Alecks Purifoy

you have a pm

Still no luck, let me know.

Im looking to pick up a K3 with an m42 mount, (im trying not to get one on ebay and pay the crazy shiping). If you happen to have one laying about let me know and ill make an offer! Thanks! -Alex

Ahh cool, thanks for the correction, it looks like he would be allright if he was rolling in regular 24p and not PA

You can convert your footage to 24p and 30p with a Final Cut or After Effects plug in called "Magic Bullet" by Red Giant software as well as the DV Filmmaker plug in with out looseing too much vertical resolution. Here is a screen shot and a quick run down from, "DEINTERLACING: A DVXuser look at mixing 29.97 into a 23.976 Project" by Jarred Land and Nick Bicanic Link: http://www.dvxuser.com/articles/60i/ 1. Original - The original untouched 29.97 file with full interlacing 2. Vegas - Exporting 23.976 material directly from Vegas 6.0 (by putting a 29.97 clip in a 23.976 timeline directly with no pre-processing) 3. DVFilm maker - DVFilm maker 2.2 output of 23.976 file 4. Magic Bullet output via Plugin through After Effects 6.5

DVX 100 sample footage This is some footage I shot on a sound stage here at Full Sail. This is an old school DVX100 with a homemade 35mm Adapter, hince the softness and the shallow DOF. Check out DVXuser for clips and info on the DVX

The delay was fixed in the "A" revision, this only plagues those of us with the old school DVX100p models... it makes my old baby feel ancient! If you want boat loads of help with your DVX check out www.dvxuser.com and poke around Also check out Barry Green's DVX Book, Amazon Link Its going to give you a full break down on every setting and scene file mode on your DVX, 24p workflow tips ect. Its an awesome book, and the DVD has some cool settings to get those "Magic Bullet" looks in camera. Hope I could help, Alex

does this count student films? Ive seen some total stinkers