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Ben Brahem Ziryab

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About Ben Brahem Ziryab

  • Birthday 10/27/1992

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  • Occupation
    Cinematographer
  • Location
    Los Angeles

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  1. Still available. Inspection and recertification can be arranged at ARRI in Burbank or New York.
  2. I'm looking to make room for new gear, so I'm selling my very unique Alexa Studio XR with a mechanical shutter and optical viewfinder. Famous for being Roger Deakins's favorite camera. This XR/XT version of the Studio is rare to find on the second hand market. Comes with the ARRIRAW License, Anamorphic License, 4:3 License and Internal ND filter. A complete package with both the optical viewfinder and EVF. Also includes the EVA-1 module and all the different brackets. Includes 3 ground glasses: 16:9 spherical, 4:3 spherical and 2x Anamorphic, and the matching Frameglow masks. Comes with 4x Codex 512GB XR cards and reader. A medium and long extension finder, as well as the heated eyepiece for shooting in cold temperatures, is available at an extra cost. Located in Los Angeles, CA where it can be inspected at Buyer's request. Price is $15,995 or Best Offer. Send me an email at benbrahamdp@gmail.com Condition: - The camera is in excellent condition and cosmetically very clean. It's a personal camera and has been highly cared for. Last inspected in November 2023. - Every accessory, including every cable, is thoroughly inspected and tested. - The sensor has 3400 hours. The sensor has been inspected and is in perfect condition (see photo). No blemishes, scratches, fungus, dirt or smudges. - The mirror and all optical elements are in perfect condition and free of faults. Mechanical shutter was tested at 24fps, 48fps and 60fps. Electronic shutter tested up to 120fps. Package Camera: ARRI ALEXA Studio XR Plus Body K.171200.0 ARRI Centre Camera Handle CCH-1 K2.72007.0 ARRI BAB-G Gold Mount Back K2.72003.0 ARRI Leveling Block LB-1 K2.72017.0 ARRI Shoulder Pad SP-3. K2.72005.0 Extension for Handgrip K2.47136.0 ARRI Low Mode Plate LMS-3 K2.72023.0 ARRI LMS Standard Feet for EVF ARRI LMS Studio Feet for OVF K2.72093.0 Antenna for Plus LCS ARRI ALEXA Studio Camera Case. K2.72026.0 Optical Viewfinder: ARRI OVF-1 K2.72048.0 ARRI 435 8x Eyepiece K2.47081.0 Ground Glass 16:9, Spherical, 800 K2.72088.0 Ground Glass 4:3, Spherical, 800 K2.72069.0 Frameglow Mask, 4:3 and 16:9 Spherical K2.72073.0 Ground Glass 4:3, Scope 2x Anamorphic, 800 K2.72070.0 Frameglow Mask 4:3, Scope 2x Anamorphic K2.72074.0 Electronic Viewfinder: ARRI EVF-1 Electronic Viewfinder K2.72008.0 ARRI EVA-1 Electronic Viewfinder Adapter K2.7206.3.0 ARRI VMB-3 Viewfinder Mounting Bracket K2.74001.0 Media: Codex Capture Drive XR - 512GB CDX-3730 Codex Capture Drive XR - 512GB CDX-3730 Codex Capture Drive XR - 512GB CDX-3730 Codex Capture Drive XR - 512GB CDX-3730 Codex Capture Drive Dock CDX-7510 Cables: ARRI 24V Straight Power Cable K2.41966.0 ARRI ALEXA 12V Accessory Cable K2.72031.0 ARRI Medium EVF-1 Viewfinder Cable K2.72013.0 ARRI Short EVF-1 viewfinder cable K2.72012.0 ARRI ALEXA Ethernet/RJ45 Cable K2.72021.0 Add-ons (not included in the package, but possible to add for extra cost): ARRI 435 FE-3 Long Extension Viewfinder K2.47082.0 ARRI 435 FE-5 Medium Extension Viewfinder K2.47304.0 ARRI HE-4 Heated Eyecup K2.47794.0 ARRI VEB-1 Electronic Viewfinder Extension Bracket K2.72000.0 ARRI EL-3 Viewfinder Support Bracket K2.47767.0 ARRI RCU-4 Remote Control Unit K2.72036.0 ARRI ARP-1 ALEXA Rain Protector K2.72026.0 Wooden Camera / Anton Bauer 26V Gold Mount Plus Back
  3. There's only one true sound-sync VistaVision camera. It's called the Wilcam W11. It's QUIET. It's been rebuilt and modernized by Marty S Mueller AKA "MSM". Has an HD tap and all the bells and whistles. Here it is at Panavision Woodland Hills.
  4. Selling my ARRI Alexa SXT Plus, ARRI's flagship full-size Alexa. This camera has only been used by me and a cinematographer partner. The camera is well taken care of. It's located in Los Angeles. It comes as a package with Codex media drives and accessories. Includes licenses. It was recently serviced (March/April) by ARRI in Germany. ARRI performed the following service: - Sensor calibrated and cleaned. - Side panel replaced. The LED screen and all the side buttons are new. - LDS cable replaced. - One of the SDI ports (SDI 4) was replaced. Unique features of the ALEXA SXT Plus: - ARRIRAW recording up to 96 frames in all formats (only up to 40fps on the Mini) - Apple ProRes 4K Anamorphic - Apple ProRes 4K Cine - 6:5 ProRes Cine Mode - Built-in wireless remote control of lens/camera, tilt/roll sensors, electronic horizon, added connectors for video output & accessory power. - 4x SDI ports, 3 of which are independent. The SXT Plus allow one to allocate either a custom 3D Lut, Rec709 Lut or Log independently to each of the SDI outputs. The SDI 4 mirrors SDI 1. No other camera from ARRI can do this (as far as I know). Includes: - Alexa SXT Plus Body -(4) CODEX 512GB Codex Drives - CODEX Dock Reader + Cables - PL Mount (Leitax EF mount can be added) - ARRI EVF-1 - (2) 12 Inch EVF Cables - (1) 24inch EVF Cable - ARRI BAB-G Gold Mount Adapter - ARRI VMB-1 VF Mount Bracket - ARRI HEB-2 Handle Extension - ARRI LB-1 Leveling Block - ARRI Shoulder Pad SP-3 - Flight Case Condition: - Sensor was professionally inspected and cleaned. It's free of faults. - Camera recently serviced at ARRI in Germany. - Hours on the sensor are 3920. Price: $19995 or Best Offer.
