Gene Warriner

Hey John thanks for that info! Cheers Gene Warriner

Thank you for the reply Brian.

Hey! I'm just wondering how i need to light in order to get the reflection of a persons face in a window that will be a focus pull also, to a man walking down a street. I have attached this photo just to show what i am going for. But i'll be going over the shoulder so you'll only see the face in the window. I've looked over the site for a similar question but didn't find anything. Cheers Gene Warriner

The Middle one is The assasination of jesse james too. i've been doing tests just with my meter set at 200asa 24 fps and its looks like it will take it all in wide open (1.4)

Haha I know i won't get the cleaness of 35 with s16, thats a given. what I put the photos up for is the for the feel and mood we are going for. Cheers Gene

Karl here are some feels we are going towards. Hey Edgar, yea i've actually been quite keen on going for the 200T for the interior night shots and im going to a kodak V3 200T demonstration next week at Park Road Post here in Wellington so that will probably make me go for it if it impresses.

Yep i was already going with the 19 for the interior shots and we cant get the fuji film. the art department, the director and I have decided to go with a slightly washed out warm look, with reds, peach, yellows, green and blue. the movie is set out in the country side and the family portraid isn't that well off money wise so everything is going to look run down and old.

Hey Chris thanks for the reply! The school only uses Kodak film and ive never used the fuji film before. I'm trying to just stick with the tungsten stocks at this stage aswell too and New Zealand has some of the harshest lit skies in the world because of the hole in the o-zone layer we have, so even on rainy days it is still pretty bright unless we're talking thunder storms plus i think we'll be creating the rain effect too. I will look into the 50D stocks abit more. Cheers Gene Warriner

Hey fellow film lovers my name is Gene Warriner from New Zealand. I've just joined up and have a querry to anyone who might have a suggestion. I am the cinematographer on a film we are shooting at film school in october, it's set in 1945, 3/4's of the film are exterior day scenes and the other 1/4 is interior night in a dining room. I'm thinking of going with 200T for the ext. and 500T for the int. but i've been doing a bit of reading and alot of people say the 100T is great of exterior daylight, some scenes involve rain but too so im not sure what road to go down, your help would be much appreciated!! thank you in advance. Cheers Gene Warriner