jan von krogh Posted February 28, 2009 Share Posted February 28, 2009 why arent they listed in the "35 mm" section of this forum? Link to comment Share on other sites More sharing options...
Premium Member John Sprung Posted February 28, 2009 Premium Member Share Posted February 28, 2009 Because 35mm as used here refers to the photochemical film format, not the image dimensions. I'd agree that HD isn't really the appropriate term, either. These are digital cameras, not TV cameras. Red and D-21 are data cameras, not tape cameras. -- J.S. Link to comment Share on other sites More sharing options...
jan von krogh Posted February 28, 2009 Author Share Posted February 28, 2009 Because 35mm as used here refers to the photochemical film format, not the image dimensions. I'd agree that HD isn't really the appropriate term, either. These are digital cameras, not TV cameras. Red and D-21 are data cameras, not tape cameras. -- J.S. i usually decide what lens to use on the format - 35mm and S35 lenses favor sensorbased and mechanical/digital cameras. What has all of this to do with HD, 2K scan 4 cmos etc? The Acaemy award for "Best Cinematography" this year was given to a mainly digital S16 2K production btw. Link to comment Share on other sites More sharing options...
Brian Drysdale Posted February 28, 2009 Share Posted February 28, 2009 Also the Genesis, F35 and D21 record on a rather high end HD video format (unless the D21 is outputting Arri RAW). CML splits this into two forums "2k 444 real time" (Full resolution HD non-compressed) and "2k single sensor" (high resolution single sensor non real time) (the RED, SI 2K RAW data type cameras). HD is another forum as is HD prosumer. This can be a bit arbitrary, because the Genesis is listed in the "2k 444 real time", so it's the real time aspect that places it in there. It makes more sense to base the forum title on the "process" rather than the sensor/film size. Perhaps HD & D-Cinema may keep things covered. Link to comment Share on other sites More sharing options...
John Holland Posted February 28, 2009 Share Posted February 28, 2009 The "Oscar" won by a production that was shot 40% on 35mm Fuii film and the rest on digital cameras ! Link to comment Share on other sites More sharing options...
Premium Member Brad Grimmett Posted March 1, 2009 Premium Member Share Posted March 1, 2009 why arent they listed in the "35 mm" section of this forum? Hmm, I didn't know you could run film through any of those cameras. You learn something new every day! Link to comment Share on other sites More sharing options...
Joe Walker Posted March 1, 2009 Share Posted March 1, 2009 i usually decide what lens to use on the format - 35mm and S35 lenses favor sensorbased and mechanical/digital cameras. What has all of this to do with HD, 2K scan 4 cmos etc? The Acaemy award for "Best Cinematography" this year was given to a mainly digital S16 2K production btw. Hey speaking of 35mm lenses, what's the status of the new primes you're testing Laguun? Have you got any pics we can look at? Link to comment Share on other sites More sharing options...
Premium Member Stephen Williams Posted March 1, 2009 Premium Member Share Posted March 1, 2009 why arent they listed in the "35 mm" section of this forum? Hi, None of the cameras you mention are capable of running 35mm film. Stephen Link to comment Share on other sites More sharing options...
Emanuel A Guedes Posted March 2, 2009 Share Posted March 2, 2009 Jan, You've forgot the Canon 5D Mark II. ;) Emanuel :-) Link to comment Share on other sites More sharing options...
Premium Member Stephen Williams Posted March 2, 2009 Premium Member Share Posted March 2, 2009 Jan, You've forgot the Canon 5D Mark II. ;) Emanuel :-) Hi, I shot 12 hours of footage with 5 x 5dMK II's over the weekend, they do have some issues. Stephen Link to comment Share on other sites More sharing options...
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