Jordan Marlin

The Shining. Just the way the focal length brings you into and out of so many scenes, as well as Jack's slow mental decay. Triumph of the Will. The opening arial shot as well as the buried camera shot. The framing as well as tight shots on german citizens are remarkably well done. As well, if not only for one scene, Nightmare on Elm street. The ridiculously careful lighting of the shot of freddy coming through the wall gives me chills. I totally agree with the others stated, especially Apocalypse Now with its use of warm and wonderful colour tones and such meticulous lighting. (Particularly all the scenes with Marlin Brando's gigantic forehead playing hide and seek with shafts of light.) And Blade Runner is just rad beyond words. The opening master shot is just... wow.