Christian Flemm Posted January 14 Posted January 14 Dear Forum, I'm wondering whether someone might be able to explain why Kodak retired the 7278 emulsion and replaced it with 7266 in 2003. Are there key differences in the formulation of these two emulsions that lead to, for example, a different grain structure or stronger dynamic range? I started shooting 16mm in 2010, so have only known the '66 emulsion. I did however have the pleasure of shooting on Plus-X reversal, which I miss quite a bit. As ever, Christian
Premium Member Charles MacDonald Posted January 15 Premium Member Posted January 15 (edited) I belive that the recommended process was changed to avoid a chemical that the EPA had some concerns about. Both Plus-X and Tri-X reversal got new versions, although the old versions, would work in the new process with some exposure adjustments. Edited January 15 by Charles MacDonald 1
Site Sponsor Robert Houllahan Posted January 15 Site Sponsor Posted January 15 Different less toxic bleach in processing.
Joerg Polzfusz Posted January 15 Posted January 15 In Super8, the old TriX is muuuuuch grainier than the new one. No clue whether the differences are also that obvious in 16mm or not.
Premium Member Simon Wyss Posted January 15 Premium Member Posted January 15 Yes, the reversal films got adapted to a potassium permanganate bleach bath instead of a potassium dichromate one. Let’s hold apart Tri-X reversal, abbreviation TXR, and Tri-X negative film, abbreviated TX by Kodak. Equally Plus-X negative and Plus-X reversal, PXN or PXR
Christian Flemm Posted January 15 Author Posted January 15 Thanks all for the commentary - I didn't consider the change from R9 to R10 bleach. Based on looking this up, I see that the original D94 recipe became D94a. D94a added DTOD to the D94 recipe, cut out the Sodium Thiocyanite and replaced the potassium bromide with sodium bromide. From photrio: Quote Here is the old D94 formula: Kodak D-94 Water, 50 degrees C (125 F) 750 ml Kodak ELON (Metol) 0.6 g Sodium Sulfite (anhydrous) 50.0 g Hyrdoquinone 20.0 g Potassium Bromide (anhydrous) 8.0 g (or 7.0 g Sodium Bromide) Sodium Thiocyanate (liquid) 9.1 ml Sodium Hydroxide 20.0 g Water to make 1.0 L And the new D94A devloper Kodak D-94A Water, 50 degrees C (125F) 750ml Kodak ELON (Metol) 0.6g Sodium Sulfite (anhydrous) 60.0 g Hyrdoquinone 20.0 g Sodium Bromide 7.0g DTOD 0.42g Sodium Hydroxide 20.0 g Water to make 1.0 L The formulas are pretty similar. There's no Sodium Thiocyanate in the new D-94A, but there is this new DTOD. Sodium Bromide replaces Potassium Bromide, and the amount of Sodium Sulfite is increased. The late filmmaker Robert Fenz claimed that the older emulsion was superior, and benefited from being underexposed by one stop. Travis Wilkerson followed Robert's advice when it came time for him to shoot his film An Injury to One. Thanks for the help.
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