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aaron wade

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    Director
  1. Thank you for the references; I'll check both of them out. Regards,
  2. I'm based out of Dallas, TX; although I'm looking for labs that process Super16 color reversal film. There aren't any labs in the Dallas area. I've previously used BPS in IL; they managed to screw up my last project, so I won't be using them again. Thanks in advance,
  3. Here's a promo clip from a project I worked on for Accelerade. Dean Karnazes ran 24-hours on a treadmill in Times Square. Video: http://aaronwade.net/movies/accelerade.mov Thanks,
  4. Absolutely love the opening shot! Colors, composition,...
  5. Boulder, CO position has been filled. Thanks,
  6. Sorry, here's the correct link: http://www.thenorthface.com/na/events/even...series_KD1.html
  7. I'm looking for someone to provide video support to this event: http://www.thenorthface.com/na/event...eries_KD1.html Compensation: TBD/ Paid Please send all reels and resumes... For more information, Aaron Wade Ag.wade@gmail.com
  8. Matt Ely - Yes, I've been to VPT once...Peggy was my colorist.; she was great by the way. I'm sure I'll be going back to her or try out Filmworkers Club (if I can get a good rate). I'll mention your name if I return to VPT. Thanks...
  9. Yes I'm sure a lot of it has to do with overexposure, lens flare and the right time of day. I'm going to shoot this question to the colorist and figure out her capabilities. There's not a lot of colorist in Dallas, TX. :( Nathan Milford: I'm posting on behalf of myself, so I can better explicate what I want to the DP prior to the shoot. Jonathan Bowerbank: Would you happen to have any footage for me to view online that was shot on the Kodak 7217? Thanks to all for replying.
  10. To achieve a certain look, I'm looking for advice on choosing the right film stock. My DP will be using a S-16 Aaton LTR. For lighting, we will be using mostly natural (on top of loft apt.). The stock that I'm considering is color reversal Kodak 7285. Below I've provided links to certain "blown out" and "naturalistic" looks that I'm trying to achieve. Any advice would be appreciated. Links: Example one (When she is in the field) Example two (Still Photo) Example three (Still Photo) Thanks, Aaron Wade Don't reply to this topic, I've posted again in the "film stock" discussion section. Sorry...
  11. To achieve a certain look, I'm looking for advice on choosing the right film stock. My DP will be using a S-16 Aaton LTR. For lighting, we will be using mostly natural (on top of loft apt.). The stock that I'm considering is color reversal Kodak 7285. Below I've provided links to certain "blown out" and "naturalistic" looks that I'm trying to achieve. Any advice would be appreciated. Links: Example one (When she is in the field) Example two (Still Photo) Example three (Still Photo) Thanks, Aaron Wade
  12. im looking to shoot w/ kodak 7205 250D. can anyone point me a direction of any spots/ music videos that were shot on it? im shooting in mixed light and want a fairly medium speed stock. thanks.
  13. 1 super 16 400' ektachrome 7285 color reversal 100D [factory sealed] s/h= $0 total= $150 paypal only will ship to the usa only. film is located in dallas, tx. available for pick-up also. thanks. email: ag.wade@gmail.com aim: superproduca
  14. need some advice on mailing exposed film. im going to tell the people @ ups to put one of those stickers on the box saying "do not xray". has anyone did this before? thanks in advance.
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