<?xml version="1.0"?>
<rss version="2.0"><channel><title>Eclair Latest Topics</title><link>https://cinematography.com/index.php?/forums/forum/76-eclair/</link><description>Eclair Latest Topics</description><language>en</language><item><title>ALCS affordable 4-speed crystal motor for Eclair NPR</title><link>https://cinematography.com/index.php?/forums/topic/103820-alcs-affordable-4-speed-crystal-motor-for-eclair-npr/</link><description><![CDATA[<p>
	I will have some leftover 4-speed crystal sync boards and motors in Spring2026 and could make a relatively affordable new NPR crystal motor if there is interest for it.
</p>

<p>
	no shutter parking but there is easily accessible manual inching knob underneath. Makes it possible to make the electronics box much smaller and save about 40% of the costs by leaving the shutter parking out. 
</p>

<p>
	Kind of "semi-open" structure so that the inching knob can be accessed easily. Funny looking design after all and should work well in use. Relatively small and lightweight too. Not optimal for handheld of course but one could arrange some kind of shoulder pad to be mounted on the tripod plate to make it more ergonomic, the can't be integrated shoulder compatible back part because that would block the inching knob.
</p>

<p>
	This is the first draft. If getting orders will refine the design. Would need the orders this year in December latests and could then make the motors in Spring2026 and send them somewhere between March and June.
</p>

<p>
	Price from 850 to 900usd with shipping depending on how many orders there is. 20% paid when placing the order and the rest in February 2026.
</p>

<p>
	 
</p>

<p><a href="https://cinematography.com/uploads/monthly_2025_09/Screenshot2025-09-22at9_02_01.png.d9e38db58b960cb180ec9a258fa93d36.png" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="37005" src="https://cinematography.com/uploads/monthly_2025_09/Screenshot2025-09-22at9_02_01.thumb.png.7a2787a88414aad7a7f8c9a29aeaaf1a.png" data-ratio="67.5" width="1000" class="ipsImage ipsImage_thumbnailed" alt="Screenshot 2025-09-22 at 9.02.01.png"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2025_09/Screenshot2025-09-22at9_02_17.png.9cb8f0a1b25c9deff9dcf2167238c175.png" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="37006" src="https://cinematography.com/uploads/monthly_2025_09/Screenshot2025-09-22at9_02_17.thumb.png.c2db64bb5a3378565c6f71cdfa6016d0.png" data-ratio="70.3" width="1000" class="ipsImage ipsImage_thumbnailed" alt="Screenshot 2025-09-22 at 9.02.17.png"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2025_09/Screenshot2025-09-22at9_02_35.png.4d7b6074a89afa020a8b6458bea25e0b.png" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="37007" src="https://cinematography.com/uploads/monthly_2025_09/Screenshot2025-09-22at9_02_35.thumb.png.e9e9b59ddacccee36e0e1b1237fa8493.png" data-ratio="70.3" width="1000" class="ipsImage ipsImage_thumbnailed" alt="Screenshot 2025-09-22 at 9.02.35.png"></a></p>]]></description><guid isPermaLink="false">103820</guid><pubDate>Mon, 22 Sep 2025 06:13:16 +0000</pubDate></item><item><title>The Eclair ACL TS mount adapter thread</title><link>https://cinematography.com/index.php?/forums/topic/101550-the-eclair-acl-ts-mount-adapter-thread/</link><description><![CDATA[<p>
	Seems like a good idea to have a place for everything TS-adapter, because there's a real dearth of information on them out there.  There are the original Eclair ones, Les Bosher will make anything you ask for (given enough lead time...) so there are presumably tons of adapters out there, but very few good detailed pictures, or other information.  For those new to all this, the TS mount is this large diameter set of threads on the front of the ACL, to which a very sturdy adapter can be screwed on with a standard (TS) side, and then the other side can be designed to adapt to any number of other standard lens mounts.  The mount on the camera also has c-mount threads in the center, so for light enough c-mount lenses you can dispense with the adapter entirely and just thread the lens directly to the camera.  Clever setup!
</p>

<p>
	First up is the adapter probably everyone is familiar with because it seems to be the default adapter included with most ACLs - it threads onto the TS mount on the camera and allows you to mount a Cameflex (CA-1) mount lens to the camera.  It has the big threads on a knurled ring that spins and fixes the adapter to the camera, the locating pin that matches up with the camera mount to keep it from spinning on the camera once it's cinched down, then the Cameflex mount in the center, which is a bayonet-type mount which allows you to push the lens in the mount and twist it clockwise to lock it into the mount.
</p>

<p>
	Duncan
</p>

<p>
	 
</p>

<p><a href="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_01.jpg.02f10a02dcf6bdbf1c1d133204e7ab16.jpg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="32038" src="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_01.thumb.jpg.1a502d5a5972c61627427b0202bcb34c.jpg" data-ratio="86.81" width="864" class="ipsImage ipsImage_thumbnailed" alt="eclair_ts_ca1_01.jpg"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_02.jpg.1063c1bf1fea94b2019f61a858f625cb.jpg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="32039" src="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_02.thumb.jpg.bf7a25d19095c8dc7a973fcd42b45534.jpg" data-ratio="78.2" width="1000" class="ipsImage ipsImage_thumbnailed" alt="eclair_ts_ca1_02.jpg"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_03.jpg.287340140db8f410741ee9df884db8bb.jpg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="32040" src="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_03.thumb.jpg.c2edb4e15ce40c691999a5a761340599.jpg" data-ratio="72.6" width="1000" class="ipsImage ipsImage_thumbnailed" alt="eclair_ts_ca1_03.jpg"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_04.jpg.8e2f50c335d3af706b806ea21da29832.jpg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="32041" src="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_04.thumb.jpg.4d0b83235894a420aa64e7a709ad424c.jpg" data-ratio="63" width="1000" class="ipsImage ipsImage_thumbnailed" alt="eclair_ts_ca1_04.jpg"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_05.jpg.ec91cb0a2cc72d70745a5de7ff35cd96.jpg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="32042" src="https://cinematography.com/uploads/monthly_2024_03/eclair_ts_ca1_05.thumb.jpg.633c49c2e4620cf55c23fc16e6ee13bf.jpg" data-ratio="92.14" width="814" class="ipsImage ipsImage_thumbnailed" alt="eclair_ts_ca1_05.jpg"></a></p>]]></description><guid isPermaLink="false">101550</guid><pubDate>Mon, 04 Mar 2024 01:30:04 +0000</pubDate></item><item><title>Cameflex Synch Motors</title><link>https://cinematography.com/index.php?/forums/topic/91950-cameflex-synch-motors/</link><description><![CDATA[<p>
	Thought I'd start up a thread for my Cameflex synch motor experiments. Here are the latest photos of the new design for anyone that is interested:
</p>

<p>
	 
</p>

<p>
	<a class="ipsAttachLink ipsAttachLink_image" href="https://cinematography.com/uploads/monthly_2022_04/DSC_1048.JPG.429b93d96a52d1859ae04c5cc589a08d.JPG" data-fileid="22848" data-fileext="JPG" rel=""><img alt="DSC_1048.JPG" class="ipsImage ipsImage_thumbnailed" data-fileid="22848" data-ratio="66.4" width="1000" src="https://cinematography.com/uploads/monthly_2022_04/DSC_1048.thumb.JPG.1ac27ea7737947f4b4c2db85d09b24c8.JPG" /></a>
</p>

<p>
	The new one is next to a Type 24 to show actual size comparison. Need to tweak it a bit as I'd like to use a push button instead of of a flip switch. The worm gear is a test print for the moment. Will be sorting out the gearing at the precision engineers next week and getting the new motors for the precision speed tests.
</p>

<p>
	Cheers
</p>

<p>
	Marek
</p>
]]></description><guid isPermaLink="false">91950</guid><pubDate>Tue, 19 Apr 2022 13:43:01 +0000</pubDate></item><item><title>10-speed ALCS crystal motor for Eclair ACL (the "Final Model"), late 2025 finishing</title><link>https://cinematography.com/index.php?/forums/topic/102027-10-speed-alcs-crystal-motor-for-eclair-acl-the-final-model-late-2025-finishing/</link><description><![CDATA[<div>
	<div>
		<div>
			<div>
				<div>
					<div>
						<div>
							<span>ONE EXTRA MOTOR MODEL FOR ACL because I have too many ideas <span><img alt="😃" data-ratio="100.00" height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/tf0/2/16/1f603.png" /></span> </span>
						</div>

						<div>
							 
						</div>

						<div>
							<span>I am thinking of making a Eclair ACL version of the motor technology I am developing for the NPR as most of the electronics and software design can be adapted to the ACL if changing the motor drive if I take the possibility into account from the beginning. Combining projects helps sharing developing costs which makes both the projects end result higher quality. So I think it is good to give it a try. </span>
						</div>

						<div>
							 
						</div>
					</div>

					<div>
						<div>
							<span>It is similar <span></span>specs than the NPR Compact Motor "Advanced Model" I am developing at the moment. Has 10 crystal speeds, basic display for footage counter and speed selection, 1fps time lapse mode and single frame capability. Shutter parking feature. Everything is integrated in the motor body so it does not need any original ACL base electronics, you can take the base off the camera if you want just like on my other ACL motors. Improved mounting system compared to my previous ACL motors, I am testing new mounting system ideas with the 2-speed ACL motor I am finishing in August this year.</span>
						</div>

