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Mark McCann

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About Mark McCann

  • Birthday 01/29/1991

Profile Information

  • Occupation
    Camera Operator
  • Location
    London
  • Specialties
    photography, cinematography, independent cinema, independent music, graphic design, history,science.
  1. Hey guys, heading out stateside in july, will be filming in Vegas and New York for a documentary, can anyone recommend any great locations in either city to get panoramic shots of the cities? Something that might be easy enough to access for a visiting crew? Thanks
  2. Hi all, Wondering if anyone could help, Looking for some luts for Apple colour, to throw onto an edit containing C300 log footage and BMPCC log footage, Look for a out to bring both close to rec709, Anyone able to help?
  3. Thanks everyone, for the responses, we're just going to look into a B4 to Micro 4/3 adaptor and use some of our old ENG lenses.Am I think I'm right in thinking that zooming in just past the vignetting would still give us a wilder field of view than most cropped 35mm wides? Thanks Adrian for reiterating about the Fungus/water thing. Appreciate all the input, it's helped a ton.
  4. Wow, Thanks for the speedy reply! It's really appreciated. Any chance I could bug you to get your thoughts on this one? http://www.ebay.co.uk/itm/ANGENIEUX-9-5mm-95mm-Vintage-Zoom-Lens-RARE-Blackmagic-BMCC-BARGAIN-/231230934275?pt=UK_Lenses_Filters_Lenses&hash=item35d6700d03
  5. Hi all, I have a blackmagic pocket cinema camera, Im looking to invest in some old Super 16mm glass, I see an interesting one on ebay, but have no idea what lens mount it is. Can anyone help me with this? Do you know what lens mount it is? Would it work with an adaptor on BMPCC, would the lens at its widest be able to cover the BMPCC without any vignetting? Link to the Lens: http://www.ebay.co.uk/itm/ANGENIEUX-12mm-120mm-Vintage-Zoom-Lens-Blackmagic-BMCC-Bolex-BARGAIN-/231231013065?pt=UK_Lenses_Filters_Lenses&hash=item35d67140c9 With thanks Mark
  6. Thanks very much for the replies, that's good to know. It's been bugging me all night. watching it, I know it wasn't anamorphic so it must have been the matte.
  7. Apologies, I can't seem to attach the image, but to describe the bokeh, it appears as rectangular shaped with well defined edges. What could be the reason for that? To my knowledge I've never seen bokeh of that shape.
  8. Hey all, I was watching the irish programme 'love/hate', When I noticed some peculiar shaped bokeh. I've attached the image, can anyone fill me in as to why the bokeh is so square shaped? With thanks
  9. Hey all, would love some feedback on my cinematography showreel, located here. https://vimeo.com/65387622 With thanks Mark McCann
  10. It's worth learning absolutely, It will teach all the basics and advanced techniques that you can do in nearly every piece of editing software. Although I Do doubt it will be around much longer, with the increase in resolutions and file sizes coming from cameras a 32bit editing software won't be able to cope for much longer, Id personally recommend Adobe Premier CS6 or Avid Media Composer.
  11. Poor Roger Deakins, Thats ten nominations now without a win...
  12. I constantly misread the post title as 'autism'. I would definitely consider the D.P an auteur in most cases, they usually have their own distinct style- theres no one right way to do a film and each cinematographer has their own specific outlook on a script. On the other hand theres some exceptions for example with Kurosawa's films, I tend to give him more credit towards the composition than I would cinematographers on others. So It can depend on a multitude of factors, how visually minded the director is, and how much creative control a D.P is allowed to exert on a piece.
  13. Hi, This was the latest short film I've been dp'ing. /for some info the vimeo title is the module title we had to upload under as for university [separate version will be uploaded], due to time constraints on the module the credits are very rushed [unreadable], fixed in the version soon to be uploaded. But importantly, i would love feedback on the cinematography in this, i worked on it as director of photography, i would love any feedback both positive and negative. https://vimeo.com/55483003 THank you. Mark McCann
  14. Tragic, he was a great cinematographer, fortunately he will still be remembered by alot of people for his art. R.I.P
  15. Hey all, Im wondering if anyone can help me out, Im working [researching] at the moment my chosen dissertation topic for my last year at university, "The technical advancements of cinematography from the 1960's". I have a good list of material at the moment im going through, but is there anything anyone can reccoment that could be of interest to this topic? With Thanks Mark McCann
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