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ozkul dikici

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About ozkul dikici

  • Birthday 12/13/1978

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  • Occupation
    Cinematographer

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  1. Thank you guys for the ideas, i might just incorporate them together!
  2. Hi Everybody, I am shooting a commercial for a company that produces kitchen gadgets and vacuum cleaners. (Intended for the web) I'll be shooting with canon mark III, i have access to pretty much everything that i need for lighting and grip. The studio floor is black, shiny, and very reflective. Back drop is very dark gray (almost like black) and non reflective. It'll start with a top shot of a woman, who struggles with a different brand vacuum and so on... I'll also have some close-up product shots(obviously) and etc. This is the first time I am working with this agency and I want to give them something different, of course, I don't want to re-invent the wheel but I sure can use some creative advice from whomever is available to spare me some of their time. Thank you,
  3. Thanks Adrian, Unbelievably useful video! Ozkul Dikici
  4. Thank you Deniz, Every single detail you've explained in your reply was very useful. Since you are from VFX background, the tips you gave me here might save my live(my post guy is a bit diva). If you would have little more time to spare for me, I would also like to ask you; what are the most important things to watch when I am putting my reference marks? Thanks again for your help and time, Ozkul Dikici
  5. Hi, my main question is; what can get on the green screen? what I meant by that, when I worked with green screen we could put cutters, silks etc which would be in the frame. I have been told, as long as the subject doesn't cross between the cuter and the camera the cgi which will be posted on the green screen can cover the cuter or whatever. in that case wouldn't frames or light stands(anything like that) effect the tone of the chroma and give a hard time to post people? thanks Ozkul PS: I hope my explanation is clear.
  6. Hi everybody, I am about to shoot a scene in green-box. Although I worked as an electrician and grip for few green-box shoots, this will be my first DP experience in this field, and as everybody else I want to do a good job so I need any help that I can get. With that being said, I would like to describe the scene as best as I can. I hope experienced cinematographers and gaffers out there would see my post and guide me thru challenging details of lighting the green-screen. 1) My subject (a belly dancer wearing a dress decorated with sequins) will be walking in front of the green-screen about 20-25 ft. 2) My camera will be dollying in with a 40 degree angle towards to marked meeting point with subject.(we are moving left to right) 3) My subject will stay in the frame all the time. 4) My subject will stay on the right side of the frame because as she walks; her hand moves will create a gold color silhouette of a city that appears and disappears as it follows her. (sort of the animated disney logo) 5) As we move with the camera gold color silhouette on a black background will stay on the screen for few seconds, when I met with my subject only her arm will be in the frame and a butterfly will fly around her arm and land on her hand. 6) Black background, gold silhouette and the butterfly are the only things that will be posted with CGI. 7) I have any lighting and grip equipment that I will be needing. 8) I will be using JVC 790HD These are the things that I can think of, If you have any suggestion about a shoot like this please share with me. Thank you, Ozkul
  7. Hi everybody, I will be shooting a short documentary in a politicly sensitive country and it will be shot in guerilla style. I have couple of obstacles ahead of me therefore I need help from whoever can. First I do not have any kind of luxury to take any equipment with me(I absolutely have to look like a tourist not a filmmaker). Sound is important if I use any kind of DSLR would i have sound quality problem? If I use separate sound recording device(which can only be a little digital recorder) would I have sound sync problem?(clapboard is not permitted but can be made by me) As of lighting I am thinking couple of little LED flashlights and small pice of silk would solve my close-up lighting problems(I can't even take 1x1 barfly with me). If anyone has a different camera recommendation other than DSLR, which can relatively looks like a consumer or maybe even semi-professional camera, please let me know. Also recommendation for practical ways of recording quality sound(such as brand of a nice digital sound recorder) and lighting the interviews other than my idea will be highly appreciated. Thanks Ozkul
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