Manuel Canales

I would think not only on the quantity of shadows but on the size of them too. I mean, a loooong shadow across the floor and growing by the wall will give you a different atmosphere than a short vertical shadow. Good luck. PS: Something great about shooting on B&W is that you will not have to be worried about CT, balance, etc.

Bueno, veo que este post no tiene actividad hace un tiempo pero aún así escribo para hacerme presente en la comunidad ;) Espero que estemos en contacto, un abrazo.

Hi, thanks for your answer. We transfered the material three days ago and fourtunately we could make some corrections at that moment (instead It was the cheapest one-light transfer), reducing some Blue on exterior shots. The Director is editing right now, so I'm gonna see the result tomorrow or after tomorrow. I'll post it on Please Critique My Work forum, so you can check it out. Thanks again, MC

Hi, I shot my first time on film last weekend. The stock was 16 mm Fuji F500 Tungsten balanced. I had a lot of interiors scenes, where my main light was a 4k Maxibrute through a window (+ white difussion and a 101 yellow gelatin). Then I had some exterior shots, where of course my main light was the sun (I used a ND9 and 85 Tiffen filters). I want to know how to match both color scenes, wich are quite differents. The interiors are a little bit orange because of the 101 gelatin and I would like to get the same effect on the exterior shots. Can you recommend me something? We don't have money for a Scratch or Inferno. I think we will edit on Premiere Pro, so we can easily use After Effects. Thank you all, Manuel Canales

It's amazing, I've done the same movement last weekend, just the way David said and before reading the post. I didn't see the result yet. If you have a couple of bucks, you could get a Dutch Head, wich is another head crooked over the main one. It was very expensive to me so I did it with just one. Good luck!