						<div>
							 
						</div>
					</div>

					<div>
						<div>
							<span>This ACL motor version has very high quality brushless motor drive, the highest quality I can source. I am aiming for good overall finishing and mostly cnc machined aluminium body for the motor if possible. </span>
						</div>

						<div>
							 
						</div>
					</div>

					<div>
						<div>
							<span>Availability: the new "final design" of the ACL motor would be available in late 2025 (about November - December) if there is enough preorders to fund the project. For this kind of projects about 3 or 4 preorders should be enough for good finishing quality because the electronics developing is shared with other projects and mostly the mechanical finishing is ACL-specific.</span>
						</div>

						<div>
							 
						</div>
					</div>

					<div>
						<div>
							<span>Price and payment: the 30%/30%/30% payment model works well on the NPR motor project so I will do the same with this ACL project. Total price is 1900usd + shipping which can be paid in 3 parts (one to place the order, second in mid project, last part and shipping costs when the motors are being assembled and close to shipping). If paid in full one would get free shipping. First part needs to be paid this year between July and October so that I can start the project.</span>
						</div>

						<div>
							 
						</div>
					</div>

					<div>
						<div>
							<span>Let me know by DM if interested in this ACL motor version. It is a very advanced motor which needs long time developing and the NPR motor needs to be finished first so that I can test all the motor control electronics with the NPR first to save time and resources. Otherwise it would be too expensive to make the ACL version. Thus the late 2025 finishing time, I could make the motor faster but then it would be way too expensive to buy. </span>
						</div>

						<div>
							 
						</div>

						<div>
							<span>If you happen to need ACL motor this year already, I am making the less advanced 2-speed versions this August and they can still be ordered from the batch <span><img alt="🙂" data-ratio="100.00" height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/teb/2/16/1f642.png" /></span></span>
						</div>
					</div>
				</div>
			</div>
		</div>
	</div>
</div>
]]></description><guid isPermaLink="false">102027</guid><pubDate>Sat, 22 Jun 2024 10:04:00 +0000</pubDate></item><item><title>new ALCS compact crystal motor for Eclair NPR</title><link>https://cinematography.com/index.php?/forums/topic/101530-new-alcs-compact-crystal-motor-for-eclair-npr/</link><description><![CDATA[<p>
	I probably mentioned somewhere that I am working on a NPR crystal motor project which would be completed later this year if there is at least 3 orders so that I can get my own money back from the machining and parts costs and R&amp;D work.
</p>

<p>
	I have narrowed down the specs of the new motor enough that wanted to post a new thread for it. As with my other current projects, I am making the development work in steps and advancing to a new steps necessitates that the orders come in time and pre payments are made as planned to finance my development work.
</p>

<p>
	The basics:
</p>

<p>
	- a completely new crystal motor for the Eclair NPR. not a modification of existing motor, I am making this out of scratch
</p>

<p>
	- possible to make if there is at least 3 pre paid orders to finance the materials and research. I can't use my own savings on this project right now because need every penny for move in the Summer
</p>

<p>
	- the motor has internal crystal speeds of at least 24fps and 25fps, user switchable. There may be additional speeds if there is room for the larger electronics and extra selectors additional speeds would need. prepare only for the two speeds because the main goal is to make the motor AS COMPACT AS POSSIBLE for handheld etc. use and every extra bell and whistle makes it larger and more cumbersome which is why I try to avoid adding any unnecessary extra features
</p>

<p>
	- will be smaller sized than the Alcan motor. the exact size will be determined in Summer when making 3d printing tests of the body of the motor
</p>

<p>
	- price is 1200usd + shipping. I won't try to make it cheaper if there is extra headroom, will try to instead make it better if there is extra budget left. it is affordable as a new motor already and cheaper does not make sense for products which are meant to last for years and years of use
</p>

<p>
	- Availability: needs to be ordered and paid for in March2024 or absolutely latest before April 20. The final motors will be delivered in late Autumn, likely in October or November. Prototype available to look at after the Summer. You will get a good working motor which has the promised specs or more and which looks as nice as was possible to make with the budget, it just takes lots of time and budget to finesse the exact outer shape of the body so this is why there is no photos or renders yet.
</p>

<p>
	- body will be either 3d printed or machined from solid aluminium depending on how many orders there is. I will make it as good as possible with the available budget. if there is minimal amount of orders then a sturdy print should be fine and on the other hand would be much lighter than aluminium body
</p>

<p>
	- integrated tripod mounting threads, does not need separate boot/support structure. the main use for this motor is handheld etc. use where the small weight and size has best benefits but tripod use of course possible as well
</p>

<p>
	- either 24v operating voltage OR 12v if I can arrange custom bldc motor drives made and there is enought orders and the 12v drives don't make the motor considerably larger and heavier.
</p>

<p>
	- no shutter parking because it would make the motor much larger, heavier and more expensive. the NPR has a manual inching integrated and the goal of the project is to make the smallest and lightest motor possible for it which contradicts with shutter parking systems
</p>
]]></description><guid isPermaLink="false">101530</guid><pubDate>Thu, 29 Feb 2024 09:06:16 +0000</pubDate></item><item><title>Eclair ACL HD 144</title><link>https://cinematography.com/index.php?/forums/topic/101122-eclair-acl-hd-144/</link><description><![CDATA[<p>
	About 20 years ago a person named "Mark" was selling a conversion kit to Super 16 for the Eclair ACL with a new correctly designed and machined gate, 144 degree shutter and other proper parts. First, I assume that these are long gone by now, second, does anyone know who Mark is or what happened with his conversion kit idea?  Thanks!
</p>
]]></description><guid isPermaLink="false">101122</guid><pubDate>Fri, 12 Jan 2024 02:56:52 +0000</pubDate></item><item><title>Ideas for ACL integrated rod base, handle mounts, battery mount, shoulder pad mount.</title><link>https://cinematography.com/index.php?/forums/topic/91574-ideas-for-acl-integrated-rod-base-handle-mounts-battery-mount-shoulder-pad-mount/</link><description><![CDATA[<p>
	Duncan's ACL 1.5 "show and tell" reminded me of ideas percolating on an integrated iris rod, handles, battery and shoulder pad mount system for ACL. I had a fun idea a while ago that was conceived with a casting with 19mm rod mounts giving the handle mounts. But that's a lot of work unless one has skills and a mill to machine the casting. So the current idea is just conceived as being cut from an aluminum angle section or C section. 
</p>

<p>
	Single handle version...<br />
	An aluminum angle with a vertical face on the RH side. Chinese rossette for a side handle. 9 pin cannon connection safely hidden behind vertical face. Chinese 15mm iris rod clamps screwed to a riser at the front of the horizontal face.
</p>

<p>
	The two handle version...<br />
	An aluminum C section so you have vertical faces on left and right sides of camera, rossettes each side for handles. Same 15mm iris rod clamp idea. A single rod clamp at the right rear for battery mount options.
</p>

<p>
	The ideas that I thought about before beginning the exercise.
</p>

<p>
	- All load taken through the 3/8" mount under the camera base. 
</p>

<p>
	- The hand held rig will fit straight onto a tripod.
</p>

<p>
	- Maybe a shoulder pad can fit to the quick release plate.
</p>

<p>
	- Need good access to the original switch even if switching with the 9 pin cannon on the RH side.
</p>

<p>
	- Rod mount must be close enough to the body so that follow focus can reach prime lenses.
</p>

<p>
	- Develop some extension to the rear that allows battery position to the rear. Maybe a single rod offset from the mag.
</p>

<p>
	The sketch below shows the ACL II version.
</p>

<p>
	If I get a chance I will make an an AUTOCAD drawing so these are easy to make<br />
	Cheers,<br />
	Gregg.<br />
	 
