Tom Pollock

Thank you everyone for your input, what I was trying to inquire about is related to Mitch's comment about how the Alexa double pulls from each photosite simultaneously. I am trying to achieve a look known in the still world as High Dynamic Range, where two exposures are taken, one three stops over, and one three stops under, the two shots are put together creating an interesting look. I had heard that this might be possible in the Alexa rather than utilizing a beam splitter and two cameras.

thanks Mitch, yes, I am refering to the double pull system, can you set a different exposure for the same frame, for instance, one frame underexposed and one frame overexposed. Is there special drives required for the double pull system?

Does Alexa high dynamic range process work and how so? Thanks for any tips.

I have a factory sealed can of 7218-161-3001, does anyone know the date of this film?

I was panning across faces with a 50mm lens and when transfered it looked like it was strobing, can anyone explain why?

Does anyone have a good theory as to the origin of the name cookaloris?

Has anyone done this? does the 9.8mm become more like a 20mm lens in 35mm?

Does anyone know where I might find a test or demo of 6 frames per second transfered at 6 frames per second? Thanks, Tom.

Lights in the Dusk, latest film by Aki Kaurismaki, shot on 35mm, how did they get that look? Special stock, filtration, processing, or good old hard light on pushed film?