Cosmas Demetriou Posted March 3, 2016 Share Posted March 3, 2016 Hello, Cinematography.com members. You have been so helpful in the past that I want to ask another question. I am a set designer going to a location on Monday (downtown Boston) and I want to use Artemis on my iPhone to see what the camera will see. We will be filming an action sequence on a prominent street with brownstones. We don't know yet what our camera platform will be but wondering if I set my platform to Super 35mm Panavision Genesis what would be a good range of lenses to cover for? From wide angle (but not extreme wide angle) to "normal" (if that is a term that is used any more.) What I'm concerned about is "what is the widest that the camera might see." Wondering if the concept of a "Normal lens" still exists? I thought it was the point where a wide angle lens becomes a telephoto. In 35mm still photography, I believe, it's the 50mm lens but wondering if the term is used any more. Thank you. Link to comment Share on other sites More sharing options...
Premium Member Mark Kenfield Posted March 3, 2016 Premium Member Share Posted March 3, 2016 Well a very standard range of focal lengths for a five-lens set of primes would be something like: 18mm, 25mm, 35mm, 50mm, 85mm And that range would cover you for the vast majority of needs, wide to telephoto. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted March 3, 2016 Premium Member Share Posted March 3, 2016 I think the camera in the iPhone itself is something around a 27mm in terms of 35mm cine terms, so you won't see wider than that. "Normal" is a subjective term but anywhere in the 27mm to 50mm range is fairly normal for 35mm cine, i.e. not wide-angle and not telephoto. I think the diagonal measurement of Full-Frame 35mm is something like 43mm so a 1.5X crop of that for 35mm cine is something like 27mm. Personally I think of 35mm as being the "normal" lens for 35mm cine and the 50mm being the normal lens for Full-Frame 35mm. Link to comment Share on other sites More sharing options...
Premium Member Satsuki Murashige Posted March 3, 2016 Premium Member Share Posted March 3, 2016 Have you spoken to the director and DP yet about their ideas on lens selection and the shots they want to get? Because they may not be even planning on using normal focal lengths... Link to comment Share on other sites More sharing options...
Cosmas Demetriou Posted March 3, 2016 Author Share Posted March 3, 2016 I haven't, but your point is well taken. I will ultimately talk to him, of course, but I want to just have a starting point that is in the ballpark. I appreciate your point. Thank you. Link to comment Share on other sites More sharing options...
Cosmas Demetriou Posted March 4, 2016 Author Share Posted March 4, 2016 "Personally I think of 35mm as being the "normal" lens for 35mm cine and the 50mm being the normal lens for Full-Frame 35mm." David, by "50mm being the normal lens for Full-Frame 35mm" do you mean still camera 35mm? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted March 4, 2016 Premium Member Share Posted March 4, 2016 Yes, Full-Frame or FF35 is what most people are now calling the standard 8-perf 35mm still camera frame (36mm x 24mm). Same as VistaVision. Link to comment Share on other sites More sharing options...
Cosmas Demetriou Posted March 4, 2016 Author Share Posted March 4, 2016 Thanks to everyone for your replies. I appreciate it. Link to comment Share on other sites More sharing options...
Robin R Probyn Posted March 4, 2016 Share Posted March 4, 2016 Just a thought,though not exactly your department.. but if you can give the DP some idea of where the sun is at certain times of day in that street.. Im sure it would be gladly received.. although I guess they will be doing this at a later date too.. Link to comment Share on other sites More sharing options...
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