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Beautifully shot Black & White movies


Guest Ian Marks

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Guest Ian Marks

Can anyone suggest movies I can rent which show black and white cinematography at its best? I've already got Schindler's List and The Man Who Wasn't There on my personal list, but I'd be interested in other people's suggestions. I haven't seen Good Night and Good Luck yet but I will soon. Thanks.

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Can anyone suggest movies I can rent which show black and white cinematography at its best? I've already got Schindler's List and The Man Who Wasn't There on my personal list, but I'd be interested in other people's suggestions. I haven't seen Good Night and Good Luck yet but I will soon. Thanks.

 

Try Woody Allens "Manhattan" & "Broadway Danny Rose" both Beautifully shot by Gordon Willis.

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Three great films I think are essential toward getting you familiar with great black and white cinematography are:

 

"Mildred Pierce" shot by Earnest Haller

 

"Sweet Smell of Success" shot by James Wong Howe

 

"Sabrina" shot by Charles Lang

 

Then you could follow that up with films like:

 

"The Third Man" shot by Robert Krasker

 

"Casablanca" shot by Arthur Edeson

 

"Tokyo Story" shot by Yuuharu Atsuta

 

"Citizen Kane" shot by Gregg Toland

 

"Touch of Evil" shot by Russell Metty

 

"Rififi" shot by Philippe Angostini

 

"Woman in the Dunes" shot by Hiroshi Segawa

 

"Olympiad" and "Triumph of the Will" directed by Leni Riefenstahl

 

"Meshes in the Afternoon" shot by Alexander Hammid

 

"Raging Bull" shot by Michael Chapman

 

 

This is a very short list. In fact, to make a list like this is to exclude so many great films.

I hope this gets you started. Let us know what you think when you see some of these and other great examples of black and white cinematography.

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I'd recommend two films directed by Ingmar Bergman and photographed by Sven Nykvist:

 

"Through a Glass Darkly"

"Winter Glass"

 

Also

 

"A Knife in the Water" directed by Roman Polanski and photographed by Jerzy Lipman.

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Can anyone suggest movies I can rent which show black and white cinematography at its best? I've already got Schindler's List and The Man Who Wasn't There on my personal list, but I'd be interested in other people's suggestions. I haven't seen Good Night and Good Luck yet but I will soon. Thanks.

 

'Ivan Groznii' (Ivan the Terrible -Parts I & II) 1944 -E.Tisse and A.Moskvin

 

Welles' 'The Tragedy of Othello' -G.R.Aldo etal. 5 cinematographers over an intermittent shooting schedule, yet a consistant look.

 

'Seppuku' AKA 'Harakiri' 1962 -Yoshio Miyajima in Shochiku GrandScope

 

'The Innocents' -Freddie Francis 1961 in CinemaScope

 

J.Ford's 'The Fugitve' 1947 -Gabriel Figueroa

 

Ford's "Fort Apache' 1948 -Archie stout & Wm. Clothier

 

'He Walked by Night' 1948 -John Alton

 

'The Night of the Iguana' 1964 -G.Figueroa

 

'In Cold Blood' 1967 -Conrad Hall in Panavision

 

'The Loved One' 1965 -Haskell Wexler

 

'Dr. Strangelove' 1964 -Gil Taylor

 

The last two were on my all time favorite double bill. & I hadn't seen either of them at the time.

 

---LV

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I've thought of a few more: "High Noon" (1952), interesting because it was a western shot by an Austrian. I'd also recommend a few film noir "whodunnit?" films as well, although they became very cliche since so many were made. I'd recommend "The Big Sleep" as a good representation of the film noir style. While "Casablanca" is an exceptionally well-photographed film, I don't feel it is a true noir in terms of style. It has a different flavor of lighting to it. Getting back to my previous post espousing "Elephant Man", I think it is really a good film to watch because it was made in 1982 or 3. It was a stylistic choice to shoot it in B&W just as it was to shoot Schindler's List in B&W. Also, I am a big fan of the visual style of some of the Twilight Zone Episodes. Some of them are done quite well.

 

Regards.

 

Karl Borowski

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Thanks, everyone! I'm compiling a list to take with me when I rent movies.

