram
   • April 27, 2007

7. 16mm workprint rank cintel transfer

   By dd3stp233, January 20, 2006
   • 7 replies
   • 2.6k views
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   • Sam Wells
   • January 21, 2006

8. 16mm/35mm INTERCINE flatbed

   By Al DeLory, February 15, 2011
   • 0 replies
   • 3.4k views
   • 
   • Al DeLory
   • February 15, 2011

9. 16mm/35mm Intercine flatbed editor

   By Al DeLory, October 29, 2009
   • 0 replies
   • 3.6k views
   • 
   • Al DeLory
   • October 29, 2009

10. 18fps Super 8mm film to NLE to digital media final workflow

    By Anthony Brock, July 20, 2010
    • 4 replies
    • 5.9k views
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    • Robert Houllahan
    • July 26, 2010

11. 2 perf 35mm process and telecine

    By Erik Turestedt, March 23, 2009
    • 2 replies
    • 1.3k views
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    • Lee Albright
    • March 26, 2009

12. 2-perf scans.

    By Paul Bruening, July 24, 2007
    • 4 replies
    • 1.4k views
    • 
    • John Sprung
    • July 24, 2007

13. 2-perf telecine....HELP ME PLEASE

    By Jon-Hebert Barto, February 17, 2006
    • 6 replies
    • 2.3k views
    • 
    • Jon-Hebert Barto
    • April 12, 2006

14. 2.35:1 Anamorphic telecine

    By Ilya Stone, November 7, 2004
    • 2 replies
    • 2k views
    • 
    • Filip Plesha
    • November 7, 2004

15. 2.35:1 aspect ratio on a 16x9 anamorphic dvd

    By Guest Stephen Murphy, February 28, 2006
    • 12 replies
    • 3.3k views
    • 
    • Guest
    • March 1, 2006

16. 2016 - 2K or 4K for 16mm?

    By Brian Rose, February 6, 2016
    • 16 replies
    • 9.8k views
    • 
    • Perry Paolantonio
    • August 22, 2016

17. 2019 Colorist Summit

    By Luke Cameron, July 22, 2019   

    • color grading
    • davinci resolve
    • (and 3 more)

      Tagged with:

      • color grading
      • davinci resolve
      • training
      • event
      • colorist mixer
    • 0 replies
    • 897 views
    • 
    • Luke Cameron
    • July 22, 2019

18. 2021 EditFest Global Presents Top Talent from Around the World

    By Sue Smith, August 24, 2021
    • 0 replies
    • 1.4k views
    • 
    • Sue Smith
    • August 24, 2021

19. 23.97 and 24 fps mixed up

    By Evan Warner, March 3, 2008
    • 12 replies
    • 3.7k views
    • 
    • Evan Warner
    • March 4, 2008

20. 23.976 fps for 24 fps Audio

    By John OBrien, April 17, 2008
    • 1 reply
    • 1.3k views
    • 
    • Guest
    • April 18, 2008

21. 24" iMac & FCS2

    By Satsuki Murashige, September 26, 2007
    • 7 replies
    • 2.3k views
    • 
    • Keith Mottram
    • September 28, 2007

22. 24fps film - Telecine - to PAL Digibeta.

    By Fabian Prell, April 27, 2009
    • 18 replies
    • 4.9k views
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    • Neil B Sadwelkar
    • June 10, 2009

23. 24fps film to PAL to NTSC

    By Jack Messitt, August 1, 2005
    • 3 replies
    • 1.6k views
    • 
    • Phil Rhodes
    • August 1, 2005

24. 24fps shooting vs. 23.976

    By Trevor McClung, April 28, 2012
    • 14 replies
    • 19.9k views
    • 
    • Will Montgomery
    • May 8, 2012

25. 24fps vs 25fps

    By Delorme Jean-Marie, May 30, 2007
    • 3 replies
    • 1.8k views
    • 
    • Delorme Jean-Marie
    • May 31, 2007

26. 24p -> film + a few general HD questions

    By Angelo Lorenzo, July 6, 2009
    • 2 replies
    • 1k views
    • 
    • John Sprung
    • July 6, 2009