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Showing content with the highest reputation on 07/11/19 in all areas

  1. 1 point
  2. 1 point
    Really great stuff! What perfect subject matter to shoot! In particular I like the split-screen, multi-image scenes. Not sure why, but I think the film looks great when you present it in that reformatted way.
  3. 1 point
    If I understand correctly what's happening here, a single scan is split into three versions, each with a "-1, 0 and +1" (stop?) exposure, then merged together in the same way a multi-shot HDR would be? If this is correct, while it may have some effect on the image, it's basically just a post production grading technique that could also be done with curves or multiple-layer or multiple node color correction. It's not really extending the dynamic range, or getting any of the benefits of scanning the film at two or three exposures and merging them. There is a significant difference. With a true HDR scan, you get three things: 1) Extended dynamic range by scanning for the dense, normal and thin areas of the film, then merging them into a single SDR image. The end result is detail in all three ranges. A scan done for the shadows would blow out the highlights, and vice versa. 2) Depending on how it's done, for color images you get more bit depth in the resulting file than you would with a single scan 3) Reduced noise (if there's noise in the scan in dense areas of the film, an HDR scan will pretty much eliminate the noise from the scanner's sensor, by pumping more light to it, and creating an image well above it's noise floor. -perry
  4. 1 point
    I think everyone is being far too critical. For one thing, this is a real location and not a set, unlike many of those Disney Channel shows. Second, it’s a cliche that comedy has to be lit brighter and flatter. Third, it’s not easy to make a real fluorescent-lit high school look interesting. Having a bigger lighting package doesn’t solve the problem that if you see the ceiling in the background then the background is mainly going to have to be lit by those ceiling fixtures and all you can do is play with the foreground.
  5. 1 point
    When I can't rig a light to the ceiling, my next option is to rig some white to the ceiling, perhaps with a white card also hanging down slightly, and then bounce a Source-4 Leko into it (daylight HMI Jo-Leko if daylight-balanced interior). The other option is to use menace arms with lightweight lights (Litemats these days).
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