Ergin Ozturk

Hi.

I am selling my Arri Amira. Its my personal camera and i am the first only owner / operator.
I used it only my music video works (www.erginozturk.com)

Its in EXCELLENT condition (both technical and cosmetics).
Never rented. Used only by me!

Total hours of operation: 235h

Premium package with UHD 4K

Price: 35.000 USD

Pıctures of camera and accesories.

https://www.dropbox.com/sh/ah3jwc1dc7luo22/AAD4VJTFzCv-sxztBNuVkKyWa?dl=0

List of accesories included.

K0.0001092 AMIRA Camera Set with Premium License

K1.71700.0 Amira camera body,camera handle,viewfinder mount,viewfinder cables,usb stick

K2.75004.0 AMIRA Viewfinder MVF-1

K2.75000.0 Wedge Plate Adapter WPA-1

K2.0001208 CFast 2.0 Card 60 GB (2pcs)

CFast 2.0 Card 120 GB (2pcs)

K2.0001242 CFast 2.0 Card Reader (2pcs)

K2.75005.0 Microphone Holder Bracket MHB-2

K2.75001.0 Gold Mount Battery Adapter

K2.75003.0 PL Lens Mount

K2.0000399 Quick Release Plate QRP1

K2.75002.0 V Lock Batter adapter



Location: Istanbul-Turkey


thanks!

ergin ozturk


erginozturk.com

ergin.ozturk@ifs.com.tr

This is just my opinion, but having shot there many times myself, I have found that wide shots of the LA River can become quite boring very quickly. Sure, you need to establish the setting and for folks living outside LA, and around the world for that matter, probably find all the concrete work and bridges interesting.. but I think doing some longer lens work (as you certainly have the glass) would be great. Once the wider stuff is done, it would be hard to get me off that 200 :wub:

Since i am living in Istanbul/turkey i may use wide angle for narrow historical streets..:)

thank you all.

I think all we agree on as Chris says "stay on wider end of the specturum without going too wide".

At least we all agree that it is not superwide like 11mm. I should try my 20,28 and 50mm for same results.

ergin

They definitely aren't on the long end... probably 28 - 50. It is very difficult to tell exactly. Often times a 20 at a 2.8 can look similar to a 50 at an 8 or 11...

 

Why not take all your lenses with you? You will quickly know what you need (want) to use.

Hi David,

Actually i am the DOF type of guy. I like telephoto. But then i saw movie Code 46 and everything changed:). Now i really like some wideangle type of frame. but i want to be sure if it is really superwide (like 11 mm) or wide (like 20 or 28 mm) or standart (50mm) or may be soome telephoto can give such a frame?

That is why i asked to be sure..

ergin

Hi Ergin,

 

what format are we talking about here? Because your focal length will be very different in 16mm and with a full frame 35mm DOF adapter (24x36mm). Nice kit BTW. Do you own these? And what are the speeds?

 

Regards, Dave

Hi Dave,

I have RED One camera. So i need 35mm frame.

Most of them f2.8 except 50mm (f1.4) and 85mm (f1.8)

So what is your opinion about picture/lens?

Hi,

I need your help to for lens angle selection;

I have following nikon lens kit;

Tokina 11-16mm

Nikon 20mm

Nikon 28mm

Nikon 50mm

Nikon 85mm

Nikon 135mm

Nikon 80-200mm

And i need to get these pictures

Can you help me which lens should i use to get the following frames?

(Ex: picture 1=20mm, picture 3=50mm)

Picture 1

Picture 2

Picture 3

Picture 4

Hi,

I am new around here. I do not how to ask but i really need your support.

I ve seen Code 46 movie on DVD and i killed me. I love it.. Every picture, moves etc... best cinemotography i ve ever seen.

Can we discuss what is the secret behing the beautiful images? Just because of the film? or anamorphic lenses? (is it anomorphic by the way?) color correction or anything else?

Please share your comments or any kind of impormation regarding code 46.

ergin