Jump to content

Arthur Love

Basic Member
  • Posts

    9
  • Joined

  • Last visited

Profile Information

  • Occupation
    Electrician
  1. Also, didn't see anyone mention yet, but supposedly it includes DaVinci Resolve full software, which is $1K to buy off the shelf.
  2. I saw that, however, the guy only wants to be paid via wire transfer. I'd ideally like some sort of buyer protection, especially if it'd be coming from overseas.
  3. Hello, I am looking to purchase a crystal controlled motor for the Arriflex IIC. Ideally something that can do higher speed filming, but thats not an absolute necessity. CE or Tobin are ideal. Please email me at alove189@gmail.com. Thanks! -Arthur
  4. Thank you, you've been greatly helpful. -Arthur
  5. Thank you for your help, this is really painting a clearer picture of the whole process. One last question, related to your last post, would you say its necessary to do an A/B roll for cinemascope? Or can you get away with a single roll? Perhaps it's based on whoever the negative cutter is? You've been beyond helpful. -Arthur
  6. Sorry about bringing up this old post again, but we're actually getting close to shooting something and I have a couple more questions. Not a feature, but a short. Sort of a way to practice for the feature. I'm pretty sure we're going to go Anamorphic/Photochemical finish. One question I have is how necessary is the IP/IN? Wouldn't it be cheaper to do strike a print from the negative, especially if there's only going to be a couple (most likely one) prints? What would that restrict us from? Also, since we're shooting on recans, is there a keycode issue? Lastly, to avoid doing telecine twice, I'm thinking of scanning our negative at HD in a flat pass for the picture edit as well as our HD master, and then transcoding from there to other deliverables. Based on talking to a few places, the difference between the cost of an SD and HD telecine is not that much, plus we'd avoid the cost of print dailies. I imagine we could even do burned in timecode+keycode where the letterbox bars are and then just matte over them for the HD master. Thank you for your time. -Arthur
  7. Thanks, that answers a lot. I have one other question though, when doing the photochemical route, what is a ballpark for the pricing? Say it's the same hypothetical feature as the $100,000 DI, no VFX. Also, where does one go to find a negative cutter? Film labs? Thank you so much.
  8. Hello, I am working on a project that we are planning on getting a 35mm print from. We're thinking either a 2 Perf DI or shooting 4 Perf. I would prefer to shoot 4 Perf Anamorphic and not to do the DI for quality purposes, but what are the options now? Are there still ways to get prints without using a DI? Is this accomplished with negative cutting or some other method? How does this compare cost-wise to doing it 2 Perf with a DI? Thank you. -Arthur
  9. Where is this shoot located? What format are you shooting?
×
×
  • Create New...