Erkan Umut

SPRAVOCHNIK KINOOPERATORA (Cameraman's Handbook) http://rapidshare.com/files/244115058/SPRAVOCHNIK_KINOOPERATORA.pdf masterstvo kinooperatora (cameraman's skills) http://rapidshare.com/files/244117913/masterstvo_kinooperatora.pdf Enjoy!

eclair ACL II SUPER16 converted camera with C-mount flat base (toggle switch) 75fps heavy duty motor 2pcs. 400ft magazines Angenieux or Kinoptik orientable (auto erect) viewfinder Battery and charger Handgrip and carrying handle Angenieux 15-150mm zoom (C-mount) all in one case (with or w/o video tap) US Shipment will be to an US address. (Other countries will be to Turkey) Payment via PayPal

Super16 BOLEX EL with two 400 ft Super16 mags with MM motor and film rollers two Super 16 spindle rollers (for camera) onboard battery and charger Kern Super16 zoom US Shipment will be to an US address. (Other countries will be to Turkey) Payment via PayPal

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The voltage is important. Amperes show the battery capacity. There could be another problem. If everything would be ok, any fuse could be handle it. Ask to Bolex Switzerland for the fuse spec. Try it with another battery. Maybe a shortcircuit?

That pdf is not complete and some important pages are not included. I have one complete in print, and need time to create a pdf.

Will, Usually the language in the manuals and brochures, etc. of the big enterprises in Japan is allright. But the smaller ones have a very interesting english usage, so you need an imagination to be able to understand... Also their manuals and brochures, etc. are poorly prepared even they have the Asian scent sometimes. But the stuff of the big ones like Canon, Eiki, Elmo, etc. are perfect. It depends on how much you spend and how many staff you have for this...

MANUFACTURERS OF 35mm CINEMA PROJECTORS IN JAPAN (35mm映写機)

Eclair ACL brochure http://rapidshare.com/files/238212139/ACL.pdf Eclair ACL II brochure http://rapidshare.com/files/238214261/ACL_II.pdf Enjoy!

Canon SCOOPIC 16M Brochure http://rapidshare.com/files/238601884/SCOOPIC_16M.pdf Enjoy!

Please check the web page at http://www.erkanumut.com/?s=acl for more info. Thanks!

You're welcome! And the show continues ;) : Addendum to CP-16R OPERATION & MAINTENANCE MANUAL In Memoriam to Edmund M. DiGiulio (1927 - 2004), Founder of Cinema Products Corp.

Hey Folks! Here is the manual you have been waiting for ;) : CP-16R OPERATION & MAINTENANCE MANUAL Enjoy!

Thanks! That one is the 58-page Interim Manual consists of some electrical and mechanical issues. Its not a complete service manual nor parts list. The one I told is a manual that consist of operating and maintenence instructions.

I recently bought one original CP-16R Operation & Maintenance manual in print. I already have an addendum to this manual after they made the shutter 170° sent me by CP years ago. There might be good news for the community :)

Thank you for your kind offer! CP-16R and GSMO Operation & Maintenance manuals, Service manuals in pdf will be great for the community. Best

Sorry, This forum is deleted due to lack of interest.

Lens for 35mm format - Focal length: 12mm - Angle of View: 90° Lens for Super16 format - Focal length: 12mm - Angle of View: 64° When we compared the dimensions of these two formats, we see that the results are similar. I also noticed that the angle of view of the lenses for Regular 16mm format are about half of the ones for 35mm format in same focal length. It shows that 12mm focal length gives the similar results in both format...

Yes! F/50mm means 50mm focal length like T/4 stop. I've got the exact reply I want to hear... Thank you David! You're an invaluable contibutor... :D

We learned that F/50mm is the normal lens for 35mm format and F/25mm for 16mm format. So, in theory, F/25mm will be a wide angle lens for 35mm format and F/50mm will be tele lens for 16mm format. Recently, for my project shot in Super16, the rental house recommend me to use F/12mm lens made for 35mm format instead of F/6mm lens made for SUPER16 format. Because of above theory, I accepted it. But I surprised when I saw that F/12mm didn't give me the result of F/6mm of Super16 lens... What is the reason? Thank you for your explanations... :)

The new forum site is created on all kinds of motion-picture technology, and waits for your registration: Cinema Technology Forums Thank you...

Skipping (you say strobing) also related to the shutter position. If you expose the film by reflex mirror shutters at 45 degree position (not the opening angle!) btw the lens and aperture like in ARRIs, you gonna get more skipping while fast panning than the focal plane shutters like in Panaflexes or eclair ACL. Because the focal plane shutter is completely close to the aperture, so it means that it cuts the light at very narrow cone point (here we call the exposing light rays as a cone). Also, contrarily panning to direction of shutter rotation causes more skipping.

Dear Thibaut, I need the service manuals e.g. parts catalogues of eclair NPR & ACL. If you have scans still, could you please email me. Thanks a lot... :)

Thanks... I eagerly am waiting for your observation... By the way, my hobby is motion-picture technology. What is your field? I've been in Japan in 1995 for one month, and have visited the projector makers Tokiwa Tokyo, Eiki Osaka and Elmo Nagoya, and was the Agent for Tokiwa in Turkey. Japan is one of the makers of high quality precision cine machinery... Do you have have any manual and parts catalogue of the latest model eclair ACL? Pls. visit my web at http://www.erkanumut.com/acl.htm

Thank you for your reply and the diagram. What is the source of your diagram? Any publication or your experience? The light through the lens results a cone towards the aperture. The focal plane shutter is very close to the aperture, so it cuts the smallest part of this cone. I've seen similar things in Russian cine technology books I have. Any comments...