Hunter Jones

I recently saw One Point O. I looked up the technical specifications for it and they are as follows: as you can tell it doesn't list film stock, which was my question. Camera Arriflex 535 Laboratory Kodak Cinelabs, Romania Technicolor Film negative format (mm/video inches) 35 mm Cinematographic process Spherical Printed film format 35 mm Aspect ratio 1.85 : 1 ----- The trailer to the film really doesn't do what I saw justice. Nevertheless I hope that helps unless you feel like going out to get the DVD somewhere (or Instant Netflix for that matter) I thought when watching the film, it looked like some sort of Fugi stock. Thanks. I apologize if this is in the wrong forum, it looked like the right one.

What I ended up doing was taking two out of the three light bulbs out of the light fixture. Then taping the cover, so it would only really concentrate on the table.

I just wanted to see how many have you have used the inverse square law when judging light distances between subjects?

just so I can clarify by ring of light I mean a light that covers the entire table, while the actors will be lit separately I'll see if my school has wall spreaders or polecats.

I'm shooting a 5-10 minute student short film next weekend and I wanted to ask some lighting questions. The film will be lit resembling a play like atmosphere. I wanted a ring of light around a dining table. I thought the best way to do this was to extend the C-Stand arm far enough out so the light would beam down creating this effect. I was told by some people that it would be too much weight and the light/c-stand would be in visible in the wide-shots, which now I can see how it would be! An alternative that people suggested was to secure a light-weight mirror on the ceiling, aim the light at the mirror. Then would beams down on the table, giving the effect that I want. Any suggestions?