</p>

<p>
	<a class="ipsAttachLink ipsAttachLink_image" href="https://cinematography.com/uploads/monthly_2022_03/20220331_132233.jpg.aa6c6aac9e2bf5a2936e04188c004394.jpg" data-fileid="22579" data-fileext="jpg" rel=""><img alt="20220331_132233.jpg" class="ipsImage ipsImage_thumbnailed" data-fileid="22579" data-ratio="177.73" width="422" src="https://cinematography.com/uploads/monthly_2022_03/20220331_132233.thumb.jpg.774c88baba3987939e3c0fd90e81943f.jpg" /></a>
</p>
]]></description><guid isPermaLink="false">91574</guid><pubDate>Thu, 31 Mar 2022 01:00:00 +0000</pubDate></item><item><title>ACL components and parts</title><link>https://cinematography.com/index.php?/forums/topic/103571-acl-components-and-parts/</link><description><![CDATA[<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">I've decided to sell all my remaining ACL components and parts. The S16 body is not quite ready to sell, but we begin...Any offers please direct message me or email me   viz(at)xtra.com.nz  or phone me with WhatsApp.. <span> </span></span><span style="font-size:16px;">64 274 377 086   (08:00 to 22:00 NZT)</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">There are links to more pics at dropbox under each heading. Any problems with access let me know. I may edit this later if any errors or improvements needed.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">I also listed this on the Cinemarketplace forum  ..https://cinematography.com/index.php?/forums/topic/103570-eclair-acl-components-and-parts/</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:18px;"><strong>1) ACL II S16 BODY, no motor or eyepiece</strong></span><br />
	<span style="font-size:16px;">pics at dropbox.. <a href="https://www.dropbox.com/scl/fo/fs7ao30o45ffyd9preapg/AEJhWgq9P1hq6-PZjIJan1U?rlkey=a5tusjicswi72qi6bp7aeru99&amp;st=w8sxyd47&amp;dl=0" rel="external nofollow" style="background-color:transparent;">https://www.dropbox.com/scl/fo/fs7ao30o45ffyd9preapg/AEJhWgq9P1hq6-PZjIJan1U?rlkey=a5tusjicswi72qi6bp7aeru99&amp;st=w8sxyd47&amp;dl=0</a> </span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">The item is with a technician at Panavision getting a new 9 pin Canon motor connector. It may be with him for a month 'till he has time after hours, so there is time to consider how best to sell it and take questions.....</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;"> My spare ACL II body, no motor, eyepiece or handle module. S16 conversion by Visual Products. VP conversions are about the best, with really nice, simple ground glass markings. The ACL II base, I don't know if it was a bespoke factory original or someone's aftermarket piece. The machining, apart from the front shape, looks the same as factory standard, including the labeling. The rod mount is almost integral at the front.... looks really useful..no plate needed.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">Needs a CLA and a couple of hopefully small repairs...</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">I've never used it, but ran scratch tests to assess it (scratch free). Sounded like the shutter was just lightly ticking against the body. Also, one of the motor mount threads on the body is striped, so probably needs a thread insert. I emailed Paul at Visual Products and it sounded like the shutter ticking noise might get fixed within a CLA. It may be something easy like the mirror connecting rod.  If it's difficult then maybe a couple extra hours. </span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">There could be a couple of options on how to sell this....I could sell as is. When the connector is replaced we could assess the noise. Or, I could send it to Paul at VP for CLA, repair then set a price</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">A thought re the stripped motor mount screw.... That one screw has only a very thin section of body casting to anchor to. The other 3 screws are threaded into much stiffer sections, so I wonder if 3 screws are probably enough. I can ask Paul later. </span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">Added notes...<br />
	If there is a new 9 pin Canon connector in one of the photos please ignore it. It's not included.<br />
	The 9 pin Canon connector at the side grip location..has a big chip out of the plastic surround. The metal p</span><span style="font-size:16px;">ins are all good and the connector works just fine.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36275" href="https://cinematography.com/uploads/monthly_2025_07/20220321_135331.jpg.6fd0ee6587d47a082f2dc50c05f04f48.jpg" rel="" style="background-color:transparent;"><img alt="20220321_135331.thumb.jpg.a942e2b6c431d41eef78278d83acaeef.jpg" data-fileid="36275" data-ratio="177.30" style="border-style:none;vertical-align:middle;" width="423" src="https://cinematography.com/uploads/monthly_2025_07/20220321_135331.thumb.jpg.a942e2b6c431d41eef78278d83acaeef.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:18px;">EDIT: For the latest prices scroll down to last post. </span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<strong><span style="font-size:18px;">2) ACL multispeed motor</span></strong>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">pics at dropbox<span> </span><a href="https://www.dropbox.com/scl/fo/ef8hntmi8lswndudmlwjo/AKYnbwbJWNZXU0aLn9Ezps4?rlkey=2uofa0lgo7xo7fy7ni2bbhdjw&amp;st=9yvsy87o&amp;dl=0" rel="external nofollow" style="background-color:transparent;">https://www.dropbox.com/scl/fo/ef8hntmi8lswndudmlwjo/AKYnbwbJWNZXU0aLn9Ezps4?rlkey=2uofa0lgo7xo7fy7ni2bbhdjw&amp;st=9yvsy87o&amp;dl=0</a></span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">Heavy duty, late model Thomson crystal sync motor (MIMUL) with crystal speeds of  8fps, 12fps, 24fps, 25fps, 50fps, 75fps.   Mirror parking on camera stop (meaning the mirror always stops in the viewing position).  Serviced by Andrzej (AZ Spectrum) in July 2023 and  not used since. Cosmetic condition quite good. A couple scratches and paint chips that the techs touch up.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">AZ Spectrum invoice in the photos.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">PRICE.   $1300</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36276" href="https://cinematography.com/uploads/monthly_2025_07/20250630_113254.jpg.4fa14319ccdec784160353afec59c363.jpg" rel="" style="background-color:transparent;"><img alt="20250630_113254.thumb.jpg.13387bd565a3eee529b188443838aa02.jpg" data-fileid="36276" data-ratio="75.00" style="border-style:none;vertical-align:middle;" width="1000" src="https://cinematography.com/uploads/monthly_2025_07/20250630_113254.thumb.jpg.13387bd565a3eee529b188443838aa02.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<strong><span style="font-size:18px;">3) FRENCH ACL MAGS</span></strong><br />
	<span style="font-size:16px;">dropbox pics at<span> </span><a href="https://www.dropbox.com/scl/fo/peubt0fb83952tjzbict6/AMVW4xSgubP7MAUtm5BrUG8?rlkey=ogxfip3ppmrtm1nngh593b7uq&amp;st=ruyb70g9&amp;dl=0" rel="external nofollow" style="background-color:transparent;">https://www.dropbox.com/scl/fo/peubt0fb83952tjzbict6/AMVW4xSgubP7MAUtm5BrUG8?rlkey=ogxfip3ppmrtm1nngh593b7uq&amp;st=ruyb70g9&amp;dl=0</a></span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">All mags are late model French with the separate little pressure plate over the gate. Like an SR, the film is held in a precise gap by the long pressure plate, and only the little plate over the gate applies pressure.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;"><strong>- 400' French ACL mag, S16</strong>, machining looks nice. Fairly tidy looking. Needs CLA, but really just lubrication. ("Pat 1"),  #SD-503, with cap. PRICE USD800</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36272" href="https://cinematography.com/uploads/monthly_2025_07/20250630_114534.jpg.04dcaf4d4b2641c6325270762babd3de.jpg" rel="" style="background-color:transparent;"><img alt="20250630_114534.thumb.jpg.94e8540fc982285510c4dfa0b481d41b.jpg" data-fileid="36272" data-ratio="75.00" style="border-style:none;vertical-align:middle;" width="1000" src="https://cinematography.com/uploads/monthly_2025_07/20250630_114534.thumb.jpg.94e8540fc982285510c4dfa0b481d41b.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;"><strong>- 400' French ACL mag, standard 16</strong>. Fairly tidy looking. Needs CLA, but really just lubrication. ("FR3"),  #SC-797, no cap.   PRICE USD650 (you can buy a 3D printed cap on eBay for USD55)  EDIT: SOLD.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36273" href="https://cinematography.com/uploads/monthly_2025_07/20250630_113736.jpg.4cb116c215deec72bc098a5c391f16ea.jpg" rel="" style="background-color:transparent;"><img alt="20250630_113736.thumb.jpg.c2d85f97d78873423af3e475f1cda185.jpg" data-fileid="36273" data-ratio="75.00" style="border-style:none;vertical-align:middle;" width="1000" src="https://cinematography.com/uploads/monthly_2025_07/20250630_113736.thumb.jpg.c2d85f97d78873423af3e475f1cda185.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;"><strong>- 200' French magazine,standard 16</strong>, in as new condition, friction feels low, but should have lubrication soon, #D98, with cap.  PRICE USD800....EDIT: SOLD</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36274" href="https://cinematography.com/uploads/monthly_2025_07/20250630_144809.jpg.e59dd39b4a682d70c4d541e30dd9139d.jpg" rel="" style="background-color:transparent;"><img alt="20250630_144809.thumb.jpg.0bae04b64b0cd127bb815c411e37fdcd.jpg" data-fileid="36274" data-ratio="75.00" style="border-style:none;vertical-align:middle;" width="1000" src="https://cinematography.com/uploads/monthly_2025_07/20250630_144809.thumb.jpg.0bae04b64b0cd127bb815c411e37fdcd.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<strong><span style="font-size:18px;">4) ACL MAG PARTS SELL        </span></strong><span style="font-size:18px;">EDIT: On eBay this mag has been parted out into several items.</span><br />
	<span style="font-size:16px;">dropbox at<span> </span><a href="https://www.dropbox.com/scl/fo/ahux7jypyku5ls9u7f449/ABc2z_xeJVOUdHABIouUYtw?rlkey=y0r1oxtpnatyz6dz274w6hq4l&amp;st=mf9hn5z0&amp;dl=0" rel="external nofollow" style="background-color:transparent;">https://www.dropbox.com/scl/fo/ahux7jypyku5ls9u7f449/ABc2z_xeJVOUdHABIouUYtw?rlkey=y0r1oxtpnatyz6dz274w6hq4l&amp;st=mf9hn5z0&amp;dl=0</a></span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;"><strong>400' English mag for parts. </strong><br />
	Has a French throat, otherwise is all English. Missing feed side door, platters.<br />
	Belts, spindles, rollers, guide shoe assembly all good. Drive sprocket, I cant remember what the ball bearing was like. <br />
	Partly disassembled, I could probably disassemble completely and just ship the bits and pieces, leaving the body and door behind.<br />
	USD100 as is......<br />
	USD120 just the bits and pieces, no body/doors....</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36277" href="https://cinematography.com/uploads/monthly_2025_07/20250630_122557.jpg.615a48560368e2c564a605736412fab1.jpg" rel="" style="background-color:transparent;"><img alt="20250630_122557.thumb.jpg.5cd0e5856061b2e1e6b8e63569131895.jpg" data-fileid="36277" data-ratio="133.21" style="border-style:none;vertical-align:middle;" width="563" src="https://cinematography.com/uploads/monthly_2025_07/20250630_122557.thumb.jpg.5cd0e5856061b2e1e6b8e63569131895.jpg" /></a><br />
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<br />
	<span style="font-size:16px;"><strong>Support plate assy with guide shoes and rollers, complete less sprocket assembly (MIN 445 E/A)...New</strong><br />
	Later model French. No mounting screws. One of the recommended mods if running high speed. See the Eclair ACL Parts Catalogue (not the UK one), page4, shows pics of the different plates.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;"><strong>Drive sprocket spindle assembly for French mag (315 E..?)....used</strong><br />
	Ball bearing and shaft feel ok but shaft has a little bur right near the tip that needs smoothing before reassembly. The "pulley" on the assembly body that drives the take up belt has some little dents and burs that will need to be smoothed out (mostly just careful straightening.<br />
	PRICE USD120 for support plate assembly and sprocket assemblies together.....</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36278" href="https://cinematography.com/uploads/monthly_2025_07/plateassyandsprocketassy.jpg.28878d59776d03bebb67eb156da2186f.jpg" rel="" style="background-color:transparent;"><img alt="plateassyandsprocketassy.thumb.jpg.81bf48cac2ec4d1abd57e1dcf681e995.jpg" data-fileid="36278" data-ratio="133.21" style="border-style:none;vertical-align:middle;" width="563" src="https://cinematography.com/uploads/monthly_2025_07/plateassyandsprocketassy.thumb.jpg.81bf48cac2ec4d1abd57e1dcf681e995.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<br />
	<br />
	<span style="font-size:16px;"><strong>French 400' mag doors...New.</strong><br />
	Brand new alloy doors, L/R. No latch hardware. There is one white disck for the big latch knob. (MIN 717, 727)</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">Sound deadening for French 400' take up door...New  (MIN 707/708)<br />
	It has laminated layers. There is a lead impregnated layer.<br />
	The factory screwed up when they laminated the rear part of the sound deadening, with the layers in reverse order. To use it, one would have to delaminate it and glue it back in correct order. The outer surface of the black vinyl stuff may then have old glue to clean off. Maybe one could use new vinyl for that part.<br />
	USD160 for doors and sound deadening together...Shipping</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">French 400' footage counter face plate. New. (MIN 748, 749, .. ?)<br />
	Has 3 layers:  printed metal face plate/ clear plastic/ inner metal face plate.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">PRICE USD150 for doors, sound deadening and footage counter face plate together...Shipping</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36280" href="https://cinematography.com/uploads/monthly_2025_07/20250630_142849.jpg.36f1bb99e8681f523674ad1ec4e6dadd.jpg" rel="" style="background-color:transparent;"><img alt="20250630_142849.thumb.jpg.bd7ae848c77120a7fa6fb7cfde489577.jpg" data-fileid="36280" data-ratio="133.21" style="border-style:none;vertical-align:middle;" width="563" src="https://cinematography.com/uploads/monthly_2025_07/20250630_142849.thumb.jpg.bd7ae848c77120a7fa6fb7cfde489577.jpg" /></a><a data-fileext="jpg" data-fileid="36279" href="https://cinematography.com/uploads/monthly_2025_07/20250630_143524.jpg.001bfac6391ce815903d46bc85c232db.jpg" rel="" style="background-color:transparent;"><img alt="20250630_143524.thumb.jpg.9574307b7bf9a63af67229f3516bf55c.jpg" data-fileid="36279" data-ratio="133.21" style="border-style:none;vertical-align:middle;" width="563" src="https://cinematography.com/uploads/monthly_2025_07/20250630_143524.thumb.jpg.9574307b7bf9a63af67229f3516bf55c.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36281" href="https://cinematography.com/uploads/monthly_2025_07/20250630_142139.jpg.b25d88d614e36b5b9842f311cb0ccf22.jpg" rel="" style="background-color:transparent;"><img alt="20250630_142139.thumb.jpg.91cd1f489e9efdc22cd6303d5de406c4.jpg" data-fileid="36281" data-ratio="133.21" style="border-style:none;vertical-align:middle;" width="563" src="https://cinematography.com/uploads/monthly_2025_07/20250630_142139.thumb.jpg.91cd1f489e9efdc22cd6303d5de406c4.jpg" /></a>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	 
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<strong><span style="font-size:18px;">5) Arri S adapter for Eclair ACL   </span></strong><span style="font-size:18px;">EDIT: SOLD</span><br />
	<span style="font-size:16px;">dropbox pics at<span> </span><a href="https://www.dropbox.com/scl/fo/z02yjls363fa5kqavubia/AMgsr3uilOWRww8QTE-G0iQ?rlkey=zuljlulh4so0vwmjv3cmchrn6&amp;st=wxzcuqjh&amp;dl=0" rel="external nofollow" style="background-color:transparent;">https://www.dropbox.com/scl/fo/z02yjls363fa5kqavubia/AMgsr3uilOWRww8QTE-G0iQ?rlkey=zuljlulh4so0vwmjv3cmchrn6&amp;st=wxzcuqjh&amp;dl=0</a></span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">TS/Arri-S (standard) adapter for Eclair ACL.   This mount will let you use older Arri,  Zeiss,  Schneider lenses,  also old Cooke Kinetal.  The Kinetal will turn OK in the lens port if it is loosened a tiny bit (normally have a light smear of lubricant).   This is the standard Arri S adapter that was sold with the ACL cameras.  Good condition, all thread movements smooth,  some signs of use,  some wear on the anodized coating on the front flange,  but nothing that should affect FFD.  Rear flange good.   Just what's in the photo,  no front or rear cap.  There are proper caps for an Arri S port that you could buy somewhere,  or scrounge up used ones.  Being a Kiwi I have used a plastic cap off a vegemite jar.  I can maybe find a spare one to go with.</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<span style="font-size:16px;">PRICE.   $450</span>
</p>

