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<rss version="2.0"><channel><title>JVC HD Latest Topics</title><link>https://cinematography.com/index.php?/forums/forum/40-jvc-hd/</link><description>JVC HD Latest Topics</description><language>en</language><item><title>Everio best handheld so far?</title><link>https://cinematography.com/index.php?/forums/topic/83303-everio-best-handheld-so-far/</link><description><![CDATA[<p>
	Current lineup of them the optimal in camcorders?
</p>]]></description><guid isPermaLink="false">83303</guid><pubDate>Sun, 29 Mar 2020 04:09:45 +0000</pubDate></item><item><title>DETACHED BLUE SENSOR JVC GY-HD100 AND OTHERS OF THE ProHD FAMILY</title><link>https://cinematography.com/index.php?/forums/topic/80703-detached-blue-sensor-jvc-gy-hd100-and-others-of-the-prohd-family/</link><description><![CDATA[<p>
	This has been a common failure in this camera family usually manifest firstly with blue rimming on hard contrast edges, becoming a soft and separate ghost blue image or no blue image at all, just a blue moon shape and a yellow cast in the rest of the image which users cannot white-balance. The fix from JVC is to replace the entire sensor block at considerable expense which given the obsolescence of these cameras is not justified.<br /><br />
	Because of the manufacturing technique and the attachment of the sensors to the prism by adhesive alone with no other mechanical support, alignment of the detached sensor and reglueing it is not an option. However a means of attaching the blue sensor using two bridgepieces from the green and red sensors attached to jig hardware which remains on the individual sensors may be an option. From rough tests it sees doable, the issue being finding space to add small adjustment screws.
</p>]]></description><guid isPermaLink="false">80703</guid><pubDate>Fri, 12 Jul 2019 17:19:37 +0000</pubDate></item><item><title>Can the JVC GY-LS300 output 10-bit HD video?</title><link>https://cinematography.com/index.php?/forums/topic/72765-can-the-jvc-gy-ls300-output-10-bit-hd-video/</link><description><![CDATA[
<p>It's a camcorder with 4K capabilities, but I don't really care about 4K. I just want a camcorder that can do 10-bit, 4:2:2 sampling &amp; is HD.<br />I've been trying to find out whether the LS300 can output 10-bit video (through either the SDI or HDMI via external recorder), but have been unable to find anything concrete on the matter. Some say it can't, but I don't know if they mean it can't output 4K at 10-bit, or whether it can't even do it with HD.</p>
<p>In the comments' section on the LS300's trailer video 'Heist', the creator of the video says it can indeed output 10-bit HD video via external recorder: 
</p>
<div class="ipsEmbeddedVideo"><div><iframe width="480" height="270" frameborder="0" allowfullscreen="" data-embed-src="https://www.youtube.com/embed/0vJzUIJ6mMk?feature=oembed"></iframe></div></div> (It is in a reply to someone called Sammy S, &amp; again hinted at in a reply to Michael Lafuente).<p>This is the only source I could find that claimed this. I just want to find a second one.<br /><br />Additionally, if it can, what would be the best external recorder for the job?</p>
]]></description><guid isPermaLink="false">72765</guid><pubDate>Sun, 11 Sep 2016 10:48:30 +0000</pubDate></item><item><title>Can the same paraphernalia for DSLRs be used for JVC's LS300?</title><link>https://cinematography.com/index.php?/forums/topic/73490-can-the-same-paraphernalia-for-dslrs-be-used-for-jvcs-ls300/</link><description><![CDATA[<p>The main up-side to the DSLR is that it is small &amp; light &amp; so any paraphernalia (steady cam, jib, slider etc.) designed for DSLRs will be a lot cheaper than for bigger heavier camcorders. The JVC GY-LS300 seems like a pretty small, light camcorder. Is it small &amp; light enough for cheap equipment usually reserved for DSLRs?</p>]]></description><guid isPermaLink="false">73490</guid><pubDate>Sat, 31 Dec 2016 19:26:05 +0000</pubDate></item><item><title>JVC 4K Cameras</title><link>https://cinematography.com/index.php?/forums/topic/63233-jvc-4k-cameras/</link><description><![CDATA[
