Pablo Cruz Villalba Posted January 7, 2022 Share Posted January 7, 2022 Hello, I might have access to expired Fuji positive film made for duplicating. However I want to shoot it with a still camera. Does anyone know approximately at what ASA should I shoot? Link to comment Share on other sites More sharing options...
Site Sponsor Robert Houllahan Posted January 10, 2022 Site Sponsor Share Posted January 10, 2022 I would figure it to be around 12iso do you have the stock number? Link to comment Share on other sites More sharing options...
Pablo Cruz Villalba Posted January 11, 2022 Author Share Posted January 11, 2022 It is Fujicolor Positive Film Eterna CP 3514 DI P-4. 740 (KS-1870) EI Link to comment Share on other sites More sharing options...
Pablo Cruz Villalba Posted January 18, 2022 Author Share Posted January 18, 2022 Link to comment Share on other sites More sharing options...
Pablo Cruz Villalba Posted January 18, 2022 Author Share Posted January 18, 2022 (edited) I am very bad at Photoshop, but this is a quick edit. Edited January 18, 2022 by Pablo Cruz Villalba Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted January 18, 2022 Premium Member Share Posted January 18, 2022 Wow. That's... contrasty. I normalised the colour a little based on the assumption that the buildings are probably grey, and de-contrasted it a bit. Much as this is obviously pretty extreme, I think there's something to be said for a film stock that leans in this direction. I just wrote a piece about how modern film is so smooth and low-contrast that it actually doesn't have some of the characteristics that people want when they shoot film. 3 Link to comment Share on other sites More sharing options...
Don Cunningham Posted January 19, 2022 Share Posted January 19, 2022 Definitely a unique quality. Link to comment Share on other sites More sharing options...
Premium Member Frank Wylie Posted January 19, 2022 Premium Member Share Posted January 19, 2022 People are shooting Kodak 2383 as still film at ISO 3 to 6 and getting an image not too far removed from 2 Color Technicolor when scanned and tweaked. Of course, that's a flatbed scanner for still film, but I can't image you wouldn't be able to do more in a full blown DI suite or Davinci Resolve... Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now