Emanuel A Guedes Posted March 8, 2010 Share Posted March 8, 2010 A latin product, far away from the typical VFX blockbuster (and a certain clientele*... ;-) gave the first Oscar award to a feature shot on RED. Congrats boys ! * Food for thought... Link to comment Share on other sites More sharing options...
Serge Teulon Posted March 8, 2010 Share Posted March 8, 2010 A latin product, far away from the typical VFX blockbuster (and a certain clientele*... ;-) gave the first Oscar award to a feature shot on RED. Congrats boys ! * Food for thought... I haven't seen this film. But if its better than A Prophet, then I definitely want to see it. Cheers Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted March 8, 2010 Premium Member Share Posted March 8, 2010 It's interesting, these trends... Best Picture went to a movie shot in Super-16 film, Best Foreign Language Film went to a movie shot on the Red One, and Best Cinematography went to an all-digital movie with a portion of live action shot on Sony HD video. So on the one hand, digital is obviously making inroads, on the other, Super-16 -- which with its grain and softness is sort of the "Anti-Digital" format -- is not dead after all.... Link to comment Share on other sites More sharing options...
Serge Teulon Posted March 8, 2010 Share Posted March 8, 2010 Super-16 -- which with its grain and softness is sort of the "Anti-Digital" format -- is not dead after all.... That's as good as it gets. Cheers Link to comment Share on other sites More sharing options...
Emanuel A Guedes Posted March 8, 2010 Author Share Posted March 8, 2010 So on the one hand, digital is obviously making inroads, on the other, Super-16 -- which with its grain and softness is sort of the "Anti-Digital" format -- is not dead after all.... Film (it is good to see it alive and kicking) or digital, the important is that both are handleABLE (= affordable, capable of being on budget -- Scarlet?). Link to comment Share on other sites More sharing options...
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