<p style="background-color:#ffffff;color:#353c41;font-size:14px;">
	<a data-fileext="jpg" data-fileid="36282" href="https://cinematography.com/uploads/monthly_2025_07/20250630_123225.jpg.a80f60b56783af56915804c5c94947bf.jpg" rel="" style="background-color:transparent;"><img alt="20250630_123225.thumb.jpg.4eee356fecf686fba8e5bfbb1279cb2e.jpg" data-fileid="36282" data-ratio="75.00" style="border-style:none;vertical-align:middle;" width="1000" src="https://cinematography.com/uploads/monthly_2025_07/20250630_123225.thumb.jpg.4eee356fecf686fba8e5bfbb1279cb2e.jpg" /></a>
</p>
]]></description><guid isPermaLink="false">103571</guid><pubDate>Wed, 02 Jul 2025 05:04:14 +0000</pubDate></item><item><title>New to me Eclair ACL II</title><link>https://cinematography.com/index.php?/forums/topic/104058-new-to-me-eclair-acl-ii/</link><description><![CDATA[<p>
	Through a lucky find on a german classifieds page ill be picking up an Eclair ACL tomorow.<br />
	From the very limited pictures i have so far, it seems to be a package containing<br />
	Eclair ACL II body<br />
	Kinoptic Viewfinder<br />
	Motor with shutter parking<br />
	122m mag<br />
	Eclair C to Arri Std adapter<br />
	Angineux zoom lens, probably 12-120mm<br />
	and a manual<br />
	 
</p>

<p>
	Since its costing me comparably very little money i will try to learn how to work on these cameras myself. I've been reading a lot about them and am very intrigued by their design! <br />
	Especially the osczillating mirror is incredibly fascinating.<br />
	<br />
	<br />
	I will update this thread over the next weeks with more detailed pictures
</p>

<p><a href="https://cinematography.com/uploads/monthly_2025_12/Img_2025_12_14_10_23_36.jpeg.e2cf0e6b1bf546918cb11cfcb7ca9b79.jpeg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="37538" src="https://cinematography.com/uploads/monthly_2025_12/Img_2025_12_14_10_23_36.jpeg.e2cf0e6b1bf546918cb11cfcb7ca9b79.jpeg" data-ratio="75.12" width="864" class="ipsImage ipsImage_thumbnailed" alt="Img_2025_12_14_10_23_36.jpeg"></a></p>]]></description><guid isPermaLink="false">104058</guid><pubDate>Tue, 16 Dec 2025 11:49:05 +0000</pubDate></item><item><title>ACL sound barney on eBay</title><link>https://cinematography.com/index.php?/forums/topic/103821-acl-sound-barney-on-ebay/</link><description><![CDATA[<p>
	There's a good looking sound barney for ACL, 400' mag. Not cheap, but well made looking.
</p>