<p>JVC is demonstrating 4 new 4k large sensor camera at NAB.</p>
<p> </p>
<p><a href="http://www.dvinfo.net/article/acquisition/nab2014-jvc-demonstrates-four-new-4k-large-sensor-cameras-for-digital-cinema.html" rel="external nofollow">http://www.dvinfo.net/article/acquisition/nab2014-jvc-demonstrates-four-new-4k-large-sensor-cameras-for-digital-cinema.html</a></p>
]]></description><guid isPermaLink="false">63233</guid><pubDate>Mon, 07 Apr 2014 17:42:11 +0000</pubDate></item><item><title>Bokeh on HD100's Fujinon lens?</title><link>https://cinematography.com/index.php?/forums/topic/58875-bokeh-on-hd100s-fujinon-lens/</link><description><![CDATA[
<p>Hi guys,</p>
<p>I'm selling my Fujinon Th16x5.5BRMU lens on ebay, and someone is interested.</p>
<p>His question is:</p>
<p> </p>
<p><em>"Does the lens have any bokeh, especially for medium to close shots of people?</em></p>
<p><em>I am especially interested for doing interviews."</em></p>
<p> </p>
<p>Any answer so I can answer him is much appreciated!</p>
<p>thanks,</p>
<p> </p>
<p>Warner</p>
<p> </p>
<p>bokeh example</p>
<p><img alt="bokeh-photography.jpg" src="http://www.fixthisphoto.com/wp-content/uploads/2010/09/bokeh-photography.jpg" /></p>
]]></description><guid isPermaLink="false">58875</guid><pubDate>Wed, 23 Jan 2013 21:43:08 +0000</pubDate></item><item><title>JVC AA-C50  AC power adaptor/charger</title><link>https://cinematography.com/index.php?/forums/topic/54998-jvc-aa-c50-ac-power-adaptorcharger/</link><description><![CDATA[
<p>Does anyone recognize this power adaptor/charger?   It's a  JVC AA-C50 that I was given and might find useful if I knew what type batteries it charged,  NiCd/NiMhi/LiPo ?</p>
<p> </p>
<p>It is a 12V,  3.5A DC power supply,  12-16V charger.  Fast and trickle charge  switches automatically.  Connectors are XLR4.</p>
<p> </p>
<p>Does anyone know what type battries it can charge,  .NiCd/NiMhi/LiPo ?</p>
<p>I scoured the net for an hour and didn't find anything yet.</p>
<p> </p>
<p>Thanks,</p>
<p>Gregg</p>
]]></description><guid isPermaLink="false">54998</guid><pubDate>Thu, 09 Feb 2012 20:39:58 +0000</pubDate></item><item><title>GY-HD100 problem/repair/reseller advice</title><link>https://cinematography.com/index.php?/forums/topic/50975-gy-hd100-problemrepairreseller-advice/</link><description><![CDATA[
<p>Hi guys,</p>
<p> </p>
<p>My JVC-HD100 doesn't record or pick up any sound, other than a TAP TAP TAP.</p>
<p> </p>
<p>I sent it to JVC service support. They said it needs a new optical board, an HJK power thing and something else. All amounting to $1300. Of course, this isn't worth it. </p>
<p> </p>
<p>I was intending on getting it fixed and selling it for something else. Now I'm not sure what to do..Or how much I could sell it for with the sound not working. </p>
<p> </p>
<p>Do you recommend any dealers/resellers? should I ebay it?</p>
<p> </p>
<p>I've been googling everywhere for other JVC repair specialists that might be more affordable, but haven't had any luck. Any advice would be very appreciated. </p>
<p>Thanks,</p>
<p> </p>
<p>Warner</p>
]]></description><guid isPermaLink="false">50975</guid><pubDate>Wed, 23 Mar 2011 21:11:05 +0000</pubDate></item><item><title>GY-HMQ10</title><link>https://cinematography.com/index.php?/forums/topic/54817-gy-hmq10/</link><description><![CDATA[
