Daniel Urrutia

Great!! :rolleyes: Thank you very much Saulie. I will test this for sure at the camera rental. Any other experience is most welcome.

Thank you for your advice, this is the projector we have in mind http://global.mitsubishielectric.com/bu/pr...ile/hl650u.html . Hope to get some moere answers.

Hi, Im making a futuristic looking short film. In 35mm with the Arri III or the 435. There will a few (to many) projections inside the set that have to be filmed with the actors on stage. So I was wondering what problems I might look forward to with a projector such as this http://www.projectisle.com.au/product-deta...spx?ProdId=5624 If I use two or more projections in one shot will there be an issue with the projectors going off phase and allso how do I get the black to look good. Im allso uploading an image of one of the shots in which there are 3 projectors under a table so you can get an idea of what im in for.You can allso se more of the project here Reaction Thnk You!

And this is the set inside the studio.

I would think so, but I feel like youre going to teach me something new. Tell me how would you do it. I will upload an image of the hallway with the light I have for now and you can tell me. Thank you Chris Keth

Thank you Kiarash! I tried directing them towards the paper bur i get to many hot spots and the reflected light solves that at the cost of Steps. The smoke idea is great, I will think about it further, keeping the smoke under controll is allways the problem, you allways end up with to much here and to little there, and the set is big with wide shots. Any ideas on how to keep smoke difuse and steady in the set wit only a couple of cheap smoke machines?

Thank you for your input. I was worried the the magentas would become a problem in the shadows. Yes the paper takes 2 stops, but I can´t afford 4 6k HMI nor I have the distance to set them up correctly (I have a wall 1mtr allong one of the paper walls). And I would like a very soft light that fades in the middle of the corridor so Im boucing the light on 2x1mtr white porexpan sheets. I think Im in trouble. Maby I could use the fade to the top and bottom in my favour but I dont like it. Hmmm... :blink:

No one?! <_<

Hello. Im a student working on my final project on 35mm and I have to light a 12 mtr long and 3 mtr high white corridor that is made of paper. The idea all allong is to have a white soft light corridor so Im going for a 32x1k tungsten lights (one light every 75cm) bounced at white reflector boards 2x1mtr making a 2nd corridor about 75 cm from the paper. The problems are that the paper which was given to us free (Its a lot of paper so we cant just buy some) is giving me a 25 magenta so im thinking of making the 25 magenta my white. So then in the lab I can correct all of it to a neutral white. But im worried about the shadows. And the second problem is to get even light for the whole corridor so I can get it to be 4 or 5 stops over my neutral grey. Im shoting on Eterna 400T. Any tips, sugestions and help will be greatly appreciated. Thanks in advance.