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David Rivera

Basic Member
  • Posts

    3
  • Joined

  • Last visited

About David Rivera

  • Birthday 05/09/1978

Profile Information

  • Occupation
    Producer
  • Location
    Panama
  • Specialties
    cg animation, vfx.

Contact Methods

  • Website URL
    http://www.activemotionpictures.com
  1. Michael, your post has pointed me in the right direction. I´ve also been reading this: http://www.reduser.net/forum/showthread.php?t=33118. I know...that´s only for "normal" 2k movies. I am grateful for the details on the insights of the process. So, following this thread, in order to produce the "interlaced" effect, the let-right-left eye sequence with the appropriate frame-rate etc.. I should try out one of the software they talk about in the above link. And as for the animation and the story telling, thanks. I´ve been waiting this moment for 6 months now. So that´s all already been taken care of (zero parallax, twisting camera shots, color grading, etc.. to help the emotions of short animated movie). I know there may be a gazillion technical details. And I know that´s an area that´s better left for the guys at the facilities which do this kind of conversions all the time (digital assets to DCI)....for example (authoring a real 5.1 channel for Dolby surround system..etc..)..and that they can better guarantee results on the big screen... Yet all this help by you and other people that has posted around the threads I´ve look and commented, it´s refreshing to the spirit of the indie path making it´s way to the big screen. What better is it, if the animator knows this in advance? -A whole lot.
  2. Yes, thank you. That pretty much cleaned all the questions. Since I´m trying to apply this for a short (6min) movie I´m animating, I´ll post here any progress with the process described above.
  3. Hi, I´ve been working with stereo images for a few months now, and I gotta say it´s really fascinating. I have been reading about modern projectors with realD (and polarized glasses) movies (you know, like Monster vs Aliens, Bolt, etc...) and articles are very brief about what kind of media they can be delivered into. I was wondering if anyone here has had the chance to produce for RealD?. What intrigues me the most it´s the projection system. Since I can assume (somehow) this projector is able to read (2 sources) of the movie. Then -as I understand- the "hardware part" is able to project at 144fps for the theater. I know there´s a lot involved regarding color grading, distance for the viewer, etc... but the one question that I cannot answer on my own is: what format and media are these movies delivered to the theater in? Does anyone know these answers? Best regards.
  4. Rick, last year I was feeling much more like you started to describe up there in your post. Then I realized how many "steps" I had already taken to "get there" out in the business. And then, decisively confronted in "what area" I wanted to grow more as a professional. From what I read from you, this is -somehow- variant. I think the best decision you can make it´s to be really strong about your stand into the pro field, by sticking only to the area (singular) you really want to make your life out of. (live your act). And this statement is so true....once you apply it to your daily life, it becomes a habit, once it becomes a habit that you like, it will bring you happiness, thus completing the motion in the universe you want.
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