<p>i found weird no one posted this yet. </p>
<p> </p>
<p> </p>
<p><a href="http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL102132" rel="external nofollow">http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL102132</a></p>
<p> </p>
<p><a href="http://www.creativevideo.co.uk/index.php?t=product/jvc_gy-hmq10_4k_camcorder" rel="external nofollow">http://www.creativevideo.co.uk/index.php?t=product/jvc_gy-hmq10_4k_camcorder</a>  (around 5000 euros)</p>
]]></description><guid isPermaLink="false">54817</guid><pubDate>Fri, 27 Jan 2012 00:22:53 +0000</pubDate></item><item><title>Timecode Problem</title><link>https://cinematography.com/index.php?/forums/topic/53505-timecode-problem/</link><description><![CDATA[<p>Hi all. I recently shot some footage on my JVC GY-110 HDV camera,with the TC generator set to 'RecRun'. I shot about 20 minutes of footage, and only paused the camera between takes, ie: I didn't switch it off. However, when I come to digitise it in Final Cut Pro, I keep seeing in the capture window that the programme is 'searching for media', before then saying ' capturing now'. This happens most often at a start of a clip, but occasionally half way through a clip, meaning that I'm losing some crucial footage, although it's all there on the tape. When I set the programme to continue capturing over timecode breaks, I get the message ' there is a problem with the incoming stream. This may be a problem with the tape', even though the tape was brand new out of it's wrapper, and I don't get that message when I deselect the 'abort capture on timecode break', when the programme just seems to make a new clip instead.Can anyone tell me what's going on ? Thanks</p>]]></description><guid isPermaLink="false">53505</guid><pubDate>Wed, 05 Oct 2011 15:10:54 +0000</pubDate></item><item><title>JVC GY-110E interval recording</title><link>https://cinematography.com/index.php?/forums/topic/53061-jvc-gy-110e-interval-recording/</link><description><![CDATA[
<p>Hi, I have a JVC GY-110E HDV camera, and was wondering if anyone out there can tell me if it's possible to shoot time lapse footage with it ? I know lesser cameras like the PD150 are capable of this via an " interval recording " function, but can't seem to find anything similar in my camera's menus. Can anyone help ? </p>
<p> </p>
<p>Thanks for looking</p>
]]></description><guid isPermaLink="false">53061</guid><pubDate>Sat, 27 Aug 2011 14:38:48 +0000</pubDate></item><item><title>720/25p or 720/50p advice please</title><link>https://cinematography.com/index.php?/forums/topic/50806-72025p-or-72050p-advice-please/</link><description><![CDATA[
<p>Hi Guys,</p>
<p> </p>
<p>First time posting on this forum, bur been a member a while and constantly use it for tips for my camera.</p>
<p>i shoot wit the GY-HD111 PAL area and i was just wondering about a few things.</p>
<p>I do a lot of motor racing tv shows with a 5-6 camera set-up all jVC GY-HD 111's.</p>
<p>At the moment i have had them all shooting 720/25p and the images look great especially when my cameramen follow the action correctly. i know 25p is very nice when action or movement is followed correctly, otherwise static shots create a blurred car when it passes through said shot.</p>
<p>i was just questioning the need for 50p and should i consider this.</p>
<p>What are the pro's and con's of 25p and 50p in ProHD 720?????</p>
<p> </p>
<p>Please advise and thanks for the help</p>
<p> </p>
<p>Cheers</p>
<p>Louie</p>
]]></description><guid isPermaLink="false">50806</guid><pubDate>Thu, 10 Mar 2011 15:17:36 +0000</pubDate></item><item><title>GL - V0746</title><link>https://cinematography.com/index.php?/forums/topic/50505-gl-v0746/</link><description><![CDATA[
