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LOMO 6x Lens Set 18 22 28 50 75 150 OCT19 Mount KONVAS Kinor cine movie lense


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Absolute rare LOMO OKC lens set with OCT-19 mount. 
OKC1-18-1 18mm./2.8 T-3.3
OKC1-22-1 22mm/2.8 T-3.1
OKC7-28-1 28mm/2.0 T-2.3 
OKC1-50-6 50mm/2.0 T-2.3
OKC6-75-1 75mm /2.0 T-2.3
OKC1-150-1 150mm/2.8 T-3.3

OKC1-18-1 18mm./2.8 T-3.3
high-aperture eight-lens anastigmat. High aperture ratio, high resolving power, large depth of field make it possible 
to use the lens for filming high and stretching architectural ensembles, landscape photography, indoor shooting, 
for shooting sports, newsreels, genre moments, etc. The optical parts of the lens are mounted in a special frame.

OKC1-22-1 22mm/2.8 T-3.1
 is a film lens for professional film cameras operating on 35 mm film with a frame size of 16x22 mm.

OKC7-28-1 28mm/2.0 T-2.3 
 has an elongated rear focal length of 32 mm, which makes it possible to install it on SLR cameras in case of alteration 
or the presence of a special adapter. Including cameras of the CANON family.
The optical scheme of the lens is a complex nine-lens optical system consisting of seven components. 
In terms of image quality, the lens is at the level of the OKS4-28-1 produced before it, but has a longer focal length and a larger number of aperture blades.
 
OKC1-50-6 50mm/2.0 T-2.3
is a fast film lens for professional film cameras working on 35mm film with a frame size of 16x22mm.
Additional Information:
FR = 50.34 mm
angle 30°30'
diameter 41 mm
resolution 55/30 lines/mm

OKC6-75-1 75mm /2.0 T-2.3
The depth of field is shallow enough to clearly separate an object from the background, which makes an 
excellent impression and gives a cinematic feeling to a video shot with such a lens. Combine all these factors, 
and you will understand why so many people are looking for such lenses to customize them for their DSLRs and camcorders.

OKC1-150-1 150mm/2.8 T-3.3
high-aperture four-lens anastigmat.
A large focal length and high aperture allow the lens to be used in various conditions: 
for outdoor shooting of distant objects, architectural details, hard-to-reach areas of the terrain, 
for filming indoors, for shooting small objects close-up, for filming sports events, newsreels, etc.

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Edited by Evghenii Fraifeld
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