Arrigo Verderosa
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Hi again everybody. So in this period I'm working on a film project based on various reality shows like Jersey Shore and Nanny 911 and stuff like that... to achieve that kind of cinematography I'm gonna use a steadycam to follow the actors and a stable camera on a tripod to imitate the "security cameras" around the house. now here's my problem: those kind of cameras, the security cameras, have a really low resolution, lots of grain and high ISO and noise. I got a canon 700d and I'd like to know if it's possible to achieve that look by editing the camera settings or later on premiere
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Please help, a very important question...
Arrigo Verderosa replied to Arrigo Verderosa's topic in Grading, DI and Telecine
thank you so much David and Adrian, this helps ma a lot, I'm going to research about this matter. Thanks again! -
Please help, a very important question...
Arrigo Verderosa replied to Arrigo Verderosa's topic in Grading, DI and Telecine
Adrian thank you very much for your kind answer... you got any suggestion about how I could have the film shown on TV and big screen with the colors as close as possible to what I created? also, now I know that on TV colors are brighter and more saturated, but how will a big screen affect the colors? thank you very much if you will answer... -
Hi everyone, in few days I'm gonna show my short film to a commission for my graduation... now, until now I just worked on my laptop, never tried to see the result on TV, but as soon as I did it... I really freaked out! watching the film on my laptop, everything is good: high quality definition, bluish and desaturated look which is exactly what I wanted to achieve, no digital noise... when I saw it on TV, it was yellowish and very saturated, really bad definition with a LOT of digital noise... I don't really know what to do, my school career will be probably influenced by this projec
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thank you very much, this is incredibly useful to me
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Thank you very much for your comment Stuart. As you rightly pointed out, I am a beginner, but in this particular case I just wanted to semplify the matter, so I didn't really pay attention about "1/50" or "50"... considering that english is not my native language, I always have to keep in mind lots of things to make myself clear... your remark was really appreciated though, and thank to you I won't make the same mistake again. Thanks
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thank you very much for your comment
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Hi everyone, so recently I've been watching lots of three point lighting tutorial. I tried to recreate this kind of lighting today, and get some photos using a photocamera. Recreate the three point lighting seemed simple enough to me: I could achieve a nice back light, and key light and fill light weren't a problem at all. The problem was the exposure: I had three very strong lights, and they were all three about 5500 K, but still I had to use 800 ISO, and this seemed a little bit too much for me, since every good photographer says that you should keep your ISO very low, as low as you
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Thanks for your comment... but as Chris Millar very punctually remarked, with "50" I wanted to mean the shutter speed, not the fps... the fps I want to keep it stable at 25... any recommendation you can give from you personal experience will be really appreciated
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thanks for your comment
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Hi guys, so I'm going to shoot a movie for university, and I want to use 25 fps, in order to give the famous "film-look" to the image... my problem is that in some shots I'd like to obtain a depth of field as shallow as possible. So here's my dilemma: they say when you're shooting in 25 fps, the maximum quality of image results in using 50 shutter speed (fps * 2); but if I use 50 shutter speed, then the aperture would be affected: and as you know, in order to obtain a shallow depth of field you should have the aperture all the way open, which in my case, with 50 shutter speed, could r
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Hey there, I'm new here and I'd like to start asking a question about sound. Last year I shot a movie with a friend of mine, using as record devices a condenser microphone, linked to a sound card, which was linked to the laptop. Now, I brought my sound card home with me, but now it seems I can't find it anymore... Looks like I'll have to buy another one, but since I'm not an expert in this field, I can't really remember which are the features of the sound card I used last time, nor the brand... can someone tell me which are the basic features one should require from a sound card of t