Cesar Rubio

If I DIE like that poor people by their SIDE, it would be an HONOR for me to do so... Instead of of dying like a old sack of wine in the comfort of my home...that I don't have anymore BTW... So what do I care of dying anyways?... CR.

Hi Chris, Do you think that I am doing this for MY exposure? My God... MOST people just don't care for the 25,000 that DIE every single day of HUNGER in the world do they? I don't think that NO ONE wants to watch how they die...they prefer to talk about their STUPID toys all day long instead... This world SUCKS BIG time! CR.

A Nobel Peace Prize for the World's "Poorest" President? CR.

Executive Producer title included for the one that funds the campaign in full $30,000 USD. CR.

Please guys, help us if you CAN: http://www.indiegogo.com/projects/3-d-documentary-about-hunger-in-the-world Thank you, Cesar Rubio Guadalajara, Mexico http://dream-genesis.org/ It's the long term experience of problem solving what makes you successful! & what we do in life, echoes in eternity.

Please guys, help us if you CAN: http://igg.me/p/344106/x/2474053 Thank you, Cesar Rubio Guadalajara, Mexico http://dream-genesis.org It's the long term experience of problem solving what makes you successful! & we do in life, echoes in eternity.

It seems that 3-D is "dead" here....just go to the 3-D section. That is why I stopped posting here a few months ago...nobody cares it seems. But I am also amazed in how almost nobody cares with digital capture either (I remember those flame wars against Red back on the day). Maybe this is a FILM guys board mostly? The new Sony F55 is an excellent camera, and yet I don't see much interest in it here either... You can not change the world, can you? BTW, I now mostly participate in the Linkedin Group "Stereoscopic 3-D Professionals Worldwide"...go ask the same to the more than 10,000 members there! :-) Cesar Rubio. http://dna-rubio-s3d.com/

Hi: I want to invite you all to join our new forum. It's mainly for the use of MVC's for Stereoscopic 3-D Cinematography. Thanks and I will be waiting for you "on the other side"! http://www.dna-rubio...forum/index.php Cesar Rubio D&A Rubio Stereo 3-D Fort Atkinson Wisconsin USA http://www.dna-rubio-s3d.com/

This is kind of a little bit off topic...but not completely. Here is an interesting prediction of Mr. Isaac Asimov in the impact of Internet and learning! Oh boy was he right on the money! That man was truly a visionary. http://youtu.be/8ZmFEFO72gA I probably would have never learned what I know now about Stereo 3-D without forums like this one! Cesar Rubio D&A Rubio Stereo 3-D Fort Atkinson Wisconsin USA http://dna-rubio-s3d.blogspot.com/

Here is our new blog: http://dna-rubio-s3d.blogspot.com/ Is the continuation of my book research so to speak: http://archive.org/d...ic3-dCinemaV2.0 http://www.stereosco...esar-rubio.html http://www.3dcenterusa.com/index.html Thanks, Cesar Rubio D&A Rubio Stereo 3-D Fort Atkinson Wisconsin USA http://dna-rubio-s3d.blogspot.com/

Here in our new blog you can see updates with new information besides the one included in our book, and new MVC's 3-D Cinema systems: http://dna-rubio-s3d.blogspot.com/ Thanks, Cesar & Heidi Rubio.

This is how you calculate the lp/mm lens needed for any given lens. "A Line Pair per Millimeter (LP/MM) specification provides the resolution properties of a lens and can be used to help select the correct lens for your camera. LP/MM determines the smallest width of a pair of adjacent pixels that can be resolved by the lens..." "...To calculate the LP/MM needed for a given camera, divide the width or height of the sensor in pixels by the physical width or height of the sensor in millimeters, then divide this number by 2. Dividing by 2 is necessary because LP/MM is defined for 2 adjacent pixels (a line pair)." Pixels per chip width / width / 2 = LP/MM So for a 2k sensor with 5.5 microns pixel size the width is 11.264mm -2048x0.0055- 2048/11.264/2=90.9 lp/mm. The Kowa megapixel line is good enough...no need for the 10MP more expensive line. http://www.machinevi...log/Details/128 CR.

Here is a very good explanation about the “megapixel” lens for MVC's.... The Rule of thumb is: The smaller the pixel size, the better lens you need! But this video from 1st Vision clearly shows that some manufacturers ratings of 1MP, 5MP and 10 MP are not necessary true! My advice, make your own tests. http://tinyurl.com/cqg87xl Thanks, CR.

See this interesting 3-D rig with two Flare 2K cameras and a Gemini 3-D Recorder, since the Flares are “smart” cameras they can be controlled with the remote control and bypass the use of a laptop or computer: https://picasaweb.google.com/117102957642252969487/Flare2KGemini3D Hopefully the Gemini 3-D will work with the still in development Flare 4K cameras…but I doubt it since they will output a massive Uncompressed Raw amount of data! Maybe one recorder per camera? http://ioindustries.com/cameras-2/ http://www.convergent-design.com/Products/Gemini444.aspx Thanks, Cesar Rubio.