<p>Hi</p>
<p>I've got a simple question: how do I mount the GL - V0746 wide lens on a JVC HM100?</p>
<p>I recently got it out of uni but couldn't get anybody to brief me on how to mount the lens?</p>
<p>Thank you in advance.</p>
]]></description><guid isPermaLink="false">50505</guid><pubDate>Fri, 18 Feb 2011 21:42:55 +0000</pubDate></item><item><title>GY HM700 ASA RATING</title><link>https://cinematography.com/index.php?/forums/topic/50093-gy-hm700-asa-rating/</link><description><![CDATA[
<p>Hello All.</p>
<p> </p>
<p>I am trying to find the correct method to rate my cameras ASA/ISO. I have searched the forum and the net, but cant seem to find anything simple enough to carry out at home. I have a sekonic spot/incident meter and JVC GYHM700. </p>
<p> </p>
<p>regards </p>
<p> </p>
<p>Ben</p>
]]></description><guid isPermaLink="false">50093</guid><pubDate>Mon, 24 Jan 2011 09:57:16 +0000</pubDate></item><item><title>JVC GY-HM700 great noise in Blacks</title><link>https://cinematography.com/index.php?/forums/topic/48560-jvc-gy-hm700-great-noise-in-blacks/</link><description><![CDATA[<p>I was shooting a little short. The HM700 was powered for hours. And slowly  a lot of noise in the blacks was appearing. I shot on 0db with standard setup on .mov SD-Cardd and .mov on nanoFlash 100mBit. Someone had this eperiencies?? Look at one shot of the nanoFlash footage: <a href="http://vimeo.com/15728300" rel="external nofollow">http://vimeo.com/15728300</a> password: hm700.</p>]]></description><guid isPermaLink="false">48560</guid><pubDate>Fri, 15 Oct 2010 06:20:08 +0000</pubDate></item><item><title>Audio issue on JVC GY-HD100</title><link>https://cinematography.com/index.php?/forums/topic/48544-audio-issue-on-jvc-gy-hd100/</link><description><![CDATA[
<p>Hey guys,</p>
<p> </p>
<p>I have a 5-yr old HD100. The sound worked fine until last July. Water might have possibly gotten in. I have no visual or capture issues. When I'm recording, all I get is a tap, tap, tap. Just like a metronome sound. I've tried switching the inputs, mics, modes, checked the audio settings, testing. Still nada.</p>
<p> </p>
<p>I'm considering getting the audio fixed, &amp; selling the HD100 in favor of something smaller and as good. Problem is I know when there is some kind of circuitry issue JVC will charge alot more than I can afford (which is probably not worth it)</p>
<p> </p>
<p>Right now I'm googling for a JVC Camera Repair shop here in North California. If you guys have any suggestions, it would be so appreciated!</p>
<p>Cheers,</p>
<p> </p>
<p>-Warner</p>
]]></description><guid isPermaLink="false">48544</guid><pubDate>Thu, 14 Oct 2010 01:18:48 +0000</pubDate></item><item><title><![CDATA[JVC HD100u - 24p FCP & Slo-Motion]]></title><link>https://cinematography.com/index.php?/forums/topic/20499-jvc-hd100u-24p-fcp-slo-motion/</link><description><![CDATA[
<p>Hello, two quick questions.  First, how difficult is it to capture JVC's true 24p onto the latest version of Final Cut Pro?</p>
<p> </p>
<p>  Second, I'm planning a slo-motion shot with this camera.  We'll be using the P+S Technik with Zeiss lenses.  I was thinking of shooting at 60p, and importing into FCP at 24p (not 23.97).  I've tried looking up information online about this, but have not found the best results.</p>
<p> </p>
<p>  Any help, advice, or experience would be greatly appreciated.  Thanks,</p>
]]></description><guid isPermaLink="false">20499</guid><pubDate>Fri, 02 Feb 2007 08:27:10 +0000</pubDate></item><item><title>shooting action</title><link>https://cinematography.com/index.php?/forums/topic/34785-shooting-action/</link><description><![CDATA[
<p>Hello there I'm new to the forum and I'm looking fior sine help with camera settings for the </p>
