Alex Armstrong

I had mine worked on so it cold shoot super-16 a while back.

Thank you very much for the response, it was extremely helpful. I was unsure what I would lose using the tungsten filter, thanks for the info.

I'm sorry if I cross posted forums, I wasn't sure of the rules. I just didn't know what forum to post it in. You can reply to this one if you like. Thank you for the advise and I apologize.

Hello all, I have a few questions to ask and hope some of you can give me some feedback on. I plan on shooting a feature film on Super-16 Éclair NPR, I have an Angenieux 12-120 lens. My main goal is to shoot with available light and some but very little lighting set-up?s (Mainly for night shots). My goal is to have a low depth of field for the majority of the shots. I will be shooting inside with a good amount of available fluorescent light and I will be shooting day outside and night outside with small lighting set-ups. So here are my questions. 1. Is it possible to use the same type of film (ISO) with daylight filters if tungsten, inside, outside, day and night and still achieve a low depth of field? And if so what type of film (ISO) should I get? 2. Are there any lenses that you would recommend for the Éclair NPR that would better help me achieve a low depth of field? Thank you