Here is the HQ version: http://archive.org/details/Stereoscopic3-dCinemaV2.0 The book has been downloaded 300 times in just one place alone, and that reminds me of the movie 300. I am extremely happy, and I hope that the book will inspire the new generation (and maybe the old one too) of 3-D Cinematographers. Also my wish is that MVC manufacturers, recording software developers and portable recorders makers, continue improving their products taking into account 3-D Cinema needs. This market is very important since Cinema inspire people all over the world, so it might be even more important that just production inspection in a factory…which is important too of course. That’s all from me, sorry for so many comments. Thanks to all, that has downloaded the book! Cesar Rubio.

Ok this is the Second Revision V2.0 of my book. It has very little corrections but it’s the latest just in case you want to recommend the book to someone else. Low Quality: http://archive.org/details/Stereoscopic3-dCinemalowQualityPictures Later the High Quality version… Now I will leave the book like this for now, and I will concentrate in producing the Small Recorder. These versions will be available in the Stereoscopy News and the 3-D Center USA site soon too. Thanks, Cesar Rubio.

Ok after a little chat with David Newman from Cineform, he made these corrections to the Eduis HQX pdf: First, Cineform does not care for bit rates (as the Edius pdf says is between 120-400 ), David says that they made up that figure. Cineform only cares for compression quality; so you will get the same quality of 4K or 1080p with Film Scan 2. That obviously is not the case for other codecs including HQX. That when you up the resolution or frame rate, the compression will suffer for the fixed bit rate cap. Second, Cineform does supports Alpha Channel, the Edius document says it does not. So at this point I am still sticking with Cineform then. With the Go-Pro Cineform Studio Premium version (only $300) you can export to FS2 4:4:4 from Streampix 5. Besides, Cineform supports RGB 4:4:4, Edius does not. You can still work with Cineform video (AVI or MOV) on Edius for 3-D editing too. CR.

There is always something new and better in the horizon, for example the Edius HQX codec. At its highest settings, it offers less compression than Cineform! http://www.grassvall...hitepaper.pdfis I will definitely use this codec in my workflow too. Edius 6.5 is already my preferred NLE for 3-D editing, since it also takes Uncompressed RGB video (Vegas 11 does not). And the Stereo 3-D workflow is the easiest and better I've seen. And Edius is super affordable price wise giving its Professional quality. If you have other NLE's, the "crossgrade" version will cost you around $300. http://tinyurl.com/7au3hlz I should have included this info on my book...and I will, but if you already downloaded the book, here it is for you to take a look at. Thanks, CR.

My book is also available in the Internet Archive website. High quality pictures version: http://archive.org/d...scopic3-dCinema Low quality pictures version: http://archive.org/d...PicturesVersion Thanks, Cesar Rubio.

Hi Here you can download my free book about 3-D Cinematography, that includes basic Stereo techniques and it's based mostly in new Professional equipment to make good productions without breaking the bank. This is my second review of the book. Here you can download the high resolution pictures version (67.3 MB) http://dl.dropbox.co...-D%20Cinema.pdf And here the low resolution pictures version (6.6 MB). http://dl.dropbox.co...20Cinema-LQ.pdf In a few days I hope they will be available on the Stereoscopy News site (high resolution), and in the 3D Center USA site (low resolution). Thanks, Cesar Rubio.

I reviewed my book and changed a few things, I've got a better understanding of the Stereo Rules and how to apply them. It may not be perfect still, but is an improvement in the right direction. I also included newer camera heads, including 3K cameras that are in the $5000 USD price. And even a 4K camera head that cost less than $7,000! If you are interested in that resolution. I did not reviewed all the book, and maybe this second revision will have many errors also, but hey I am human like you. Maybe the 3rd revision will be better? I hope so... Here you can download the high resolution pictures version (67.3 MB) http://dl.dropbox.com/u/65281919/2nd-D%26A%20Rubio%20S-3D%20Stereoscopic%203-D%20Cinema.pdf And here the low resolution pictures version (6.6 MB). http://dl.dropbox.com/u/65281919/2nd-D%26A%20Rubio%20S-3D%20Stereoscopic%203-D%20Cinema-LQ.pdf In a few days I hope they will be available on the Stereoscopy News site (high resolution) and in the 3D Center USA site (low resolution). Thanks, Cesar Rubio.

It seems that they used the HD170 Stealth Camera http://driftinnovation.com/hd170-stealth-camera/ http://driftinnovation.com/2011/04/mio-3d-technologies-film/ I don’t think is practical to make an entire 3-D movie production with a fixed Focal Length lens. Plus the heavy in camera compression... CR.

I was watching this interesting video and I saw my good friend Sean Fairburn operating this little 3-D camera rig....I wonder what cameras are those? Those kind of really small camera heads are the right answer for 3-D movie productions. http://youtu.be/I8CmPmb-6OQ More info here: CR.

It seems that they indeed used a GX-2300c camera with a Kodak 1" CCD, but it has the same pixel characteristics as the Kodak 2/3" CCD of the GX-1910c. CR.

Here is another MVC Cinema system: One Cam The Drama camera from Greece was already a prototype and it worked well (same Kodak 2/3" CCD): Drama 1080p Camera What happened to Otis Grapsas? CR.