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linus rosenqvist

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  • Occupation
    Cinematographer
  1. Make it shorter and focus on either ficton or non ficton. There are really no clients that would look for both. If you want to have both areas then its better to have two diffrent showreels
  2. Yes its swedish, nice that you could hear that. Just found out that we have a version with subs so ill post that one insteed: http://www.youtube.com/watch?v=0N0ap4YFWNY
  3. This is a trailer for a film I shot 1,5 years ago and its now ready for its premiere. Unfortunatly there are some shots that do not have the final grade, I hope that you can disregard this. The film was made with almost no money (around $50.000) and free equipment that we got from a local firm. It was shot on red with the old red one chip. http://www.youtube.com/watch?v=P-viT8IzEmQ Any thoughts, tips and critique is very welcome
  4. Anyone that knows if anyone have split diopters for rent i Sweden (or any other nordic country)? I know they are sold pretty cheap on ebay but if its possible to rent them I would prefer that.
  5. Thanks for all the respons, dont know how i managed to forget to mention that Im working with alexa. I guess you are right David, i will just go as high as I possible can. Im still not sure if we will film this during early morning or during night.
  6. Im shooting a show for swedish television that features a warehouse explosion, its still a couple of months left so I dont know what kind of pyros that will be used. I just want some general idea on exposure with 800 ISO. I will try to use one single explosion rather than typcial chain reaction that you see in action movies. I know i have to little info to make any correct predcitions what Im looking for is more of an estimate
  7. The reason i said it might be digital was that on that trialer it actually looks like its moving a little bit strange (but looking at it again, its pretty clear that its the trees that effects it, making it look a little of) I know that this can be achived in camera as well but its also very easy to add in post. I think that today its pretty easy to get fooled by digital flares however your knowledge is alot greater than mine and if you are sure that it isnt digital I take your word for it.
  8. I think that the flare in The Tree of Life is digital. Optical flare from video co-pilot is one way to go. I do however think that it would be intresting to know what kind of lens/lensobject that would render this kind of flare
  9. I understand that you get frustraded Steve, Davids comment was kind of childish. But i have to agree that i dont really understand your question. If you just want the fastest lens then the t/1.4 is ofcourse the way to go, if you rather have a shorter lens then the 16mm might be better but its still slower Edit:Dom Jaeger has a point, are you wondering how well they proform at a specific t-stop that isnt wide open?
  10. I think one good thing for you would be to study how light reacts in real situations. I looked at you aother work and the thing that stands out is that they all look pretty lit. I think you should try to use softer sorces and not place you sorces that close to the actors, i know this is a budget isue but if you try to use the natural light a little bit more i think that can take you in the right direction
  11. Thx. It is shot on red one. I used a pretty light LUT in order to underexpose about one stop all the time and avoid blown highlights. Futher i used some diffrent low contrast filter i varius strenghts. The light package was pretty small: 2 6k hmi, 1 4k hmi, 2 jokerbugs (800 and 400) and around 10 kinos as well as some small tungsten lamps
  12. Finally got my site up. I havent been able to post trailers from feature films / shorts yet. If you feel like there is somehting that i should remove or focus more on please dont hesite to say so. www.linusrosenqvist.com
  13. Really nice work with the format, besides for one or two shots with practicals i would never have guessed that it was digital
  14. Really tight production with only one day shoting Shot on Alexa with lomo lenses
  15. I think it looks really good. The only thing I have a problem with is the grading. The grey wall seams to change in hue a bit to much in betwen the shots.
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