Jake S. Del Mastro Posted September 17, 2021 Share Posted September 17, 2021 (edited) Hey all, I've been messing around with a new lens for my Krasnogorsk-3 (bayonet version), an old soviet Mir-11 12.5mm lens. I like the general look of the lens because it has some interesting distortions, however it really likes to flare, like a lot and it tends to wash out the image. There aren't too many wide angle options for this camera so I would really like to make use of this lens. Despite my efforts adjusting my matte box I can't seem to get the flares down to an acceptable level in many scenes. Does anyone have any tips for working with old uncoated lenses like this? Edited September 17, 2021 by Jake S. Del Mastro Link to comment Share on other sites More sharing options...
Albion Hockney Posted September 17, 2021 Share Posted September 17, 2021 if the sun is in the shot there is nothing you can do, if the sun is out of the shot you need to cut the light off the lens with the mattebox. look at front of the camera and make sure the light is being cut off the lens. Link to comment Share on other sites More sharing options...
Jake S. Del Mastro Posted September 18, 2021 Author Share Posted September 18, 2021 So then I guess there's nothing special then, just keep bright lights out of the shot, and block everything else with the matte box? Was kinda hoping there was some magic anti-flare filter I was not aware of, but I guess nothing is that easy ?. I'll just have to frame my shots very carefully. Thanks! Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted September 18, 2021 Premium Member Share Posted September 18, 2021 1 hour ago, Jake S. Del Mastro said: So then I guess there's nothing special then No, there isn't. This is what mattes and fingers and dots and things are for, to keep things from shining in the lens. If the light source is in shot there's not so much you can do, as you'd naturally see whatever's flagging it, unless you can figure out a way to flag it with a piece of set dressing so it looks reasonable. Lights that are out of frame can still flare the lens, which is where mattes (hence mattebox) come in. But no, you're absolutely right, there's no perfect solution. This is why people spend so much time designing lens coatings. Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now