<p>HD 110U. I seem to get a lot of motion blur with action footage. I shoot with different frames rates but I prefer the look of 24P. Just looking for some good settings or advice here,</p>
<p> </p>
<p>Thanks</p>
]]></description><guid isPermaLink="false">34785</guid><pubDate>Sat, 15 Nov 2008 17:05:53 +0000</pubDate></item><item><title>gy-hd100u vs 200u</title><link>https://cinematography.com/index.php?/forums/topic/43709-gy-hd100u-vs-200u/</link><description><![CDATA[
<p>Hello, sorry if this has been asked before. I searched but couldn't find it lol.</p>
<p> </p>
<p>I'm a college student on a college student's budget (not much, as most of you probably know). I'm very interested in the hd-gy200u and have done plenty of research on various sites but was wondering if there is enough of a difference to buy it over the 100u.</p>
<p> </p>
<p>Looking at the specifications on pro.jvc.com the main differences that <em>I</em> can see is the 100 doesn't have 720/60p. Everything else to me seems to be roughly the same, except the fact that the 100 is about 4 inches shorter than the 200. And I've found it between $500-$1k less than the 200u.</p>
<p> </p>
<p>I plan on shoot mostly short films, with a mixture between set and field.  Set would have a very strong sense of color and lighting, and I can see that both cameras seem to have the same color separation, pixels, and color bars.</p>
<p> </p>
<p>If anyone has used the two of them, is the 200u worth getting? Or should I get the 100u and save my money for other essentials like a decent tripod or monitor?</p>
<p> </p>
<p>Thanks :)</p>
]]></description><guid isPermaLink="false">43709</guid><pubDate>Wed, 30 Dec 2009 18:19:06 +0000</pubDate></item><item><title>gy-hd100 weird issue... please help</title><link>https://cinematography.com/index.php?/forums/topic/46465-gy-hd100-weird-issue-please-help/</link><description><![CDATA[
<p>Hi everyone</p>
<p> </p>
<p>I'm facing a very weird problem with my JVC GY-HD100E camcorder. Only lately I had my firewire port replaced as the camcorder was not recognized by any editing software. Though the port was replaced, the camcorder is still not recognized on HDV mode, despite the fact that I've tried 3 different cables and 3 different firewire inputs on two different PCs, a desktop and a laptop. The weird thing is that the camcorder works and can be controlled just fine when switched to DV mode on both the menu and the external switch. By now I'm growing desperate since the only option in case of a camcorder malfunction is the purchase of a VCR which is a rather expensive solution. Any ideas on what could be wrong?</p>
<p> </p>
<p>Thanks a lot in advance</p>
]]></description><guid isPermaLink="false">46465</guid><pubDate>Fri, 21 May 2010 18:00:27 +0000</pubDate></item><item><title>JVC GY-HM700 footage</title><link>https://cinematography.com/index.php?/forums/topic/45920-jvc-gy-hm700-footage/</link><description><![CDATA[
<p>Hello everyone</p>
<p> </p>
<p>Among others, I'm considering the purchase of a JVC GY-HM700 camcorder. If anyone here has any raw (meaning straight out the SD card) mp4 (not mov) files shot with certain model and can post a few seconds of it, I'd truly appreciate it :-)</p>
<p> </p>
<p>Thanks a lot in advance</p>
]]></description><guid isPermaLink="false">45920</guid><pubDate>Tue, 04 May 2010 09:24:27 +0000</pubDate></item><item><title>GY-HM700U Thoughts?</title><link>https://cinematography.com/index.php?/forums/topic/40123-gy-hm700u-thoughts/</link><description><![CDATA[
<p>Im starting to research various prosumer camcorders and its been sometime since I've looked at whats on the market. Jumping back on company websites and doing a little research, it seems that JVCs GY-HM700U seems to be the best choice for cost/performance. </p>
