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marcelo kron

Basic Member
  • Posts

    21
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  • Occupation
    Camera Operator
  • Location
    Brasil
  1. Hi guys! I'm about to start a cooking tv program and the production house has already some cool lights (I think day are Philips) As we know is hard to get nice colors from this kind of "generic" lights. I know there is a lot of graphics and lights spectrums etc... but for a layperson is hard to understand... I wonder if there is some information or some photos or anything that a layperson could understand the principles of a good light source. do you guys think this exist? where can I find? thank you!!
  2. Hi David! Thank you for your swift reply and great explanation! I'll try to do some sort of chimera on the Vista Beam bests kron
  3. Hi Guys I'm shooting in a small studio and used a Kino Flo Vista Beam to make my fill light I chose this type of light to have a soft light but at the same time leaving more focused and not spread to the entire set. I'm not too happy with it because I think that's still a bit harsh Do you guys think an Arri with chimera and egg crate can produce a softer light than the Vista Beam? Thank you! marcelo kron
  4. hey everyone, thanks for all the tips... in the end everthing worked out well, we ended up usinng arri's fresnels with some flags and lights on the ground were deleted in post production pushing down the blacks. regads marcelokron
  5. Hi guys I would like to ask an opinion for you. How to light three people in a studio with the floor and the back wall completely black the studio is deep enough to not let light leak in the back wall but my doubts is how to make the floor black. I'm thinking of using three Arri's fresnel 1000w one on eatch person in the fornt and 3 650w for backlights. Bul all will end up hitting the ground too. you have any suggestions on how to make everything 100% black? I will be using Canon 7D Thankyou for any help! marcelokron
  6. Hi Guys! Anybody know the name of that kind of light that looks like a tube or a drum? thanks!
  7. Hi Guys first of all sorry for my bad English... do you have any suggestion to acquire this kind of look... a clean and soft light with a kind of division between the table and the back ground? I'm thinking to use four 6,5feet x1,3feet soft box for the actress... 2 for the back lights and 2 for front light and i will tray to use 1k arri fresnel to make the back wall light ball do you guys think is better to work with HO lights? i'm sending a photo of the soft box light thank you for any help
  8. Hi Guys first of all sorry for my bad English... do you have any suggestion to acquire this kind of look... a clean and soft light with a kind of division between the table and the back ground? I'm thinking to use four 6,5feet x1,3feet soft box for the actress... 2 for the back lights and 2 for front light and i will tray to use 1k arri fresnel to make the back wall light ball do you guys think is better to work with HO lights? i'm sending a photo of the soft box light thank you for any help
  9. thank you Adrian for the fast reply i just ask for the producer if its possible to do that regards kron
  10. Hi guys! soon I will be shooting at this location with sony EX3 camcorder... do you guys have any idea how to deal with the differences of the lights... Indoor and out door... should i change all indoor lights to 5600k?? thanks for any suggestion! kron
  11. Yes Phil, this is quite expensive one... I will try to find something similar here were i live in Sao Paulo, Brazil... thanks for the help I appreciate regards MarceloKron.com.br
  12. Thanks Phil! I made a search and i found this http://www.flex-cam.com/TX500B%20.html do you think this is a good one? you already saw something similar?
  13. Hi guys ! I'd like to know it there is any kind of wireless video assist for small DV cameras where the camera transmitter has its own battery and it's small enough to fit on the camera handle. i don't need to transmit too far... regards marcelo kron
  14. thank you for the help and pdf files !
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