Grab every chance you can get to see these movies on the Big Screen. From time to time the film series at a museum or school will run 35mm prints of some of these wonderful B&W films. You ain't seen nuttin' till you've seen these jewels up big and bright! I once had a print of "The Big Sleep" (1946) at home to test a portable 35mm projector I was fixing for someone - I watched it a bunch of times, I'm not certain if I ever really figured the plot out - but God are the women in it gorgeous - first of all, of course, Ms. Bacall. The pictures aren't bad either. :)

 

Edmond, OK

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I'm in a rush but here are two of my favorites: [i also second the choices of "Raging Bull", "8 1/2" and "The Elephant Man" and of course, anything photographed by Greg Toland, ASC]

 

 

"Hud" - James Wong Howe, ASC

 

"The Last Picture Show" - Robert Surtees, ASC

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Is it me or did most of the people go back atleast 20 years...how about Schindler's List. I know almost everyone has seen it but damn is was a great B@W. Or there is Roger Deakins - The man who wasnt there. Also well shot.

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Is it me or did most of the people go back atleast 20 years...how about Schindler's List. I know almost everyone has seen it but damn is was a great B@W. Or there is Roger Deakins - The man who wasnt there. Also well shot.

 

Those were already mentioned in the original post!

 

It's hardly surprising to go back to the height of b&w photography (1930's-1950's) for good examples.

 

Some of these have already been mentioned, but among my favorites for b&w photography are:

 

Sunrise, Passion of Joan of Arc, The Fugitive, How Green Was My Valley, Jane Eyre, Rebecca, Citizen Kane, Magnificent Ambersons, Portrait of Jennie, Night of the Hunter, The Innocents, Out of the Past, Mildred Pierce, Casablanca, Hud, Sweet Smell of Success, In Cold Blood, Last Picture Show, Paper Moon

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Grab every chance you can get to see these movies on the Big Screen.

 

When I was studying theater and film scoring for my BA at UCLA, David Raksin was my teacher for film scoring and he happens to have a pristine 35mm print of Citizen Kane which he would show to his class once a year. It was Melnitz Theater, so a few lucky friends always got to sit in that day.

 

I'd seen the movie on video maybe 10 times, but to see it in a no-need for restoration quality print was pretty impressive. Almost as impressive as all the behind the scenes stories he would tell.

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Believe it or not, I've found Herk Harvey's Carnival of Souls to be beautifully photographed. If you can, get ahold of a copy of Criterion's HD master. Low budget values aside, it is one of the best looking BW that I've seen. That's my two cents.

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Believe it or not, I've found Herk Harvey's Carnival of Souls to be beautifully photographed. If you can, get ahold of a copy of Criterion's HD master. Low budget values aside, it is one of the best looking BW that I've seen. That's my two cents.

 

Yes, it's surprisingly well-made for a super-low-budget indie of that period -- probably because the filmmakers had made hundreds of educational shorts for Centron, so they were real pros.

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I've thought of a few more: "High Noon" (1952), interesting because it was a western shot by an Austrian.

 

 

Also, I am a big fan of the visual style of some of the Twilight Zone Episodes. Some of them are done quite well.

 

---"High Noon" was directed by an Austrian, but photographed by a WASPy American, Floyd Crosby.

David Crosby's dad. He had photoggraphed Pare Lorenz's 'The River' and later many Roger Corman's,

including the first Poe's.

 

As for TV, Conrad Hall was one of the camermen on the first season of the 'Outer Limits'. The episodes he did with Gerd Oswald are gems.

 

---LV

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You can't go wrong with most movies lensed by John Alton, who was active in the 30's - 50's. His style is very baroque, and his lighting and composition are bold and breathtaking. Check out "The Big Combo", "T-Men", and "The Devils Doorway" (a Western!). Woody Bredel was really active in the Film Noir genre as well. He doesn't get mentioned much, but one viewing of "The Unsuspected" will change all that.

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I second "The Spy Who Came in From the Cold" for being wonderful black and white that sets the mood and serves the story. Also, ironic as it may be, I think "Young Frankenstein" is really a wonderfully photographed movie that lives up to, and it many cases, surpasses the photography of the films it has its roots in.

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Believe it or not, I've found Herk Harvey's Carnival of Souls to be beautifully photographed. If you can, get ahold of a copy of Criterion's HD master. Low budget values aside, it is one of the best looking BW that I've seen. That's my two cents.

 

 

I have a DVD copy of this film and the DVD mastering wasn't the greatest, but yes, it is a good film. The photography does keep you in the story. Kept me engaged any way. What about Ed Wood. I thought it looked great.

 

 

chris

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