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Why was the Imagica cine' scanner so slow?


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In the description on eBay, it says it takes half a minute to scan one frame in 4K. Did it use a camera to digitize? Or was it something like a flatbed scan with a slowly moving scan eye? 

 

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It has a lot of parts and guts to it. What era was it mainly used in? Any commentary to add to the historical record?

 

 

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Edited by Daniel D. Teoli Jr.
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It's from the mid 1990s and it was one of the earliest 4k motion picture film scanners. Everything inside is custom hardware. It uses an ancient SGI 02 machine (I always wanted one of those) to control it. It takes an hour to warm up the lamp before you can start scanning and the lamp only has a lifespan of about 150 hours. This is slow because it's old. It's a monochrome 4k line sensor with a corresponding fiber optic light pipe, which we've discussed here before. The sensor and the slit light are synchronized and both sweep past the film, which is held steady with registration pins. it does this three times - once for each color channel - then combines them into a color image. 

We just got rid of ours, which was 80% of the way converted into a modern film scanner. It went to someone locally who is going to finish converting it. It's a very nice transport.

Originally it was used for scanning short shots of film, not entire films. At the time, nobody did that. This would have been used for grabbing a scene from a film reel probably for visual effects work.

The lens inside (a 95mm Printing Nikkor) is worth almost what they're selling it for. The rest, not so much. it's about 400-500lbs of equipment too. 

Impressive that it's still working though. it's a very complicated machine. 

The prayer cards inside the door are missing. They're there to ward off evil spirits. It's probably cursed. 

Edited by Perry Paolantonio
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4 minutes ago, Robert Houllahan said:

Sometimes dream do come true… ill scoot you one of these once I figure out which run and which don't… 

CDE6102A-DF7B-40CE-9821-897FD86AE813.jpeg

haha. that would be amazing. I always thought they were super cool. They were capable of analog video capture (with an add-on card) and didn't cost that much more than a fully tricked out mac with a video board at the time. There was even a version of Premiere that ran on it, I think.  

I also accept Aaton donations, by the way. No questions asked, you can just leave it at our door. 

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? I worked on one of these O2s at art school in Lausanne more than 25 years ago. The software was Alias Wavefront and Power Animator, which later became Alias Studio (for design)  and Maya (for animation). Adobe even ported an early version of Photoshop to Irix.

I still have the muscle memory of certain mouse gesture functions ?

Edited by David Sekanina
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