Gian Claudio Guiducci

Hello again, Thank you David and all of you for your answers. Unfortunately, I have to use Kodak stock because they give us a huge discount in Italy, as opposite to Fuji. When you say, "snapping", you mean it has more vivid and brilliant colors? Is, in your opinion, 250 D the Kodak stock the more resemble the Fuji 160T? I personally like Fuji stock a lot and I use it when I lived in USA, but here in Italy is very rare to find production which use it... I forgot to mention in the previous post that we don't know yet how the project will be finished, I guess it'll depend on the outcome. It could be video, 35mm optical blow up or DI. I have to keep all the option open. Any advice about the rating? 2/3 stop overexposure sounds pretty good to me, what do you think? Thank you and best, Gian Claudio

Hello everybody. I'm shooting a short on S16 and I would like to try out the new Vison 3. Unfortunately we don't have the budget for testing, so I based my choice mostly from the reviews you posted, so thank you very much. The short is mostly exterior days, with some Interior days and a couple of Exterior nights. At the beginning I thought of shooting the Ext. Days with Vision 2 250D, but then, in order to make it easier for the production, I thought of shooting everything with Vision 3, because I also think the grain on 7219 would be basically the same as 7205, and the 19 would give me more latitude and color saturation (the film takes place in the countryside of Italy and we hope for sunny days with very saturated green and good contrast). What do you think about this choice? Is it silly to shoot 500 T for Ext. Day with a lot of ND to bring it down? And finally, would you rate the 19 with the 85B at 200 to get more saturated colors? Thanks a lot, Gian Claudio