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Pablo Galarza

Basic Member
  • Posts

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About Pablo Galarza

  • Birthday 06/13/1970

Profile Information

  • Occupation
    Cinematographer
  • Location
    Buenos Aires-Argentina

Contact Methods

  • Website URL
    http://www.pablogalarza.com
  1. Hi. I lost my Suunto Tandem and, while looking for a place to buy a new one, I found this digital compass/clinometer: Peco Dcc1 http://www.pecosales...age.asp?mi=7168 Did someone ever use it? Is it any good? Better than good old Suunto? For what I see on the description, you can look directly trhoug the lens to take readings, instead of using the optical ilusion you need with Suunto clinometers. I didn't find any info about compass zones, so I think it should work on all the 5 zones, but I'm not sure about it. Thank you very much.
  2. Hi Thanks for the answer John. My first solution was to change the audio pitch keeping the original frames in the image. But, as the optical soundtrack is already finished, I was looking for another possible solution which doesn't force us to redo it. I guess there is none. Thank you.
  3. Hi Thanks for your answers. I'm sorry I wasn't clear. After the film was developed, it was transfered to video for editing purposes, and after that, we saw a 35 mm print, blown up directly from the original 16 mm negative (optically), where the flicker was barely noticeable. The flicker became important when I saw the first final print with sound, after the frame rate of the image was modified. Thank you.
  4. Hi I shot on film an image from a PAL tv screen, so it was shot at 25 fps. As there was music on it, the director didn't want to change the audio pitch, and we went with a 25 to 24 fps pull down on the image. In the projection, I found a very important flickering which wasn't there before the pull down. When comparing it with a previous MOS copy made before the pull down, I found a very little flickering as well, but barely noticeable. I assume that the pull down changed the frequency of the flicker which turned it into a problem. As the audio is fully finished, the producer wants to solve the problem taking care of the image only. I can't figure out how, if there's a way. So, if anyone has any ideas or had a similar situation before, i would very much appreciate the help. Thank you very much in advance. Pablo Galarza. DP.
  5. Thanks for your answer Paul, I'm gonna check it out now.
  6. Hi I need a set of shims to collimate an Arri PL mount to a Letus 35 extreme adapter. Any ideas of where I can get those in LA or where to place an order? Thanks
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