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Graeme Sutherland

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  1. I can't think of ten off the top of my head, but here are a couple that haven't been mentioned yet. Firstly, I'm going to go with Crank 2: High Voltage. Neveldine and Taylor have a distinctive shooting style, and whilst it's not a beautifully lit or whatever, it's interesting what they do. And I'm looking forward to seeing what they're going to do with Ghost Rider when it opens next month. Their DP on both of these is Brandon Trost. Below is a haunted house story set on a WW2 submarine. I saw it at a screening at Pinewood, along with a talk by Ian Wilson on how he shot it. (One stop over-exposed, and then printed down during processing.) And lastly I'm going to say "Drive". Look at the way that characters are lit, and the more morally compromised they are the more they're in shadow.
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