<p> </p>
<p>Its got ability to interchange lenses, and a wide variety of Film formats to choose from.</p>
<p> </p>
<p>For anyone whos used this, how is the quality of the image vs others in its class?</p>
<p>Is there anything else out there that has similar (or better) functionality for around the same price?</p>
<p> </p>
<p>If anyone can point me in a direction where I can find more info about this as well, it would be greatly appreciated.</p>
<p> </p>
<p>Best,</p>
<p> </p>
<p>Anthony</p>
]]></description><guid isPermaLink="false">40123</guid><pubDate>Thu, 09 Jul 2009 20:46:27 +0000</pubDate></item><item><title>jvc HD100 Vs. Canon 5D Mark II</title><link>https://cinematography.com/index.php?/forums/topic/45718-jvc-hd100-vs-canon-5d-mark-ii/</link><description><![CDATA[
<p>I love my old HD100 (bought in 2005) but I'm thnking about selling it and getting the Canon 5D Mark II, it's pretty cool. I'm conflicted, what do you guys think? </p>
<p> </p>
<p><a href="http://www.usa.canon.com/consumer/controller?modelid=17662&amp;act=ModelInfoAct&amp;fcategoryid=139" rel="external nofollow">http://www.usa.canon.com/consumer/controll...fcategoryid=139</a></p>
]]></description><guid isPermaLink="false">45718</guid><pubDate>Fri, 23 Apr 2010 20:08:49 +0000</pubDate></item><item><title>HD100 chromatic aberration :(... remedies?</title><link>https://cinematography.com/index.php?/forums/topic/44192-hd100-chromatic-aberration-remedies/</link><description><![CDATA[
<p>i really like the HD100 for its ergonomics, the quality of the head and processing and for the option to record uncompressed from the analog output; but for most stuff we do, it is unuseable just because of those chromatic aberrations all over the place. so i am thinking about a way to bypass the problem.</p>
<p> </p>
<p>1.: is this simply a lens issue or is it also related to the prism and LP-filter design of the sensor block?</p>
<p> </p>
<p>2.: if it is only a lens issue, which are my lens options to remedy the thing?</p>
<p> </p>
<p>3.: if it's not solveable with any other EB lens, what happens if one uses a directly attached mini35 adapter like the P+S? any info and shared experiences on this one are hugely appreciated</p>
<p> </p>
<p>ok guys i hope i'm not completely off the tracks with my thinking in this issue and hope for lots of feedback coming. and please don't beat me if you feel like there's already a ton of threads about this here because i did search on this forum and elsewhere but didn't get satisfying results.</p>
]]></description><guid isPermaLink="false">44192</guid><pubDate>Sun, 31 Jan 2010 11:12:45 +0000</pubDate></item><item><title>SOny pmw ex3 or JVC gyhm 700</title><link>https://cinematography.com/index.php?/forums/topic/41448-sony-pmw-ex3-or-jvc-gyhm-700/</link><description><![CDATA[
<p>i have to choose between the Sony PMW ex3 and the JVC gyhm 700.</p>
<p> </p>
<p>i will use the camera for both documentary and fiction/narrative.</p>
<p> </p>
<p>the sony is 1080, what is the JVC? from the B&amp;H specs it seems the JVC is 720. how much of a difference is this in image quality?</p>
<p> </p>
<p>apparently the 1/2 inch sony sensor and the 1/3 inch JVC sensor differences are pretty much equalised once you put on the Letus lens converter and other lenses. is this true?</p>
<p> </p>
<p>i'm desperate to know ASAP, as i HAVE to buy the camera buy this coming tuesday, 29th for shoot starting  sun 4th.</p>
<p> </p>
<p>please HELP, i'm drowing in indecision.</p>
<p> </p>
<p>Thanks all :blink:</p>
]]></description><guid isPermaLink="false">41448</guid><pubDate>Sat, 26 Sep 2009 06:48:04 +0000</pubDate></item></channel></rss>