<p>
	Enter 226971959657 in the ebay search bar.
</p>

<p>
	 
</p>
]]></description><guid isPermaLink="false">103821</guid><pubDate>Mon, 22 Sep 2025 07:50:06 +0000</pubDate></item><item><title>Difficulty Turning Kinoptik Orientable Viewfinder</title><link>https://cinematography.com/index.php?/forums/topic/104061-difficulty-turning-kinoptik-orientable-viewfinder/</link><description><![CDATA[<p>
	Hi all,
</p>

<p>
	I’ve searched all around this forum and through Google but couldn’t find anything specific on how to actually turn the vf. 
</p>

<p>
	Bernie installed it a couple of years ago and told me to: <em>“force it a little, but it will turn every way. It’s designed to be tight so it doesn’t move around during shooting.”</em>
</p>

<p>
	But whenever I get it to turn,  with a huge amount of force I might add, the vf mount seems to come a tad loose and I can move the vf ever so slightly when it’s supposed to be tight.
</p>

<p>
	I assume the little screw beneath the vf can be unscrewed a little and helps it turn better. But I don’t know if that’s actually how it’s supposed to be done. 
</p>

<p>
	Anyone who can help me out?
</p>

<p>
	(Attached a picture of the vf with markings to visually explain what I mean. Green = the little screw and Red = the vf mount that loosens.
</p>

<p>
	 
</p>

<p>
	<a class="ipsAttachLink ipsAttachLink_image" data-fileext="jpeg" data-fileid="37566" href="https://cinematography.com/uploads/monthly_2025_12/IMG_3123.jpeg.fba1a3913d28c4738a08e7245def55ff.jpeg" rel=""><img alt="IMG_3123.jpeg" class="ipsImage ipsImage_thumbnailed" data-fileid="37566" data-ratio="131.12" width="572" src="https://cinematography.com/uploads/monthly_2025_12/IMG_3123.thumb.jpeg.ef079734592a7a4e35cc8137bf117ae8.jpeg" /></a>
</p>
]]></description><guid isPermaLink="false">104061</guid><pubDate>Wed, 17 Dec 2025 07:15:13 +0000</pubDate></item><item><title>Eclair NPR won't start</title><link>https://cinematography.com/index.php?/forums/topic/103734-eclair-npr-wont-start/</link><description><![CDATA[<p>
	Hi everyone,
</p>

<p>
	I was trying to get familiar with changing the shutter angle for my Eclair NPR. In the process, I wanted to run the camera, when it was making a weird noise, I accidentally turned the knob on the left which changes the shutter and the camera turned off suddenly which was dumb of me to do that as I know that there is a problem. Since then, the camera is not functioning. It uses a perfectone motor. 
</p>

<p>
	So I detached the camera body from the motor to see whether the source of the problem is from the camera or the motor and its definitely from the motor as it wouldn't work.  I checked the fuse like in the pictures and I am not sure whether its the fuse. I use a Vlok battery of 14.4v, I know that the required is 12V, I bought the camera on ebay months ago and the seller said its okay to use the vlok 14.4v and it was running fine. I tested the camera last week and the battery with the camera was running fine. So I doubt whether its the battery. 
</p>

<p>
	I am not sure why the motor wouldn't run, Is it the fuse, do I need to replace it? Is it the battery, should I use it with a 12V battery. I don't have access to it,I'd have to buy it which will take a while. Is the motor damaged? How can I know? What is the solution? 
</p>

<p>
	I live in london so other than Les Bosher I do not know anyone who deals with Eclair NPR. Please guide me. I have a music video coming in a week and I need to fix it before. 
</p>

<p>
	Please see the pictures. Thank you.
</p>

<p>
	Regards,
</p>

<p>
	Dharmik 
</p>

<p>
	
</p>
<p>
<a class="ipsAttachLink" href="https://cinematography.com/applications/core/interface/file/attachment.php?id=36763&amp;key=a49a89a6eed9125f60d252ce29dbad9f" data-fileExt='heic' data-fileid='36763' data-filekey='a49a89a6eed9125f60d252ce29dbad9f'>IMG_2839_optimized_500.heic</a> 
<a class="ipsAttachLink" href="https://cinematography.com/applications/core/interface/file/attachment.php?id=36764&amp;key=5eab26e101c6c6b528e4630f473a073a" data-fileExt='heic' data-fileid='36764' data-filekey='5eab26e101c6c6b528e4630f473a073a'>IMG_2838_optimized_500.heic</a></p>]]></description><guid isPermaLink="false">103734</guid><pubDate>Wed, 20 Aug 2025 10:32:43 +0000</pubDate></item><item><title>New circuit boards for Perfectone Compact (NPR motor)</title><link>https://cinematography.com/index.php?/forums/topic/103764-new-circuit-boards-for-perfectone-compact-npr-motor/</link><description><![CDATA[<div>
	<div>
		<div>
			<div>
				<div>
					<div>
						<div>
							<div>
								<span>I would have possibility to design newly made control boards for this Perfectone motor type if there is enough interest. Would try to keep it affordable and simple so <span></span>that the update would be between 450 and 600 euros depending on which original parts like encoder, connectors etc can be used and how badly oxidized the screws etc are. How many of you have a broken Perfectone like this which could use completely new boards? The original electric motor drive needs to work but would replace all the original circuit boards with my newly made ones. </span>
							</div>
						</div>

						<div>
							<div>
								<span>dm here or on instagram (aaplet14) . Speed options and other features depend on how many orders there would be on the first batch to fund the r&amp;d.</span>
							</div>
						</div>
					</div>
				</div>
			</div>
		</div>
	</div>
</div>

<p><a href="https://cinematography.com/uploads/monthly_2025_09/perfectone_compact.jpg.5a63fb1108bc9e587eace413aabbabe9.jpg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="36838" src="https://cinematography.com/uploads/monthly_2025_09/perfectone_compact.thumb.jpg.1a3a597e06e59f3a3a111d809f2df9e7.jpg" data-ratio="100" width="750" class="ipsImage ipsImage_thumbnailed" alt="perfectone_compact.jpg"></a></p>]]></description><guid isPermaLink="false">103764</guid><pubDate>Wed, 03 Sep 2025 15:09:03 +0000</pubDate></item><item><title>Cheap Nikon, Contax etc to C mount adapters on eBay</title><link>https://cinematography.com/index.php?/forums/topic/103630-cheap-nikon-contax-etc-to-c-mount-adapters-on-ebay/</link><description><![CDATA[<p>
	Cheap Nikon, Contax (and some others) to C mount adapters on eBay. Brand Digiunited.com.
</p>

<p>
	Cheap prices. If they are any good it's very useful.  Am I right that a Zeiss Contax CY mount would be good with this?  Good news for ACL and NPR.
</p>

<p>
	<a href="https://www.ebay.com/itm/254767178231?_skw=eclair+acl&amp;itmmeta=01K0JF0CNDK8KFZYNVPEST468J&amp;hash=item3b514ea1f7:g:ZNIAAMXQWlFRx8OM&amp;itmprp=enc%3AAQAKAAAA0FkggFvd1GGDu0w3yXCmi1e0flTXqkpxenrnVjGtw9kN891lZQxUhjVZtfY6UuymvPEv1cfbUXV28Mhb1PX1vOlW6JN09y8MyMZNF%2FjBHBzkgPGlSx%2Bvr6AYNqQLoUTbjoPMnJTbSYbCaCrPXkTi2d14MjtsDjEQVdvYF4H%2BiJs%2BIh7SI67GEuSSBUUYas94xtuM1qJqUzJQ7jeD%2BfMS1eG6gT3w5hH2k7BHP90ONcCc1m%2BFyh%2BYnWza0mQl9MRKrZ2m7kCljBIqS1pjFF9maR0%3D%7Ctkp%3ABk9SR_DKgc-EZg" rel="external nofollow">https://www.ebay.com/itm/254767178231?_skw=eclair+acl&amp;itmmeta=01K0JF0CNDK8KFZYNVPEST468J&amp;hash=item3b514ea1f7:g:ZNIAAMXQWlFRx8OM&amp;itmprp=enc%3AAQAKAAAA0FkggFvd1GGDu0w3yXCmi1e0flTXqkpxenrnVjGtw9kN891lZQxUhjVZtfY6UuymvPEv1cfbUXV28Mhb1PX1vOlW6JN09y8MyMZNF%2FjBHBzkgPGlSx%2Bvr6AYNqQLoUTbjoPMnJTbSYbCaCrPXkTi2d14MjtsDjEQVdvYF4H%2BiJs%2BIh7SI67GEuSSBUUYas94xtuM1qJqUzJQ7jeD%2BfMS1eG6gT3w5hH2k7BHP90ONcCc1m%2BFyh%2BYnWza0mQl9MRKrZ2m7kCljBIqS1pjFF9maR0%3D|tkp%3ABk9SR_DKgc-EZg</a>
</p>
]]></description><guid isPermaLink="false">103630</guid><pubDate>Sat, 19 Jul 2025 23:25:12 +0000</pubDate></item><item><title>Eclair NPR super 16 value</title><link>https://cinematography.com/index.php?/forums/topic/101128-eclair-npr-super-16-value/</link><description><![CDATA[<div style="color:#050505;font-size:15px;">
	I'm trying to find what a reasonable value is for this Eclair NPR Super16 package. In nice condition and running
</div>

