Post Production

2,595 topics in this forum

1. How to get this film look ? Tony Scoot "Domino"

   By fouadelbali, September 26, 2013   

   • Grading DI
   • Color Correction
   • 8 replies
   • 9.5k views
   • 
   • fouadelbali
   • September 29, 2013
2. • 
   • 
   • 

3. At what resolution is film scanned for a D.I.?

   By Reuel Gomez, July 22, 2013
   • 22 replies
   • 9.5k views
   • 
   • Jock Blakley
   • December 18, 2013

4. How to achieve gritty, grimey look in film?

   By Nick Henderson, February 12, 2012
   • 6 replies
   • 9.5k views
   • 
   • Yousuf Abbasi
   • May 15, 2012

5. Aja Kona 3 Vs Blackmagic

   By Guest Rodrigo Martins, July 23, 2008
   • 22 replies
   • 9.4k views
   • 
   • Keith Mottram
   • July 30, 2008

6. Biutiful color grading

   By Yasutake Torii, June 22, 2011
   • 11 replies
   • 9.4k views
   • 
   • Cristóvão Costa
   • November 17, 2023

7. ProRes in Windows

   By Jimmy Jib, February 26, 2016   

   • ProRes 444
   • 15 replies
   • 9.3k views
   • 
   • Phil Rhodes
   • April 1, 2016

8. Telecine v.s Scanner

   By IngmarRosengaard, July 27, 2004
   • 14 replies
   • 9.3k views
   • 
   • Robert Houllahan
   • October 3, 2012

9. Perforated Magnetic Film? 1 2

   By Mario Regus, August 26, 2011
   • 27 replies
   • 9.3k views
   • 
   • Brian Drysdale
   • September 1, 2011

10. The ever changing world of Post Production 1 2 3

    By Mike Nichols, February 28, 2008
    • 66 replies
    • 9.2k views
    • 
    • Mike Nichols
    • April 2, 2008

11. INSCANITY! 4K HDR Film Scanning Comes to Cinelicious

    By Paul Korver, March 12, 2011
    • 14 replies
    • 9.2k views
    • 
    • Sean Cunningham
    • March 13, 2014

12. Analytical breakdown of DI or Telecine process w digital or film source footage 1 2

    By Stelios Contos, May 27, 2016
    • 46 replies
    • 9k views
    • 
    • Stelios Contos
    • June 3, 2016

13. Is it possible to get wide gamut color out of Scanstation scans (color primaries wider than sRGB/REC709 locations)?? 1 2 3 4 5

    By Larry Baum, September 11, 2022
    • 118 replies
    • 8.9k views
    • 
    • Jeff Bernstein
    • September 1, 2023

14. ProRes from DPX... sharper than DPX?

    By Steve Zimmerman, April 2, 2011
    • 14 replies
    • 8.9k views
    • 
    • Dirk DeJonghe
    • June 24, 2011

15. what color space in Resolve for a film theatrical release ?

    By mailesan, March 20, 2018
    • 5 replies
    • 8.9k views
    • 
    • Bruce Greene
    • March 20, 2018

16. DaVinci Export for OMF and/or AAF

    By Dan Hasson, April 5, 2019
    • 0 replies
    • 8.9k views
    • 
    • Dan Hasson
    • April 5, 2019

17. Gamma + Colorshift when exporting to quicktime in Davinci

    By Artyom Zakharenko, February 24, 2016   

    • gamma color shift davinci
    • 4 replies
    • 8.9k views
    • 
    • Bruce Greene
    • March 3, 2016

18. Grey Cards/Color Charts

    By Evan Andrew John Prosofsky, July 3, 2012
    • 18 replies
    • 8.8k views
    • 
    • David Mullen ASC
    • July 9, 2012

19. So I built a DIY 4k scanner.....

    By charles g clark, September 30, 2010
    • 18 replies
    • 8.8k views
    • 
    • John Sprung
    • October 12, 2010

20. DPX to .mov

    By Georgia Fiocanis, June 30, 2014   

    • DPX
    • .mov
    • (and 3 more)

      Tagged with:

      • DPX
      • .mov
      • convert
      • davinci
      • color correct
    • 5 replies
    • 8.7k views
    • 
    • Georgia Fiocanis
    • July 6, 2014

21. Understanding DPX Files and How They Preserve Details

    By Karl Lee, December 14, 2014
    • 8 replies
    • 8.6k views
    • 
    • Karl Eklund
    • December 17, 2014

22. DaVinci Resolve Color Flickering Issue

    By John W. King, September 12, 2016   

    • color grading
    • colorist
    • (and 5 more)

      Tagged with:

      • color grading
      • colorist
      • playback
      • video
      • strobe
      • flicker
      • davinci resolve 12
    • 3 replies
    • 8.6k views
    • 
    • Brian Drysdale
    • September 12, 2016

23. DPX files

    By Bill DiPietra, May 5, 2010
    • 5 replies
    • 8.5k views
    • 
    • Bill DiPietra
    • May 8, 2010

24. Confusion on the RED Rocket

    By Max Field, May 27, 2016
    • 8 replies
    • 8.2k views
    • 
    • Tyler Purcell
    • May 29, 2016

25. Converting 30p to 25p

    By Chris Alex, December 6, 2010
    • 4 replies
    • 8.2k views
    • 
    • Freya Black
    • April 24, 2014

26. How does shooting Log grant more dynamic range? Re: noise floor, highlights, gamma, bits

    By Andy Zou, September 1, 2015
    • 13 replies
    • 8.2k views
    • 
    • Carl Looper
    • September 13, 2015