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Nico Engelbrecht

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  • Occupation
    Director
  1. Thank you Alex for your reply. How would you soften the light? Just on the subject? I have some bounce boards to add some light to the subjects. But on gloomy days would you take some lighting as well? Thanks again. N
  2. Hello everyone, I have been reading posts and learning on here for the past year and this is my first post. Over the next couple of weeks I have to shoot 19 interviews all on a golf course (yes including the 19th hole). Most of the time (its winter in the UK) it will be gloomy and overcast. The interviews will be static interviews of someone standing or sitting on a stool on one of the Tees with a view of the course behind them. As I said the interviews will be over multiple days so there is a chance that we may have one sunny day. How oh how would you even attempt at making all the shoot days look remotely the same, the location is the same (as in its on a golf course) but the surrounding location will differ in every shoot and the weather will be different from day to day. The idea is to show off the person and some of the landscape and backdrop to hero the golf course. Its a one/two camera shoot with one interviewer, myself as the DP and director, a sound man plus one runner. I am shooting on a Sony EX3 and also a Canon 5DMKII for pickups. Would you take some portable lights with you for the dark days? If so what would they be? Will you take a scrim and stands with you for the odd sunny day? Reflectors? Anything else? I have some budget for the shoot but not feature type budgets so I need to produce a good quality consistent image across all the days to produce a 30 minute piece at the end that should not feel like its been shot over almost 3 weeks. Any help would be fantastic and much appreciated. Thanks Nico
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