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André Bacher

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  • Occupation
    Camera Operator
  • Location
    Hamburg - Germany

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  • Website URL
    http://www.andrebacher.de/
  1. Hello, ARRI 435 Dimensions with 400ft magazin, without the lens: Length: 400 mm (101.6 in) Width: 250 mm ( 63.5 in) Height: 331 mm ( 83.8 in) You can find more infos here: http://www.arri.com/infodown/cam/broch/435_xtreme.pdf André
  2. Hello! I love the finish of the "Beulieu 4008 ZM X" - its a wonderful design made for eternity ;-) I'd like the BAUER Concept too, but the Beulieus are different... greetings, André
  3. Hello, over the last 7 years i have only very good experience with Andec ! Contact to Mr.Draser by email woks too. greetings, André
  4. Hello! i want to add here some links to Kodak Documents about X-Ray, maybe its helpfull for you: Do X-Rays Harm My Film? Air Shipping Film H-340: Downloadable 'DO NOT X-RAY' Labels Airport X-Ray Security, US Mail Sterilization and Motion Picture Film: greetings, André
  5. Hello Mikael! Thanks for the hint, i modified my "Disto lite5" by soldering iron - it works too :D http://www.kamera-board.de/wbb2/thread.php?threadid=124 Stay in focus, André
  6. Hello, another thing is the better sound quality @24fps! If the film runs "faster" you can use more magnetic tape on the film at the same time which means you can use a bigger sound spectrum. With 18fps around 70-10.000 Hz and with 24fps around 70-12.000 Hz greetings, André
  7. Hello! You can use one with factor of 1.33, it turns your 4:3 frame to 1.772:1 very close to the 16:9 format (1.778:1). There are different compression factors for anamorpic attachments like 1.25, 1.33, 1.42, 1.5, 1.75 or 2.0 Based on the 4:3 Frame: 1.25 --> 1.66:1 1.33 --> 1.77:1 1.42 --> 1.89:1 1.5 --> 2:1 2.0 --> 2.66:1 André
  8. Hello Matias, i never heard about "Super TV ground glass" but maybe you find an answer here: ARRI Interactive Ground Glass Composer: http://www.arri.de/entry/ggc.htm good luck, André
  9. Hello Jessica, take a look at the DOFMaster Software for Windows PC and PalmOS by Don Fleming. Its a Depth of Field Calculator and you can print out your scales for many formats and clip it together. and... its for free! http://www.dofmaster.com/ stay in focus :D ! greetings, André
  10. Hello! Look at ebay! For Super-8 you need an Anamorphot with magnification 2:1 to get the 2.35:1 ratio. Try to find something like an KOWA 16-H lens. Also it depends on which (zoom-)lens you would like to use with the anamorphot. You can find a lot of tips for anamorphic shooting with s8 (and more) on the website of Mr. Martin W. Baumgarten: http://members.aol.com/Super8mm/Widescreen.html happy stretching, André
  11. Hello, Yep, i have this one! You have received a PM :) greetings, André
  12. Hello, @Bernie: Thank you for your postings too! A lot of Super-8 users care about if the back focus is as good as possible. The discussion about this filter-remove-question is very old and not a result of this thread ;-) Maybe it is also a question why or for what somebody is using the Super-8 format. And the only thing I was trying to say was that some super 8 cameras have maybe a backfocus problem after removing the built in filters. Maybe, someone here did not know this and now, thinks about checking the camera befor using it for professional shootings. Thats all why i said here something about it. My answer: I think it is better to remove dusty old filters and shoot the next holiday home movie with (maybe) little back focus problem and filters in front of the lens than to shoot with dirty old filters inside the camera. But, if you want to use the Super-8 Medium for professional work, why not optimize all you can? Which means: - Use one of the better Super-8 cameras (Leicina, Beaulieu, Nikon, Nizo, etc.), think about the typ of lens and mounts - Find an professional camera technician for a complete service check-up - optimize the camera: remove internal filters (Beaulieu 4008, maybe other brands too?!), use sync options for stable 24 or 25 frames, use the FrameMaster to compensate a little the bad cartridge pressure plate - think about using digital stabilization in post production - shoot camera tests - etc. greetings, André
  13. I never used digital stabilization in post production on my Super-8 projects, for me it is too expensive ;) Franka Potente used the SMOKE system in her movie called Der die Tollkirsche ausgräbt to stabilize the scanned Kodak Vision2. This movie is complete shot on super-8, after the DI process printed to 35mm for theatre release by an ARRI-Laser system. By the way, the DoP was Frank Griebe who shot Perfume: The Story of a Murderer or Lola rennt Link to the movie: http://www.imdb.com/title/tt0496272/ There is an article about Tollkirsche in the german edition of schmalfilm 3/2006 which describes in detail the workflow. If i can choose, i would use all possible systems i can get to stabilize the film when shooting on S8mm! greetings, André
  14. Hello Tom! But not if the filter is inside the Flange Focal Depth, if this is the case, the filter IS relevant and changes the definition of this because it changes the standart c-mount flange focal depth (in case of the Beaulieu 4008). The built in UV-clear filter is there because something must compensate the optical distance like the 85 filter when you shoot tungsten (there is no other logical reason for this UV filter on this place). The modification (removing the filters and re-adjust the backfocus of the camera body) is done by camera technicians since the mid of 1970. In germany this cameras have the added word "Pro". As i know, Beaulieu stopped using built-in filters on the higher models like the 6009 to 9008 because of this, you have to filter in front of the lens. Please let me qote a sentence of Mr. Douglas C. Hart (Author of The Camera Assistant, page 256): I dont know exactly how thick a wratten-85 filter is, i think something between 0,01 and 0,1 mm - and then it counts in the world of "ten-thousendths of an inch"?!? greetings, André
  15. Hello, i think you discribe here (better) what i mean with "Metal-blank, not black (with vertical "reliefs")" :rolleyes: Today, i asked Mr. Klose why the FrameMaster is chrome silver and not black. He said, a chrome silver pressure plate is much more slippery than any kind of black painted plates, that is the reason why it is made by brazen chrome. greetings, Andre
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