I agree that changing out Fluos would be beneficial if you have the time/budget/manpower. But at what looks to be a hundred bulbs that seems to be a tough battle to fight with a Producer. Also, pretty or beautiful is subjective and can also not be what reinforces the story/scene. I do disagree though about overpowering them. I think that would look worse than the subtle color tones that are missing with non-full spectrum lights. Obviously, this gets into a taste discussion which is irrelevant because we're not the DP or director and from the date of the original post, this scene might have already been shot. But hell this is a forum, right?
Also, as a general rule, all silicone (digital) chips are biased towards reddish light so using a daylight source will get you the most balanced/consistent/realistic look. Red is especially challenging because I believe that their matrix is not set very well for tungsten conditions and it takes a knowledgeable colorist to really get everything out of your print. Obviously though, this is also another tough battle since it usually costs more to light with all daylight sources.