sandeep sony

i am going to shoot a feature film ....alexa on 120 fps ..... up to 60 frames i tried.i never tested 120 fps ...is it ok or not plz give me suggestions ...

plz check ur personel meesenger

super ....this idea also good

in only one shot i show roof .....even in mid shots also some times roof will be seen.......

ya idont minee to commit lights in framee .....

pic of bus interior

thnks for reply... sir Brain Drysdale .......again .....one more i have another plan if it workout or not ..... the people who are sitting in bus near window ...i have a plan ..i wanna fix multi's and par cans .... on the top of bus ...like half of the light falls on character faces ..... All these lights connect to electronic dimmer packs(DMX board) and make a chaseing program ....so ....i can get natural street light passing ...effect ..in side i can use blue gels to change inside color temp .... According to script ... i need to switch off and switch on the lights in a scene .....for that i am planning to shoot ....ambient light wt ever lights are there in bus ..i wanna add same color temperature light to get good exposure....so that i can switch off and switch on in bus through same battery ... Again..... to illuminate the out side passing vechile lights comes in to bus interiors like a hilights ..i wanna take a trolly to keep the light and rotate(with man power) ..according to us .. ...i hope its work out ..let me know which light is prefarable for trolly to get punch (out side vechicles front lights).. Let me know u r suggestions

thnks for reply... sir Brain Drysdale .......again .....one more i have another plan if it workout or not ..... the people who are sitting in bus near window ...i have a plan ..i wanna fix multi's and par cans .... on the tpo of bus ...like hald of the light falls on character faces ..... so ....i can get natural street light passing ...effect ..in side i can use blue gels to change inside color temp .... According to script ... i need to switch off and switch on the lights in a scene .....for that i am planning to shoot ....ambient light wt ever lights are there in bus ..i wanna add same color temperature light to get good exposure.... Again..... to illuminate the out side passing vechile lights comes in to bus interiors like a hilights ..i wanna take a trolly to keep the light and rotate(with man power) ..according to us .. ...i hope its work out ..let me know which light is prefarable for trolly to get punch (out side vechicles).. Let me know u r suggestions

reply plz...suggestionss

now i changed to my real name ....plz give me suggestions

reply plzz

Plz see this link once http://www.lumatechinc.com/S35.html how far these lenses are good for night shoot ...when compared to cooke s4i , Ultra prime cooke s4i is more warm than ultra prime i want to know characteristics of these lenses... ....Thank you

i m going shoot a sequence in Bus interiors .....with red mysterium x i wanna shoot in Ambient light ... According to Script ...i need to switch off lights in the bus ..... here in need suggestions ....i am thinking to shoot the whole scenes with same Ambient light .. later wanna do in post that light off sequence ...change the mood of scene in to dark .. in the same scene .... short circuit has to happen to switch board ...i wanna see those highlight sparks on people who are sitting in bus ... Plz let let me know any betterments ........ Thank you

can u explain me detail?how it possible........

No we set the camera white balance at 5600 we used (Tungstun lights),Acc to you(David mullen) 3200 will be more warmer..but here thats not happend,when we were going to below 5600 cool blue is coming then we raised the temp 9100 ,it shows more warm...

plz some one clarify doubt

Up to 120 frames per second To support slow motion and fast motion, the F65 provides over- and undercranking at frame rates of 1 to 60 frames per second (4Kx2K resolution), and up to 120 frames per second (4Kx1K resolution). In both modes, you get high-speed shots without "windowing," crop factor or change of effective focal length. just check this link http://pro.sony.com/bbsc/ssr/show-highend/resource.solutions.bbsccms-assets-show-highend-F65.shtml#/f65t1_7 can we shoot 120 frames in 4k or not,what it mean (1 to 60 frames per second (4Kx2K resolution), and up to 120 frames per second (4Kx1K resolution))? please clarify me.......

Alfa 4k ,how it differs from 4k Arri par? How it will be use full instead of using 4k par? Will it give longer through or not? make me clear ...how it will be useful,i want to buy(along with ballast will come or not)

Tell me detail Difference between shift&tilt lens and swing and swift lens?

Some one post reply

hi clear my doubt 3200 clour temp is warm(tungstun) 5600 color temp is day light But in alexa if u need warm(means more warm) temp you have to 9100 why(Generally 2700 gives more warm than 3200) what is this confusion?

what is shift and tilt lens?.. here focus splits or what?,can we keep focus at multiple places in frame or what? what is swing and swift lens?.. here we can adjust frame and we can get distort images,shallow depth but make me clear about focus...

my name is vijay Four days back i was shooting with red myst X,i faced a problem with focus (ultra prime lens).i used wide 14,i wasn't able to get focus then i thought problem with lens but not,what ever range lens ,i had same problem.we could n't identify problem then i started taking measurement,For example tape measurement is 5 feet,if i need to get focus on 5 feet object,i needed to put at 7 feet 4 inch like the same problem continues with all lenses depend up on ranges,next after 30 ft every thing is soft. so, we got new one to shoot...... Please make me clarify what could be the problem?

HI Next week i am doing Mise-en-Scene(two lovers are meeting after 3 years,discussion between them) with super 16mm(eterna vivid 500T,8647),i want to light up room as evening(4-6pm).i have two tungsten keno,enough multi 10's and 20's,baby's,quartz's,two senior,2 junior's,two 2.5 HMI,one 1.2 HMI my room dimension is like this 20x14,but i need monotone liker this My link.other wise suggest me which monotone can i do with these lights,one thing i am not going to do any DI...... Thanks..

HI Next week i am doing Mise-en-Scene(two lovers are meeting after 3 years,discussion between them) with super 16mm(eterna vivid 500T,8647),i want to light up room as evening(4-6pm).i have one tungsten keno,enough multi 10's and 20's,baby's,quartz's,one senior,2 junior's,one 2.5 HMI,one PAR. my character are moving around the room while discussing,i am using mini crane and trolley to follow characters. Maximum possibility of placing lights from top(ceiling) and outside of doors and windows.i don't want any eye shadows on face. i want to tie a small soft box to my crane near to camera,what my intention is while going to close it helps to give more details on face. Is it useful or not. my room would be like this Thanks