<div style="color:#050505;font-size:15px;">
	PL and C mount
</div>

<div style="color:#050505;font-size:15px;">
	Tobiin crystal motor TXM-14
</div>

<div style="color:#050505;font-size:15px;">
	Video tap
</div>

<div style="color:#050505;font-size:15px;">
	the good Angie viewfinder
</div>

<div style="color:#050505;font-size:15px;">
	3 mags
</div>

<div style="color:#050505;font-size:15px;">
	Canon c mount adapter and 50mm, rods
</div>

<div style="color:#050505;font-size:15px;">
	2 bescor battery belts (won't hold charge))
</div>

<div style="color:#050505;font-size:15px;">
	2 pellican cases
</div>

<div style="color:#050505;font-size:15px;">
	I'm in NE <span><a href="https://www.facebook.com/Pennsylvania-105528489480786/?__cft__%5B0%5D=AZVeFj7tkZ2lGjrXeZs-SPTbjs3HfOupiJgUV2pFHBvb6joLoR-PG_QyOX8p1n36JuPLAhso2cgxV4YD19SlGUvUEJUPz-WG236tTVy6BR5RrI3SDv4g_FjgdBq507M8k3p0lWcdk_AX4pVRths2Hfre&amp;__tn__=kK-R" style="background-color:transparent;border:0px;padding:0px;text-align:inherit;" rel="external nofollow"><span><span>Pennsylvania</span></span></a></span>
</div>

<p><a href="https://cinematography.com/uploads/monthly_2024_01/1612860221_IMG_8780copy.JPG.257fd26247d60f5f2d1bfe4fa9b52485.JPG" class="ipsAttachLink ipsAttachLink_image"><img data-fileid="31620" src="https://cinematography.com/uploads/monthly_2024_01/1612860221_IMG_8780copy.JPG.257fd26247d60f5f2d1bfe4fa9b52485.JPG" data-ratio="133.33" width="432" class="ipsImage ipsImage_thumbnailed" alt="IMG_8780 copy.JPG"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2024_01/335717901_IMG_8773copy.JPG.d5ad481b9a34c5f44f2b2524a95fb95a.JPG" class="ipsAttachLink ipsAttachLink_image"><img data-fileid="31621" src="https://cinematography.com/uploads/monthly_2024_01/335717901_IMG_8773copy.JPG.d5ad481b9a34c5f44f2b2524a95fb95a.JPG" data-ratio="75" width="576" class="ipsImage ipsImage_thumbnailed" alt="IMG_8773 copy.JPG"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2024_01/717902016_IMG_8779copy.JPG.71845ebeb1a615e979204277e667cf7a.JPG" class="ipsAttachLink ipsAttachLink_image"><img data-fileid="31622" src="https://cinematography.com/uploads/monthly_2024_01/717902016_IMG_8779copy.JPG.71845ebeb1a615e979204277e667cf7a.JPG" data-ratio="133.33" width="432" class="ipsImage ipsImage_thumbnailed" alt="IMG_8779 copy.JPG"></a></p>]]></description><guid isPermaLink="false">101128</guid><pubDate>Fri, 12 Jan 2024 18:27:02 +0000</pubDate></item><item><title>Looking for ACL power cable or Jaeger connector.</title><link>https://cinematography.com/index.php?/forums/topic/103746-looking-for-acl-power-cable-or-jaeger-connector/</link><description><![CDATA[<h3 style="color:#000000;font-size:16px;">
	I shifted this here as it was in an inappropriate thread...
</h3>

<h3 style="color:#000000;font-size:16px;">
	<a href="https://cinematography.com/index.php?/forums/topic/91878-useful-links-for-eclair-acl/#findComment-598731" rel="" style="font-size:13px;background-color:rgb(255,255,255);">Posted 1 hour ago</a><span style="color:rgb(113,128,150);font-size:13px;"> by Bill Reiter</span>
</h3>

<div style="color:#353c41;font-size:13px;padding:0px;vertical-align:top;">
	<div style="font-size:13px;">
		<div>
			<div style="font-size:14px;">
				<p>
					<b>Would anyone know of a Jaeger power cable available for a French ACL 1.5?</b>
				</p>

				<p>
					<b>Even the solo male connector would be a great help.</b>
				</p>

				<p>
					<b>We need a power cable for a filmmaker.</b>
				</p>

				<p>
					 
				</p>

				<p>
					<b>Thanks,</b>
				</p>

				<p>
					 
				</p>

				<p>
					<b>Bill</b>
				</p>

				<p>
					<a data-fileext="jpg" data-fileid="36781" href="https://cinematography.com/uploads/monthly_2025_08/thumbnail-2.jpg.8c58cac794ea5b71057c9e26af7d9b1a.jpg" rel="" style="background-color:transparent;color:#177ec9;"><img alt="thumbnail-2.jpg" data-fileid="36781" data-ratio="133.21" style="border-style:none;vertical-align:middle;" width="563" src="https://cinematography.com/uploads/monthly_2025_08/thumbnail-2.thumb.jpg.9c9e3ba8a4616e124136bd318326dfb6.jpg" /></a>
				</p>
			</div>
		</div>
	</div>
</div>
]]></description><guid isPermaLink="false">103746</guid><pubDate>Sat, 23 Aug 2025 06:14:32 +0000</pubDate></item><item><title>new ALCS crystal sync motor for Eclair ACL</title><link>https://cinematography.com/index.php?/forums/topic/93357-new-alcs-crystal-sync-motor-for-eclair-acl/</link><description><![CDATA[<p>
	Hi you all!
</p>

<p>
	<strong>As you may have noticed on other threads, I am developing a new crystal sync motor for the Eclair ACL. </strong>
</p>

<p>
	The main goal is to build a completely new crystal sync motor which does not use any of the original ACL electronics because my first customer has a camera which does not have any motor at all. Thus <strong>I am building a motor model which is not based on any of the original motors but is entirely built from new parts, including a new brushless motor and new control electronics.</strong>
</p>

<p>
	<strong>The current schedule is to have the first model ready at the end of August2022</strong>. After that the design is finessed enough so that others can order these motors too <span><span class="ipsEmoji">?</span> </span>
</p>

<p>
	<span>There is still some details to sort out and I am still writing the firmware for the system parts, starting the testing phase in mid July. I don't want to post any images at this stage because there is still some things which can change in the design and it is often a bad idea to post detailed prototype images anyway unless the design is final... but <strong>here are the parts of the specs which are pretty much locked now and should not change much:</strong></span>
</p>

<p>
	 
</p>

<p>
	-  it entirely replaces the old motor and the original internal electronics of the ACL
</p>

<p>
	- it is NOT more compact than the original ACL motor. It will be bigger sized for sure. BUT it has very advanced features compared to any of the original ACL motors including the display and very advanced crystal speed possibilities so it is totally worth it to have a slightly larger new motor
</p>

<p>
	<strong>- there will be two models of the new motor:  </strong>
</p>

<p>
	   *A customized model which has the control electronics built into the original camera base (this is demanding custom installation work, is a bit more expensive and you need to ship the camera body to me so that this custom modification is possible to do at all). The display is small because there is no room for a larger one.
</p>

<p>
	  * The main model which has the new control electronics built into a separate box attached to the motor itself. This model has all the new electronics enclosed into one unit and you should be able to install this to the camera by yourself because all the controls and power connectors go directly to the control box and nothing goes through the original camera base. The main model has slightly large display as well (still determining the maximum size but it can be up to double the size compared to the custom model motor).
</p>

<p>
	<strong>- The new motor has a graphical user interface based on a selector knob and a small oled display. </strong>This control method is in both motor models though the display size may differ a little from model
</p>

<p>
	<strong>- Features: </strong>
</p>

<p>
	- <strong>internal speed presets set by me during the manufacturing. the test model has 9 preset speeds but more can be added up to about 30 presets</strong> (though large amount of presets makes the menu pretty slow to use so I recommend from 9 to 12 preset speeds). All the most common sync speeds like 23.976, 24.00, 25.00, 29.976 and 33.333 are added by default.
</p>

<p>
	<strong>- two user customizable speed presets which can be set by 1/1000th fps accuracy. </strong>These are for those special needs when you want to have a oddball speed like 19.225fps for artistic purposes etc <span><span class="ipsEmoji">?</span>  for all the normal needs the built in preset speeds are fine so you should not need these very often</span>
</p>

<p>
	<strong>- maximum speed of the motor will be at least 48fps, probably more. </strong>I am still testing couple of different bldc motor models for this use and can tell the exact maximum when the motor choice is locked
</p>

