Marco Cordero

http://www.vimeo.com/27353566 Mainly shot with GH13 and AF100. Ultra, ultra low budget. More at my website. Thanks for looking, Marco

It's not worth doing this. Noise and artifacts are already present in the HDMI output, so you aren't avoiding that. And the H.264 files that the 7D records to have a generous bitrate of around 45 megabits per second. In other words, they already look about as good as they can, even though they are compressed. Capturing through HDMI and having to crop the image is a big tradeoff for little, if any, gain. Marco

Hey, man. How are you? Yeah, that was Craig Weinstein's capstone, wasn't it? I'm still in Orlando but not for too long. I did operate all the shots as well as light them. M

Viewable here: http://www.marcocordero.com/cinematography Most was shot on the Canon 7D, the rest on 5D, 35mm and 16mm. Any feedback is welcome. Thank you for looking. Marco

I shot a short with 5279 and 5260 and they matched very well. 5260 has finer grain, but otherwise looks almost identical to me. Compared to 5218/19, there is more contrast and saturation, but it is not overbearing. I ended up digitally increasing the contrast after telecine, but the uncorrected look was definitely more exciting than 5218/19. Marco