Pepijn Robben

Thanks everbody for your reply's I have send a mail to mark bliss and this is his reply to go straight to the chase I did not use bleach by pass, or pushed the stock, what you see is what happened in the camera, I used mostly 50 ASA daylingt stock for majority of day scenes, 250 D for late afternoon and mornings and 500T vision for the interior night shots. greetz pepijn ps. thanks Mark for this reply

Hey David thanks for your reaction I just got one question is the low detail in the dark area's of the frame also done in the post or did they achieved that with the bleach bypass. My second guess is that they pushed greetz pepijn

Hey i was watching some television when i saw the new commercial for we fashion it looks really great. So i started thinking about how the cinemathographer achiefed such a look what kind of processing he used to create this look. My guess is they used bleach bypass this could be wrong so i hope someone could tell me how they created this look you can find the clip here thanks in advance pepijn

Thanx for all your help tomorrow i will go to a lab nearby and ask them if they want to develop short ends with all your information i hope i get some good test that will help me improve my workt thanx pepijn and karl thanx for all your information i hope it works :-) and i get my film loaded

thanx for your reply's will test them and hopefully learn allot thanx pepijn

Thanks for all your replys i think it would help me to do some cheap test Karl i could use some help for loading film in to a still cassette i would be delighted if you could send me some information about it. For the free loader i will look here in the neighbourhood to see if i can find one, thanks for the offer. you helped me allot thanks i also gonna try shooting some test with a nikon digital camera and test out some looks with kodak look manager. I hope this can help me find a right film stock thanx

Hi iam a student and about to shoot a short film for school. For this short film i want to test different kinds of film stocks to see how they react and to do a key light test with them. Most of the time we are shooting with kodak vision 2 500t (16mm) here at school. But i want to work with other stocks to learn about there look. Does anyone know a cheap way to test different kind of filmstocks without having to buy a full roll of film for each stock and having it developed. Maybe with dia or something but i don't know if the stocks are the same for photography and film. I just want to learn more about the different kind of film available on the market so maybe my schoolprojects can have a better look in the future thanks in advance pepijn

Hi iam a student and about to shoot a short film for school. For this short film i want to test different kinds of film stocks to see how they react and to do a key light test with them. Most of the time we are shooting with kodak vision 2 500t (16mm) here at school. But i want to work with other stocks to learn about there look. Does anyone know a cheap way to test different kind of filmstocks without having to buy a full roll of film for each stock and having it developed. Maybe with dia or something but i don't know if the stocks are the same for photography and film. I just want to learn more about the different kind of film available on the market so maybe my schoolprojects can have a better look in the future thanks in advance pepijn

Thanks for the tip best regards

Hi Matthew Sorry but my first name is Pepijn and it will cost me allot of money to change that :) So for now i have put my family name behind my first name. I hope that is enough if it's not enough let me know so i can change the things i need to change

first of all sorry for my bad englisch In a project i'am shooting next week we are using a miniature building with a scale 1 to 10 I have done a miniature shoot before but it was for a comedy so i didn't had to look real. This time it must look real.I have heard that if you shoot on a higher camera speed you can make it look more realistic. I also heard there is a formula so you can calculate wich camera speed to use on wich scale of miniature. Does someone know this formula? it would help me allot If someone got other tips on shooting with miniature i can use all the help i can get thanx

Thanks for all your sollutions i think now i have all the information i need to make this project come to a good end. thanks allot greetings Pepijn

Thanx for this idea this certainly will help. But what kind of lightsource do you recommend to me to light the scene or is it enough to use natural light. I only once shot a scene outside so iam not that experienced we used a 4k cinepar for that scene. Do you think that would be enough for this scene or should i use a bigger one pepijn

Hi First of all sorry for my bad writing. I'am a belgium filmstudent and iam asked to be a DOP on a shortfilm. This shortfilm will be shot on a 16mm Arri SR Kodak's 500. I have shot some shorts but they where always shot in a small studio. In this shortfilm i have to light a forrest for lets say 100 square meters. We shoot for 4 days and the weather in belgium is not really stable so i cant count on that for continious light. The director has ask me to create a style like the green forrest in the house of the flying daggers http://www.sonyclassics.com/houseofflyingd...ailer-open.html He also wants to shoot a nightscene in the same forrest. I already have an idea for that but iam not sure its the right idea. i want to use a light balloon for that like the one in this link http://www.airstar-light.com/uk/produits/sm1/index.php3?id=1 My budget is a little flexibel but not to much Does anyone has suggestions for me on how i can achieve the lighting setup the director asked from me, to create some sort style like in the house of the flying daggers. And what kind of equipment i need to use to create this scene. I hope someone can help me on this one thanx for your time greetz pepijn robben