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The White Room Trailer


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So we decided that we would shoot 4k on a red with Zeiss superspeeds - to scale the digital look back a bit from those scary Master Primes. Decode in London did their bidding and provided us with a first rate bit of kit Arri this and Arri that, dolly track, the lot - all was well until we learned that if you have a PC then the best thing to do if you want to watch your rushes was to forget it !!

 

What is going on ? doesn't Red know that it just isn't Macs out there but other computer formats are available too ?

 

I love Red so much that I would propose and get married, but hang on a minute we are just so incompatible - is this a familiar story and is there anything I can do about it?

 

What is the story here, any guesses ? Is my sooper dooper computer is redundant if I shoot Red?

 

 

Thanks

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