We have a proyect that will be blown up to 35 mm, it is being recorded in HDV with a Sony HDV Z1 in 50i (at 25fps), and it combines this format with some flash backs that are shot with Super 8, in reversible and negative, in color and in black & white, we would like to know:
1) A trust worthy LAB (nice & cheap) preferebly in New York city
2) Since our proyect will be blown up to 24 fps we would like to know, which is the best way to telesend, whether as a file or on tape to be include with the HDV proyect 1080i at 25 fps and when it is blown up to 35mm at 24 fps to avoid flicker?
3)Opinions on: optical blow up from super 8mm to 35 mm and integrate to finished project blown up to 35mm from HDV 50i Vs. Digital scan from super 8mm to hdv 50i at 25 fps and blow up to 35mm
