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Posted

And don't forget that you're going to have to rack the aperture open a stop simultaneously to keep the exposure correct. Or adjust the lighting simultaneously. Unless of course you want it to get a stop darker during the speed ramp.

Posted

ll in all it's pretty easy on that camera and depending upon what stock you use Aperture compensation might not be that necessary. It is if you want to have a perfectly exposeD negative - but with today's emulsions you've gotten many stops of latitude.

Posted

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Why didn't you just try it? I did. It works.

I don't understand the mechanisms involved, and was unsure if it would be harmful to the camera or not.

 

 

ll in all it's pretty easy on that camera and depending upon what stock you use Aperture compensation might not be that necessary. It is if you want to have a perfectly exposeD negative - but with today's emulsions you've gotten many stops of latitude.

I've thought about that. I'll probably have to utilize aperture method though.

Posted

I did a rack aperture shot on an arri s for a student film once. I had some lighting on a dimmer getting brighter while I racked the aperture closed a stop or two. Worked pretty well.

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