Juan Esparza Posted February 13, 2023 Share Posted February 13, 2023 Hi, Im working in the look for a shortfilm. The director told me that he wants to recreate the feeling of a specific painting. Besides the obvious things like the quality and direction of light, optics, contrast, colors, and elements of set design, I would like to know what other elements I should consider. Is there a way to reproduce the same colors and feeling of a painting in a cinematographic scene? I understand that the approach to visual design in film varies between cinematographers, and there isn't a correct way to do it. However, I would like to know your perspective on the subject. Thanks. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted February 14, 2023 Premium Member Share Posted February 14, 2023 Movies that recreate paintings have always interested me. Besides the obvious things like the lighting, static framing, etc. I think it helps to somewhat "flatten" the image to create a 2D feeling, whether that means a surface texture like noise/grain or lifted & tinted blacks. Haze can help. Longer lenses for a flatter perspective. 2 Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted February 14, 2023 Premium Member Share Posted February 14, 2023 1 Link to comment Share on other sites More sharing options...
Juan Esparza Posted February 14, 2023 Author Share Posted February 14, 2023 Thank you David, for the quick response. I hadn't consider using a longer lens to create a 2D feel for the image before. i Based on the director's visual references, I noticed that the shadows are tinted in a reddish-warm tone, which also affects the mid-tones and the highlights to a lesser extent. How do you think this could be achieved in camera? I was thinking of using a black satin filter to lift the blacks and add some subtle warmth to the image (or another tinted diffusion filter). Additionally, I would like to use the Cooke Speed Panchros, to have an organic warm and softness to the image. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted February 14, 2023 Premium Member Share Posted February 14, 2023 Sure, that all sounds good. You can further lift and tint the blacks in post. Link to comment Share on other sites More sharing options...
Nick Morr Posted March 14, 2023 Share Posted March 14, 2023 @Juan Esparza I make my cinematography students do this as an exercise. All that was mentioned above I think is the best way to replicate the feeling of paintings. Focus on composition, perspective (where you're placing the camera in terms of height and angle as well as lens choice are huge), mise-en-scène, light quality/directionality, contrast, and color. There are many examples of this being done in cinema and some mimic the source material better than others, the rest are far more interpretive but no less interesting. This slideshow doesn't make a lot of sense with out me lecturing along with the slides (my notes are not included), but if you scroll down to slide 18 you can see a bunch of side-by-sides I've compiled that compare paintings with their filmic analogues for inspiration: https://docs.google.com/presentation/d/1cFvjVR3EqRwRVFU-kygak4QlBc2vfxWPlW6rbXh7100/edit?usp=sharing Personally, I really love Akira Kurosawa's copy of Van Gogh's "Wheatfields with Crows" in Dreams and the snap from Andrey Zvyaginstev's The Return (which is a fine film if you haven't seen it) after Andrea Mantegna's "Lamentation of Christ". Please post your recreations when you're finished! Nick 1 1 Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted March 14, 2023 Premium Member Share Posted March 14, 2023 There's always the old faithful. Link to comment Share on other sites More sharing options...
James Drake Posted March 18, 2023 Share Posted March 18, 2023 On 3/13/2023 at 10:58 PM, Nick Morr said: This slideshow doesn't make a lot of sense with out me lecturing along with the slides (my notes are not included), but if you scroll down to slide 18 you can see a bunch of side-by-sides I've compiled that compare paintings with their filmic analogues for inspiration: These were great! Thanks for sharing @Nick Morr Made me think of this scene from Kendrick Lamar's video: 1 Link to comment Share on other sites More sharing options...
Nick Morr Posted March 18, 2023 Share Posted March 18, 2023 @James Drake Good find! Which video is this? This is possibly the most mimicked tableau from art history by cinematographers. Storaro is apparently so obsessed with this composition that its frame dimensions influenced his 2:1 Univisium format. Link to comment Share on other sites More sharing options...
James Drake Posted March 18, 2023 Share Posted March 18, 2023 @Nick MorrKendrick Lamar - Humble - Lots of great shots in it! 1 Link to comment Share on other sites More sharing options...
Joseph Turner SCAMMER Posted March 21, 2023 Share Posted March 21, 2023 Wow, lot's of beautiful works 1 Link to comment Share on other sites More sharing options...
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