Connor Hartnett

Does anybody know of a rental house in LA that has square track for a Fisher? Or, would I have to go through Fisher? And, does Fisher even rent out like that? Thanks!

Thanks, JD! I am in the process of securing someone knowledgeable of such, but I want to make sure I understand the protocol as well. So would it be a #2/5 camlock banded cable into the company switch ("bullswitch) - having turned off the bullswitch before hand and fastening the camlock in order: green, white, black, red, blue. Then camlock into the distro box: on a local rental site I see the lowest amperage at 400a camlock thru distro box (single phase). Then connect the lunch boxes to the distro box with 100a bates. Does that sound correct? Thanks again for your help!

Hello, all. In the upcoming weeks I'll be shooting a student film on a small sound stage not affiliated with our school. The soundstage is pretty simple, more or less a sounded-out warehouse with power. However, one of my main concerns is power. They have enough power but my concern is accessing it correctly - thus safely. They have a large power supply that goes camlock out, which I am somewhat familiar with but not totally comfortable with. I want the set to be safe, so I want to know of all the proper equipment needed. So, would I just connect with camlocks out into a lunch box? Would I use this box as my main access point and just run stingers to my lights. I'll be needing around 200 amps total of power to access. What is my best plan of action? Thanks!