<p>
	<strong>- all speeds are crystal sync </strong>
</p>

<p>
	<strong>- most likely the motor has a input for external speed controller (sold separately, made by me). Will test this next month</strong>
</p>

<p>
	 
</p>

<p>
	<strong>Some of the features of the user interface: </strong>
</p>

<p>
	- speed preset menu to select the preset fps (from 11 up to 30 presets. typically one wants about 12 or so to keep it easy enough to use)
</p>

<p>
	- possibility to adjust the custom user preset fps speeds (two user speeds possible to set)
</p>

<p>
	- counter showing the remaining film in the magazine by 1 meter accuracy. When changing the mag you can set the new film roll length by 1 meter accuracy
</p>

<p>
	- audible warnings on/off
</p>

<p>
	- battery voltage meter
</p>

<p>
	- length of the last take and previous take in meters
</p>

<p>
	- take limiter feature: you can set a maximum length for a single take, after which the camera stops automatically. Helps to save film if you want to shoot standard length takes for for example b-roll mos material
</p>

<p>
	- counters and presets are saved into memory and they will stay there if power is lost
</p>

<p>
	 
</p>

<p>
	Targeted price point for the "standard" model is somewhere around 1000 - 1100usd. The price of the custom model depends on the work needed on the modification but probably it is somewhere around from 1300 to 1500usd.
</p>

<p>
	 
</p>

<p>
	Will post more later when locking more design details <span>:)</span>
</p>
]]></description><guid isPermaLink="false">93357</guid><pubDate>Tue, 28 Jun 2022 08:28:34 +0000</pubDate></item><item><title>Screw threads in Eclair ACL</title><link>https://cinematography.com/index.php?/forums/topic/103699-screw-threads-in-eclair-acl/</link><description><![CDATA[<p>
	Does anyone know if the screw threads in an English Eclair ACL 400' mag are standard metric or Imperial. Are some, or all of them, something else. Sort of a dumb question I know, but have to start somewhere. I took what looked like a 2mm screw securing the throat to an English magazine body and was hoping it was M2x0.4, but looks not. I don't actually have a thread gauge that goes fine enough, so improvised with fitting to a known M2. No tiny imperial gauge either.
</p>

<p>
	Any help appreciated. Boris Belay will know.
</p>

<p>
	Gregg.
</p>
]]></description><guid isPermaLink="false">103699</guid><pubDate>Sat, 09 Aug 2025 07:28:13 +0000</pubDate></item><item><title>Eclair ACL Camera Body and Accessories (not mine)</title><link>https://cinematography.com/index.php?/forums/topic/103585-eclair-acl-camera-body-and-accessories-not-mine/</link><description><![CDATA[<div>
	 
</div>

<div style="color:#353c41;font-size:13px;vertical-align:top;">
	<div style="font-size:13px;">
		<div style="padding:0;">
			<div>
				<div>
					 
				</div>
			</div>

			<div>
				<a href="https://cinematography.com/index.php?/forums/topic/103584-eclair-acl-camera-body-and-accessories-on-ebay-not-mine/#findComment-597760" rel="" style="background-color:transparent;color:inherit;">Posted<span> </span>1 minute ago<span> </span></a><span>(edited)</span>
			</div>
		</div>

		<div>
			<div style="font-size:14px;">
				<p>
					I saw a promising ACL 2 kit on eBay. The seller bought it at action here in NZ.  I'm trying to help him get it basically tested.
				</p>

				<p>
					USD6K buy now.
				</p>

				<p>
					<a href="https://i.ebayimg.com/images/g/qasAAeSwKRBoZzBN/s-l500.webp" rel="external nofollow" style="background-color:transparent;" title="Enlarge image"><img alt="Eclair ACL Camera Body and Accessories - Picture 2 of 16" data-ratio="75.00" style="border-style:none;vertical-align:middle;" width="500" src="https://i.ebayimg.com/images/g/qasAAeSwKRBoZzBN/s-l500.webp" /></a>
				</p>

				<p>
					<strong>eBay link..</strong><br />
					<a href="https://www.ebay.com/itm/257001653238?_skw=eclair+acl&amp;itmmeta=01JZBRQT3GBGZZMMJ75G0EA9FY&amp;hash=item3bd67e03f6:g:cFIAAeSwn6doZzBH&amp;itmprp=enc%3AAQAKAAAA0FkggFvd1GGDu0w3yXCmi1cd8G86BOp38L9y2kOLnA9JEzaLY%2FNyPJ56daSF0wr8kfbm5YqylzGiqQQ7MfSCaxXDNckbFe3iWhCkQckqW3e9%2FsIphp9BKEvjTSlAevHKPOQDQJuCEcGHNXCvsbR49A08CtA448z2NS8FdiB91vJnrY5Fr8VXG8A5vJ02HEp9KFnsGkegnSEdCrWS7F5ZAboqZdnaH0UwhVPQbje6ffJwaNKS4I2EAxBVICqpMsl%2FDknJUqPFmoel0wM9LkSVOoU%3D%7Ctkp%3ABk9SR-yh3_j6ZQ" rel="external nofollow" style="background-color:transparent;">https://www.ebay.com/itm/257001653238?_skw=eclair+acl&amp;itmmeta=01JZBRQT3GBGZZMMJ75G0EA9FY&amp;hash=item3bd67e03f6:g:cFIAAeSwn6doZzBH&amp;itmprp=enc%3AAQAKAAAA0FkggFvd1GGDu0w3yXCmi1cd8G86BOp38L9y2kOLnA9JEzaLY%2FNyPJ56daSF0wr8kfbm5YqylzGiqQQ7MfSCaxXDNckbFe3iWhCkQckqW3e9%2FsIphp9BKEvjTSlAevHKPOQDQJuCEcGHNXCvsbR49A08CtA448z2NS8FdiB91vJnrY5Fr8VXG8A5vJ02HEp9KFnsGkegnSEdCrWS7F5ZAboqZdnaH0UwhVPQbje6ffJwaNKS4I2EAxBVICqpMsl%2FDknJUqPFmoel0wM9LkSVOoU%3D|tkp%3ABk9SR-yh3_j6ZQ</a>
				</p>

				<p>
					You can contact the seller directly... Will Wallace&lt;<strong>fiveonefive(at)gmail.com</strong>&gt;
				</p>

				<p>
					Comment from Gregg: If I help examine and test the camera (video call) I may get to see if it is standard 16/ S16. If not S16 then the 15-150 Ang is a bit wasted. Including lenses in a sale can often confuse the value issue. The 15-150 has a couple of listings under USD700, which seems undervalued to me.  If the camera kit is pulled off eBay then he may sell the lenses separately.
				</p>

				<p>
					<strong>Update 10/07/25)...</strong>I deleted the earlier update
				</p>

				<p>
					The seller is not signed up to the forum, so I will help by trying to itemise in an orderly way...
				</p>

				<p>
					<strong>Kit contents...</strong><br />
					ACL II body, standard 16,  #2843<br />
					Kinoptic orientable VF, #.......<br />
					Mag 1 #.....<br />
					Nag 2 #.....<br />
					Battery (BAKEL)...<br />
					Charger (CIBRE..?)...<br />
					Power cable spiral...<br />
					Power cable short...<br />
					Crystal speed selector box...
				</p>

				<p>
					TS/Arri-S lens port adapter<br />
					TS/.....something I'm not sure of lens port adapter. (Nikon F...?)<br />
					Ang. 15-150 zoom, Arr-S mount, #1432895...<br />
					Zeiss distagon 8mm, f2, Arri-S mount, #5272243....<br />
					Rubber sunshade with bad memory bend...
				</p>

				<p>
					Pentax (sort of digital) spot meter)...<br />
					A tray with some gel filter holders and glass filters.....
				</p>

				<p>
					If I missed something I'll fix later.....
				</p>

				<p>
					<strong>Notes:</strong><br />
					The gate looks quite good, no sign of high mileage. It's not clean, he will upload a better photo. I also asked for a sharp macro pic of the mirror<br />
					The lens mounts aren't shown but assumed as Arri-S (pics of the mounted zoom). The other camera port adapter in the pics I can't tell what it is. Any ideas? A better pic should be coming. Is it Nikon F...?
				</p>

				<p>
					The video of the camera running (empty), with the camera about 30cm from the body, a few reflective elements in the environment...sounds reasonable. I'm assuming that it hasn't had CLA for a while. Noise will go down after that, even if just lubrication. Bear in mind that it's not a controlled test.
				</p>

				<p>
					The Ang 15-150 zooms are undervalued on Ebay at the moment. They cover S16 and can be quite sharp (I'm told). 
				</p>

				<p>
					The magazine I saw ((didn't see detail of both)) is a late model type with a separate centre pressure plate. It's like an Arri SR mag, the overall pressure plate leaves a thin gap and only the little pressure plate over the aperture is applying pressure to the film. Good mag(s) for S16.
				</p>

				<p>
					Those little Pentax spot meters are great. I have one. 
				</p>

				<p>
					<strong>New Price strategy if selling outside of eBay</strong><br />
					Price: NZD6000  (USD3614)<br />
					Shipping: NZD500 (USD301) to NZD800 (USD482)..includes insurance.<br />
					Money transfer by Wise.....
				</p>