  5. Selling Apollo65 Rehoused 110mm T2 and 50mm T2.8 based on Hasselblad / Zeiss glass They offer sharp optics and a 14 blade circular iris for attractive creamy bokeh. They have a 82mm image circle that will cover cameras up to the Alexa 65 and 15-perf 65mm film. A future proof investment as the industry goes towards larger and larger sensors. They use an interchangable mount system, so you can switch between Hasselblad V and PL-mount. I can also supply them with LPL mount. 300 degrees of focus rotation. Lenses marked in Feet. Price per lens: $4497 or Best Offer
  6. Apollo65 50mm T2.8 and 110mm T2. Custom rehoused/reengineered Hasselblad / Zeiss V System lenses for large format cameras. Both Brand New. Footage shot with these lenses: https://vimeo.com/427547474 https://vimeo.com/427547554 The base glass is Zeiss / Hasselblad FE. The 50mm is with FLE (Floating Lens Elements). These lenses use an interchangeable mount system to easily switch between Hasselblad V and PL mount. They offer sharp optics and a 14 blade circular iris. Their large 82mm image circle will cover camera’s all the way up to the ALEXA 65. A future proof investment as the industry goes towards larger and larger sensors. 300 degrees of focus rotation. Lenses marked in Feet. Price is USD $5995 per lens or Best Offer Can be picked up in Copenhagen, Denmark or shipped to most countries.
  7. FS: 110mm T2 and 50mm T2.8 Hasselblad / Zeiss. Fully rehoused for large format digital cinematography. The base glass is Zeiss / Hasselblad CFE FLE (with floating lens elements). The base glass elements were handpicked to get the highest performing base glass. They use an interchangeable mount system to switch between Hasselblad V and PL mount. They can be used with cinema cameras that support PL mount or LPL mount (we have the adapters) as well as Hasselblad 500 CM, 2000, H3D, H4D, H5D, etc. They offer sharp optics and a 14 blade circular iris for attractive creamy bokeh. Their large 82mm image circle will cover camera’s all the way up to the ALEXA 65. A future proof investment as the industry goes towards larger and larger sensors. 300 degrees of focus rotation. Lenses marked in Feet. Price $5697 or Best Offer per lens.
  8. FS: 110mm T2 and 50mm T2.8 Hasselblad / Zeiss. Fully rehoused for large format digital cinematography. The base glass is Zeiss / Hasselblad CFE FLE (with floating lens elements). The base glass elements were handpicked to get the highest performing base glass. They use an interchangeable mount system to switch between Hasselblad V and PL mount. They can be used with cinema cameras that support PL mount or LPL mount (we have the adapters) as well as Hasselblad 500 CM, 2000, H3D, H4D, H5D, etc. They offer sharp optics and a 14 blade circular iris for attractive creamy bokeh. Their large 82mm image circle will cover camera’s all the way up to the ALEXA 65. A future proof investment as the industry goes towards larger and larger sensors. 300 degrees of focus rotation. Lenses marked in Feet. Price $5997 or Best Offer per lens.
  9. I’m selling 10 of my Arri 535B 1000’ mags. They are in excellent condition. You can buy them individually or all together. They can be picked up in LA or I can ship to all U.S. states and most countries. Price is negotiable.
  10. Has anyone here seen it? I thought it was incredible in every aspect. How was it not nominated for an Academy Award for Best Editing and Best Cinematography?
  11. As most of us here, I primarily shoot with digital cameras. Occasionally I get a chance to shoot a project on film. One thing I still love about film is the traditional film print. The quality of the image is intimate and naturalistic. There is also a distinct quality to the light on the screen, a kind of "3D effect", highlights glow and the blacks are deeper than most digital projectors (with the exception of laser). Colors can be truly gorgeous. For instance, I watched "The Love Witch" and I loved how colors popped off the screen. I know how to achieve this with traditional printing (e.g. high printer lights, exposing a dense negative, costume design etc.) However, in most cases, even when I get to shoot on film, I won't be finishising on film. The reasons are obvious: cost, titles, VFX, color grading limitations, most festivals accept only DCP's, general audience can't tell the difference, it doesn't sell more tickets or make the story better, etc. So if I shoot on film but finish digitally, what are some ways to emulate the look of a traditional print? One idea I have, but never tried, is to print from the camera negative, then digitally scan that. In other words, scan the print instead of the negative.
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