Jump to content

Recommended Posts

Posted

Just to add some technical context to the edit:

Technical Update: "To clarify the workflow: I used a custom Rec.709 LUT (provided by Dante and crafted by DIT Daniele Colombera) specifically to upgrade the Log footage. Other parts of the video were captured 'baked-in' directly in-camera. Despite the look being pre-set, these were still massive .mov files, providing a great challenge for the edit in Premiere Pro.

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...