				<p>
					If it just needs lubrication I think that is a really good deal...
				</p>

				<p>
					The seller (he's not on the forum) now indicates that he would sell the lenses and camera separately if that suited someone. The zoom is a S16 zoom, and maybe it should go to a S16 camera. Also, the Zeiss 8mm lenses are expensive at the moment, so maybe splitting up is better strategy. Obviously the camera price will come down a good increment. I a day he may have a firm plan and a price.
				</p>

				<p>
					 
				</p>
			</div>
		</div>
	</div>
</div>
]]></description><guid isPermaLink="false">103585</guid><pubDate>Sat, 05 Jul 2025 01:31:46 +0000</pubDate></item><item><title>Looking for Eclair Cameflex tripod wedge plate</title><link>https://cinematography.com/index.php?/forums/topic/103330-looking-for-eclair-cameflex-tripod-wedge-plate/</link><description><![CDATA[<p>
	Anyone have an Eclair Cameflex tripod wedge plate lying around that they will sell me. 
</p>

<p>
	<a class="ipsAttachLink ipsAttachLink_image" href="https://cinematography.com/uploads/monthly_2025_04/Screenshot2025-04-21at10_12_44.png.003e08f262757b38d1c9e55a4b74efa6.png" data-fileid="35808" data-fileext="png" rel=""><img alt="Screenshot 2025-04-21 at 10.12.44.png" class="ipsImage ipsImage_thumbnailed" data-fileid="35808" data-ratio="62.5" width="1000" src="https://cinematography.com/uploads/monthly_2025_04/Screenshot2025-04-21at10_12_44.thumb.png.9f9be7acfdbb8b46476b87cb7d1959a6.png" /></a>
</p>
]]></description><guid isPermaLink="false">103330</guid><pubDate>Tue, 22 Apr 2025 17:07:14 +0000</pubDate></item><item><title>NPR Perfectone Motor Issues/Repair</title><link>https://cinematography.com/index.php?/forums/topic/103262-npr-perfectone-motor-issuesrepair/</link><description><![CDATA[<p>
	I just picked up an untested (we see where this is going...) NPR Perfectone 60 Hz 24 fps motor. When I got to testing it, it did start up briefly, sort of sputtered out, and now won't move whatsoever. When it's given power I can here it make a "click" sound, but nothing else. Does anyone know what the issue could be? Could it be a bad capacitor? I'd like to perform the repair myself, as I got it at a cheap price and have a second non working 60 Hz Perfectone being serviced. With it moving at one point I have hope!
</p>
]]></description><guid isPermaLink="false">103262</guid><pubDate>Tue, 01 Apr 2025 23:57:22 +0000</pubDate></item><item><title>Miscellaneous Eclair literature</title><link>https://cinematography.com/index.php?/forums/topic/91011-miscellaneous-eclair-literature/</link><description><![CDATA[<p>
	I've been scanning Arri literature and posting it in that forum for a while, but now I have some Eclair literature so this forum gets to join in the fun!  These are 600DPI scans, so very detailed, you can zoom in endlessly.
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_npr_brochure_01.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_npr_brochure_01.pdf</a>
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_acl_brochure_01.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_acl_brochure_01.pdf</a>
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_npr_price_list_19740603.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_npr_price_list_19740603.pdf</a>
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_acl_price_list_19740513.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_acl_price_list_19740513.pdf</a>
</p>

<p>
	 
</p>

<p>
	If you can't stand the huge file sizes and just want to see the info, I also made 100DPI versions:
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_npr_brochure_01_100.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_npr_brochure_01_100.pdf</a>
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_acl_brochure_01_100.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_acl_brochure_01_100.pdf</a>
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_npr_price_list_19740603_100.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_npr_price_list_19740603_100.pdf</a>
</p>

<p>
	<a href="http://backglass.org/duncan/eclair/eclair_acl_price_list_19740513_100.pdf" rel="external nofollow">http://backglass.org/duncan/eclair/eclair_acl_price_list_19740513_100.pdf</a>
</p>

<p>
	 
</p>

<p>
	I also sent these links via the contact form at eclaircameras.wordpress.com so with luck they'll show up in that central repository too.
</p>

<p>
	Duncan
</p>
]]></description><guid isPermaLink="false">91011</guid><pubDate>Thu, 10 Feb 2022 03:53:03 +0000</pubDate></item><item><title><![CDATA[Help! Eclair NPR 120m film jam & sprocket damage]]></title><link>https://cinematography.com/index.php?/forums/topic/103113-help-eclair-npr-120m-film-jam-sprocket-damage/</link><description><![CDATA[<p>
	Hi, I recently bought an Éclair NPR and did a test with a 30m roll—everything went smoothly. The other day, I used it to shoot a friend’s short film with a 120m roll. Throughout the shoot, the camera functioned perfectly, but toward the end, as we were finishing the roll with some extra B-roll shots, it started making a much louder noise while recording.
</p>

<p>
	I checked the footage counter and saw that about 10 meters of film remained. When I examined the film on the magazine, specifically the section passing over the pressure plate, I noticed that one of the sprocket holes seemed damaged. We immediately stopped shooting, and yesterday, I decided to remove the film from the magazine.
</p>

<p>
	First, I cut the exposed section to preserve the remaining 10 meters of unexposed film and placed the magazine in the changing bag. Upon opening the lid, I discovered that the film had become severely tangled on the left side of the magazine, where the transport mechanisms push it forward. It seemed as if a piece had gotten stuck, causing the rest to bunch up. Fortunately, the right side, where the film winds onto the take-up core, was intact. After carefully untangling everything, I managed to neatly roll the film onto the take-up core and store it in the film can.
</p>

<p>
	My question is: does anyone know why my camera started acting up? Has anyone experienced this issue before? My initial thought is that the film wasn’t tensioning properly onto the take-up core—perhaps because there was no space left around it—causing the jam. What do you think? Could this be a magazine-related issue instead? Any advice would be greatly appreciated!
</p>

<p>
	Attached are some images of the damaged film sprocket and a rough sketch of how the film was jammed.
</p>

<p><a href="https://cinematography.com/uploads/monthly_2025_02/drawing.png.4b71a611f95199fe427ae99cca2d190d.png" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="35337" src="https://cinematography.com/uploads/monthly_2025_02/drawing.thumb.png.2140bf957000c7eb7ca3d181bdb126a9.png" data-ratio="56.4" width="1000" class="ipsImage ipsImage_thumbnailed" alt="drawing.png"></a></p>
<p><a href="https://cinematography.com/uploads/monthly_2025_02/filmdamage.jpg.c0f105707c411b7f76d2955dfbb952b1.jpg" class="ipsAttachLink ipsAttachLink_image" ><img data-fileid="35338" src="https://cinematography.com/uploads/monthly_2025_02/filmdamage.thumb.jpg.1698d9623362fa33661049517b49a617.jpg" data-ratio="133.21" width="563" class="ipsImage ipsImage_thumbnailed" alt="film damage.jpg"></a></p>]]></description><guid isPermaLink="false">103113</guid><pubDate>Wed, 26 Feb 2025 13:13:59 +0000</pubDate></item><item><title>Technicians who service Eclair ACLs</title><link>https://cinematography.com/index.php?/forums/topic/87469-technicians-who-service-eclair-acls/</link><description><![CDATA[<p>
	I think it'd be useful to compile a list which technicians service Eclairs. As many have probably noticed, Eclair ACLs have recently become quite sought after. Those cameras are going to need servicing, sooner or later.
</p>

<p>
	So, let's start:
</p>

<ol><li>
		<a href="http://super16inc.com/" rel="external nofollow">Super16 inc.</a> / Bernie O'Doherty. <span style="color:#c0392b;">Currently not taking any new work / March 2021</span>
	</li>
	<li>
		<a href="http://www.lesbosher.co.uk/" rel="external nofollow">Les Bosher</a> <span style="color:#2980b9;">Does he service cameras or only modify them for S16?</span>
	</li>
</ol><p>
	 
</p>

<p>
	<strong>Moderator comment</strong>: The latest edited version of the techs list should be on page 5. If it gets moved, a link to it, wherever it is, will be in the pinned thread <strong>Useful links for Eclair ACL on the forum</strong>.
</p>
]]></description><guid isPermaLink="false">87469</guid><pubDate>Sat, 27 Mar 2021 18:14:22 +0000</pubDate></item><item><title>Looking for a Cameflex Techniscope 2 perf 400ft magazine.</title><link>https://cinematography.com/index.php?/forums/topic/102793-looking-for-a-cameflex-techniscope-2-perf-400ft-magazine/</link><description><![CDATA[<p>
	Anyone out there have a 400ft 2 perf magazine available for the Cameflex Techniscope camera?  Please let me know if you can help.
</p>

<p>
	Best,
</p>

<p>
	Steven Jackson
</p>

<p>
	Brussels, Belgium
</p>
]]></description><guid isPermaLink="false">102793</guid><pubDate>Tue, 07 Jan 2025 15:11:28 +0000</pubDate></item></channel></rss>
