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Gary Robinson

Basic Member
  • Posts

    54
  • Joined

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About Gary Robinson

  • Birthday 12/12/1969

Profile Information

  • Occupation
    Producer
  • Location
    Los Angeles
  • Specialties
    Photography, Writing, Directing, Editing, Computer Animation, Sports

Contact Methods

  • Website URL
    http://www.sharpcut.com
  1. Hi Guys, I've been powering my Arri 2b and BL2 with xlr to red and black connector cables to 12v 7amp sealed lead acid batteries. I previously had the cables put together at Ametron. They don't do custom cables anymore. Do you know where I could get these cables made?
  2. Thanks John, Because the Arri 2B captures a smaller image, when cropped for 16x9 will it look much grainier? Thanks Gary Robinson www.sharpcut.com
  3. Hi Guys, I have an Arri BL2 and an Arri 2b (with way more mags and easier to shoot with). If I'm transferring the 35mm footage to HD, how big of quality difference will I see after the transfer with the BL2 vs 2B? Looking at a previous film, the 2B has borders between the frames while the BL2 is almost solid images with just a very small line between the frames. I"m using the same lens on both. Thanks, Gary Robinson www.sharpcut.com
  4. Hi Guys, I finally got my lemon Arri BL 2 fixed to the point it's useable. The motor is working, but when I load some mags, and start to run the camera, the buckletip switch is switched almost immediately, turning the motor off. Normally this switch is tripped at the end of a roll. Is this switch tripped by improper film loading? Can the switch be removed? What problems can lead to this switch being activated?
  5. After years of repair of a lemon BL2 I bought, I'll finally be able to shoot with it. There are dial settings for 24/50hz or 24/60hz. Is there a difference in shooting at either of these settings?
  6. Hi Guys, I have Angenioux 25-250mm lenses on both my Arri 2b, and BL2. I haven't shot with the BL2 yet, but I noticed that on my BL2 only, when I zoom in and focus, I lose focus when I pull out to 25. Any ideas on why this is happening? Thanks, Gary Robinson
  7. "June 21, 2007 SAN FRANCISCO ? The world?s biggest maker of sunglasses increased its market share today with the announcement that it would buy California-based Oakley Sunglasses for $2.03 billion. The deal, as reported by Bloomberg.com, is expected to make Luxottica untouchable in the sunglass market." Any idea on how this will effect Red?
  8. Hi Guys, I went to the Cinegear Expo. Red didn't have a booth this year, but I hear they gave a nice demo in the theatre. I saw a demo of the Sony F23 HD camera which was very highresolution, but for me, it paled in comparison to the Fuji demo with a clip from David Mullen's work on "The Astronaut Farmer." Any other notes from the show?
  9. I'm going to direct my first feature this year. I have some money for production and attaching actors, but I don't have the full amount so I'm putting together the package before I hit investors. What are the options for attaching DP's to a project assuming they like the script? Pay or Play offers? Some money down?
  10. I've never really used Adobe so I don't know it's strengths. I think Avid Xpress is pretty good for longform work, with Final Cut Pro not far behind.
  11. "The Room". It's so bad, and so fascinating in so many ways, that it's almost a must see.
  12. Hi Rusy, I edited in Speed Razor 5.5 and still have Blade, although I don't use either because the company is out of business. In those apps, you click "file" then "add media" and select your clips.
  13. Hi Jim, I'm excited about your developments with the Red camera. Workflow is a huge issue in this forum and in all areas of production. How will we be able to edit footage from the Red camera?
  14. I shot some film with my Arri 2b that was rejected from the lab. I think the perfs were torn because I threaded it wrong, shot highspeed, and did lots of starts and stops. Are there any labs that are particularly good at processing and repairing damaged negatives?
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